Second Perspectives: Q2 GAP

Click to see more of Felice Varini’s perspective-warping artwork.


Trompe-l’œil Learning


At the end of the first quarter, you were given this:

The process [of GAP scoring] should be individualized. Grade abatement stresses individual learning, and it would undermine our philosophy to treat the end of each quarter as a high-stakes event. It would turn us back toward the warping pressure of the old model of learning, and none of us — teacher absolutely included — benefits from the wearying push through 140 essays, reports, or conferences.

This is still a new idea to me, but it seems more and more important as it plays out in the classroom. We can’t be a course that focuses on final artifacts over process. The experimental model — the makerspace mentality we’re trying to embrace — values results, but it shouldn’t prioritize them. The push for risk-taking and integrity is undermined by any traditional teacher-as-judge-and-jury assessment.

As always, though, your ability to provide what Tony Wagner calls “collective human judgment informed by evidence” is dependent on how much you’ve invested in the course. Your independence and individuality depend on how closely you’ve read posts like this one. I’m running out of metaphors for this — cooking still seems apt, and vaccination is never more appropriate than during flu season — but, to use a metaphor to describe using metaphors, these windmills won’t tilt at themselves.

I’d like my role at the end of any GAP process to be simple: I’m there to put you in the exact spot that lets you see yourself clearly. I help you find clarity, especially when your learning starts to seem random and unconnected, like the spatial artwork of Felice Varini:

I’m there to shed light on the evidence you’ve accrued when it looks like a pile of trash, as in the mixed-media artwork of Tim Noble and Sue Webster:

The most important step is about perspective. Varini’s artwork only makes sense if you stand in exactly the right spot. Find that spot, and the random shapes snap together:

With a bit of light in the right spot, the pile of trash transforms into this:

You need to find the necessary perspective on your body of work. The picture might not always be positive or pretty — the hammer and axe in that silhouette are a little disconcerting — so it must always be clear. The end of a quarter should be a validation and a celebration, and then it should pass quickly. If you have struggled, it should be a moment of reflection that spurs greater effort and focus — and then that, too, should pass quickly.


Q(x) Assignment


Which brings us to your GAP assignment, to be completed efficiently and insightfully and in two stages:

  1. Google Form due before 7 AM on Wednesday, January 25
  2. Google Classroom assignment due before 7 AM on Friday, January 27

The early morning deadlines allow me to read your responses throughout the day, which speeds along the triage process. The form can be done in class or in 15-20 minutes at home on Tuesday, January 24, so that shouldn’t be a problem. You’ll have Wednesday and Thursday to figure out how to solve the second prompt, which is over on Google Classroom.

Start, of course, with the protocol given to you last quarter. Read it again (or for the first time, if you haven’t quite realized how essential that sort of guide is). Then read or re-read the massive update to Sisyphean High that was delineated back in November. The links are below:

  1. Grade Abatement Protocol | How to put together the evidence and understanding necessary for an accurate score.
  2. Mind the GAP: Sisyphean High 9.3.0 | An update on the course that covers pretty much everything.

Again, if you’ve done your work this year, you’ve already seen those. You internalized enough of them to have needed only the period on Monday to jostle your brain into the right position. These links are review. If you haven’t been keeping up with interstitial instruction, however, you don’t have a choice: You need to read it all now1.

When you’re ready, you can find your assignments over on Google Classroom. Remember:

  • Ask questions in the usual places.
  • Teach each other what you learn.
  • Fight the predictable, learned helplessness that comes with a difficult task.

Good luck. Let’s settle these scores, make something meaningful, and get back to our studies.


  1. Well, you do have a choice, I guess. You could choose to be frustrated and confused and misinformed. As much as that seems to be gaining in popularity around the country, I would advise against it. 

New Groups

TL;DR: Let me know if these new groups create any serious interpersonal problems, and then expect to use them in class.


The Stuff of Growth


Back in September, we watched Ken Robinson’s speech on education. You can revisit our discussion through the first part of this corner of Sisyphean High, but we’re talking today about his idea that collaboration is the stuff of growth and that most great learning happens in groups.

The complication arises from how you form those groups, and through the end of 2016, you had almost total control over your collaborative setup. A few class periods were rowdy or unfocused enough to force assigned seats, but never for more than a day or two.

The shift we’re about to make is not an indication that you failed, individually or collectively, to work well in your self-selected groups. Some of you proved Ken Robinson right every day. Instead, this is a deliberate effort to change the classroom space, which has begun to stagnate in recent weeks. You sit in the same places and work with the same folks, and you’ll all benefit from a test your ability to collaborate outside of your circle of friends.

UPDATE, 1/11 | Your groups have been adjusted. You can access the new copies through Google Classroom. Look for the update from January 10, which has a PDF attached. These updated groups are smaller and should prevent the interpersonal problems that were brought to my attention.

If you have any more concerns, juniors should look to the metacognitive and reflective writing outlined in this more recent post. Sophomores can bring their concerns directly to me or Mr. Looby. The goal is to improve, using the resources of the room as effectively and efficiently as possible. Remember:

View at Medium.com

Pareto Project: Process Update

The most obvious changes below are to the calendar for your Pareto Projects, but you will need the definition of a “process update,” too, to help you plan for those checkpoints.


Calendar Update


In the last version, the checkpoints occurred roughly every three weeks, but not on the same day of the week. That has been changed so that a process update happens every other Friday. In English 10, we will almost certainly set aside the period on those dates to work together; English 11 and AP students should not anticipate having that class period, however, since we will be using that time for exam prep.

You can load the updated Google Doc version of the calendar by clicking here. If you’d like to download and print a version, you can use this PDF copy of version 2.1:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2017%2F01%2FParetoProjectCalendar.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

 


Process Update


For all students, these biweekly updates should follow a similar format:

PARETO PROJECTS | Click that link to load the home of our eventual/hopeful Pareto Project publication. Your assignment for every required update is to write an essay that could hypothetically be published there. That essay should be a short, insightful response that blends the answers to three questions:

  1. What have you accomplished so far for your Pareto Project?
  2. What have you learned so far?
  3. What’s next?

Answer these in a way that makes sense for your project. Include whatever images, links, digressions, etc, you want. You will not automatically be published, and many of you haven’t yet set up a Medium account. That’s okay. The metacognitive stuff is more important, so it matters most that you monitor your progress and find something insightful to say about it.

When in doubt, use the instructional posts that are available online. Delving into those posts will hone your close reading ability, and you will get better at communicating your questions and concerns only if you’re fully informed.

Pareto Project: Day 4

Kandinsky’s Composition VIII. Click to see more of his work.


Step #4: Digital Presence


With today’s iteration, the complete guide to this Pareto Project has been rolled out to you, and you can now move at your own pace through the prefatory assignments and into the project itself. Start with version 1.6 of the guide:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F12%2FParetoProjectGuidev1.6.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

Step #4 asks you to set up Twitter and Medium accounts to use throughout this process. It also encourages you to think critically about the other sites you can use to develop and eventually share your work. Most of this will be done in class under our atelier model — i.e., under teacher or teacher-proxy supervision — but you can begin at any point.

For Medium, exploring the site is the key. You will eventually hope to have a curated set of writing like this:

View at Medium.com

That is Gina Arnold, a graduate of Brewster and the student who first suggested that our makerspace might be able to use Medium. She predicted its rise as a digital platform, and she continues to use it for academic and job purposes. Your planned updates, which are identified on the Pareto Project calendar, will be posted to your Medium account, which should emulate the professional tone Gina uses.

Otherwise, explore the site. You’ll find everything from national newspapers to online comics, and your voice will eventually join these ranks. (You can do the same sort of exploration on Twitter, but stick to Medium for now. The Twitterverse is a labyrinth that would panic Asterion.)


Step #5: The Work


Step #5 has you start the work of this project. So that you’ve seen it twice, here is the complete guide again:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F12%2FParetoProjectGuidev1.6.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

Notice that Step #5 gives you access to your peers’ concise ideas. Their projects are part of your environment for the rest of the year, and the more aware of each other you become, the better your own work will be. This is your “network of possible wanderings,” as Teresa Amabile once wrote in a discussion of creativity:

Expertise encompasses everything that a person knows and can do in the broad domain of his or her work. Take, for example, a scientist at a pharmaceutical company who is charged with developing a blood-clotting drug for hemophiliacs. Her expertise includes her basic talent for thinking scientifically as well as all the knowledge and technical abilities that she has in the fields of medicine, chemistry, biology, and biochemistry. It doesn’t matter how she acquired this expertise, whether through formal education, practical experience, or interaction with other professionals. Regardless, her expertise constitutes what the Nobel laureate, economist, and psychologist Herb Simon calls her “network of possible wanderings,” the intellectual space that she uses to explore and solve problems. The larger this space, the better.

Creative thinking, as noted above, refers to how people approach problems and solutions—their capacity to put existing ideas together in new combinations. The skill itself depends quite a bit on personality as well as on how a person thinks and works. The pharmaceutical scientist, for example, will be more creative if her personality is such that she feels comfortable disagreeing with others—that is, if she naturally tries out solutions that depart from the status quo. Her creativity will be enhanced further if she habitually turns problems upside down and combines knowledge from seemingly disparate fields. For example, she might look to botany to help find solutions to the hemophilia problem, using lessons from the vascular systems of plants to spark insights about bleeding in humans.

Expand your expertise and experience, and this 20% really will contribute to the majority of your learning.

As always, ask questions below.

 

Pareto Project: Day 3

Kandinsky’s On White II. Click for more.


Step #3: Proposals


First, you should note that our original plans have shifted in light of your needs. That’s a good thing. I want to give you time to get your mind around this project. You will receive the complete guide according to this schedule:

  • Thursday, December 8: Introduction, Overview, and Step #1
  • Friday, December 9: Step #2
  • Tuesday, December 13: Step #3
  • Thursday, December 15: Step #4

Step #5 is a little gimmicky, since it will simply tell you to get to work. You’ll get it with Thursday’s update, and you’ll see what I mean. Let’s start today with the Pareto Project guide, updated with Step #3:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F12%2FPareto-Project-Day-3.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]


The Blueprint


Step #2 is ongoing, remember, and you have updated directions for what to do by Wednesday. Step #3 is there for those of you ready to tackle it. For the sake of redundancy, a link to the blueprint is below. Remember to make your own copy.

There’s a metaphor here, I’m sure of it. (Click for the blueprint.)

Pay careful attention to the section of the guide for Step #3 that discusses how to share and refine these blueprint proposals. Make this as collaborative an effort as possible to cut down on delay.

As always, ask questions about this step here or in class. You’re closing in on winter break, and we’re likely to move on before then to talk about Santa Claus; before that, you need to be sure you know what to do for this project. More than perhaps any other skill or trait, this is a test of your organizational and autodidactic strength.

Pareto Project: Days 1-2, Revisited

Kandinsky’s Improvisation 31 (Sea Battle). Click for more.


Assignment Specifics: Step #1 + Step #2


You have two current assignments on Google Classroom. Here are the particulars for Step #1, which is due by Monday at 5PM. Use class time to submit this work, since it requires only a small amount of writing:

Write a paragraph or two offering your insight into your upcoming schedule as it pertains to your Pareto Project ideas. Don’t overthink or overanalyze; focus on what you and I both need to know as you begin this Pareto Project.

Step #2 has a deadline of Wednesday afternoon, again at 5PM. Use the following directions for the already-posted assignment:

Write a reflective and insightful record of the “idea smithing” part of the project, including your thoughts on how the Google+ Community collaborated. Keep this to less than a page, unless you have pertinent analysis of that community to offer that requires more.

First, though, you must settle on an idea, share it with your classmates on Google+, and seek feedback there. Turn that digital space into an extension of and entrance into our physical classroom this week. The necessary links, which are posted alongside further instructions in our last post and the current iteration of the guide, are reprinted below:

Second, you must compress your idea into 120 characters or so and add it to the following Google Form, which must be completed by Wednesday afternoon at 5PM, when the rest of Step #2 will be checked in:

Those are the four assignments that you must complete this week. In list form:

  1. Write a short, explanatory response about your schedule and time as instructed in Step #1 of the Pareto Project guide.
  2. Share your ideas, critique the ideas of others, and otherwise collaborate online and in class.
  3. Write a reflective response about Step #2 of the Pareto Project guide.
  4. Submit your final project idea through the provided Google Form.

Step #3 is explained next.


Step #3: Due Monday, December 19


The calendar for this Pareto Project, which is always up-to-date on Google Drive, shows that the official proposal for your Round 1 Pareto Project is now due on Monday, December 19. This date is unlikely to change, because we need to lock in your projects before the winter holidays. The first required checkpoint is the day you return.

You will be given the updated guide with Steps 3-5 on Tuesday, December 13. That will allow some of you to move directly into Step #3, the proposal, while others will need the next two days to finish Step #2. Everyone will use the end of the week to set up digital portfolios and accounts, and to meet with me and peers about the proposals themselves.

If you have any questions about this, ask them in class or below.

Pareto Project: Day 2

Kandinsky’s Black and Violet. Click for more.


Idea Smithing


Each time I update the site with more Pareto Project information, I’ll repost the entire guide to that point. You should skim over the previous pages, because there will be edits that clarify or expand on ideas. Today’s guide ends with Step #2, for instance, but it also adds a single sentence in Step #1:

You must also choose a project that fits your schedule; if you must limit your focus during Round 1, you’ll have a chance to be more ambitious when we start Round 2 in mid-March.

That clarifies Step #1 a little, and it lets me add further clarification here: You need a project that can be accomplished in the time you have, and the time you have differs from person to person and month to month. Are you going to be in the musical? You should account for that upcoming responsibility. Are you busy with winter sports? That gives you less time for a larger project. Do you have a lot of idle time each day? You can plan something more ambitious.

Let’s start talking about ideas by reading Step #2:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F12%2FPareto-Project-Day-2.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

Step #2 is called Idea Smithing, and that metaphor will help us: You need to craft an idea, and you probably need some heat and pressure to do it.


Measure Twice, Cut Once


We’ll open the discussion in class, using groups of whatever size you choose. That will be our chance to talk about the timing element of Step #1, too, including what you should hand in on Google Classroom for that assignment.

The written work of Step #2 begins when you visit Google+, using the links at the end of the current guide. You can also use these direct links:

This is where you should make your elevator pitch. Putting your idea in writing will do what writing always does, which is to render your thoughts so we can revisit them. Your peers will then offer critical feedback to help you refine, repurpose, or reject the idea. Then, on Monday, I’ll post a Google Form to collect everyone’s pitches, which will also give you a chance to see what students in the other courses are doing for these Pareto Projects.

Ask questions about Step #2 below, and remember: Don’t just think outside the box; break it down and build something new. Or, you know, this:

Pareto Project: Day 1

Wassily Kandinsky’s Yellow, Red, Blue. Click for more of his art.


Paradigm Breaking


On Thursday, December 8, you start your Pareto Project. This is your chance to learn what you want to learn and create what you want to create. Under the aegis of grade abatement, and with my help and the help of your peers, you will design a twelve-week project that culminates in — well, in whatever you want it to culminate in. You aren’t just encouraged to think outside of the box; you should break down the box and turn it into something new.

You will receive the guide to this project in sections:

  • Thursday, December 8: Introduction, Overview, and Step #1
  • Friday, December 9: Step #2
  • Monday, December 12: Steps #3-#5

The staggered release of the guide means that you cannot jump ahead easily. You have time to explore each step of the process. You have time to read. You have time to ask questions.

You’ll see why this is so important when you load the three pages for Day 1:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F12%2FPareto-Project-Day-1.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

Those three pages are stacked with links and further explanations of all kinds, and that’s before you get to the first step. You need to slow down and spend your time more judiciously than you normally do.

Remember that I write to you in a way that also teaches you how to read. Unpacking the guide is its own lesson, so you must read carefully. You must take notes. Only then should you start to talk to your peers and teacher.

A copy of the calendar for this project has been photocopied for you. Let me know if a copy of the guide itself should be printed —and before you rush to say, “Yes, it should,” note that most of what you need is linked to within the guide. Printing might not have the efficacy you think it does, but we’ll talk about it.

This first excerpt has also been shared through Google Classroom, where you will eventually submit your work for Step #1.

Quarter 2, Day 4

Instead of Pavlov's dogs, here's a video about Schrodinger's cat.

Instead of Pavlov’s dogs, here’s a video about Schrodinger’s cat.


Unlearning Lessons


Today is Thursday, November 17. For the last three days, you have taken stock of yourselves through various lessons and assessments. As a result, you have a wealth of evidence to consider. You also have to unlearn two dangerous lessons.

First, consider what you were asked to take home after finishing Tuesday’s diagnostic test:

You weren’t given a deadline for this reading. It’s your responsibility to find the time to read all three documents, because they provide you some context for this class, whether you are a senior challenging yourself in AP or a sophomore still wondering whether this high school thing is worth it.

So these documents will tell you why it matters if you know, for example, what “assiduousness” means. The terms we use give shape to the work we do, and this work is the work of the world — the work valued by the 21st century, including the people who will eventually hand you that college acceptance letter or job offer. When we read literature, it won’t be to ruin it the way it was ruined for Paul Graham; it will be to learn empathy and to develop a better understanding of the world, because those traits lead to a better life. When we write, it won’t be to earn a grade; it will be to clarify our thoughts, because that makes us better human beings.

The second dangerous lesson to unlearn is about “failure” on a test like the one you took on Tuesday. Of course it matters if you couldn’t remember ideas covered repeatedly throughout the first quarter. It matters more, however, that you now improve — and that’s why there is no grade or grade book in this course. That test was a diagnostic. It might spark a revolution in your work ethic or another branch of our main skill tree. It might further validate your hard work from Q1. It might shine a spotlight on the need to strengthen your memory. That’s the point: To individualize what happens next.

You need to let go of the Pavlovian part of yourselves, because that part of you wants a treat when it does well. It expects a shock when it screws up.


Pavlovian Part 1


Most of you have been institutionalized. You have confused clarity with simplicity. When you are given complicated directions, you give up almost immediately and become frustrated. Over the past few days, student have

  1. called the work “stupid” after a cursory read;
  2. argued that an assignment wasn’t given, despite evidence to the contrary;
  3. claimed that Snapchat isn’t distracting during class, despite evidence to the contrary;
  4. given up and fallen asleep.

Every choice you make matters, and you can choose to embrace what we’re doing in here, which is to prepare you for the rest of your life. That’s why you were given those excerpts and essays this week: to show you that we are about more than turgid literary analysis and test-driven busywork. This stuff matters.

But you lack grit, many of you. You lack that particular kind of assiduousness that allows you to cope with difficulty. Until you develop that trait, you will never improve. No one can force you to be patient. No one can make you resilient. If our goal was for you to vomit out an essay that I would then mark up with that red-pen pathology so unique to English teachers, sure, we could force all of you to the goal line. But you’d learn nothing, least of all the grit necessary for success.

That doesn’t mean that you can’t change your future in here, however, and that plasticity may be the most important lesson this week. Since change starts with an inventory of sorts, that’s your assignment: to do an inventory of the evidence you’ve generated this week.

It’s not enough to have completed the work, of course. It’s one thing to be succinct, to think that less is more, but reflective and metacognitive writing benefits from length. More is more, in most cases.

Which means that you need to consider the quality of your work over the last three days, too. What did you learn from Monday’s writing? What did Tuesday’s diagnostic teach you? How do you plan to utilize Wednesday’s insight in the future? Consider, too, the substructural skills and traits of grade abatement. Think about your organization of resources, your reliance on peers and peer feedback, your amenability to explicit and implicit feedback, and so on.


Pavlovian Part 2


Students who earned an 8 or 9 in Q1 are in a slightly different position: You need to teach others how to learn, how to generate evidence, etc. And you cannot be arrogant or condescending, even for a second; being either is evidence of a 4, if you want to look at it through the lens of GAP scores.

Read this older addendum to the grade abatement process:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F11%2F03-GradeAbatementAmended.pdf” viewer_width=100% viewer_height=400px fullscreen=true download=true print=true]

What you do is all that matters. That idea was clarified in Section X (“Faking It”) of this essay, too. Be collegial and supportive. Share your understanding. Take pride in your accomplishments, of course, but separate that pride from egotism. From that hyperlinked essay:

There is no game to play and no gamesmanship to lean on. This course does not care how naturally gifted you are. It does not care if you play sports and play them well. It does not care what your parents think of you. It does not care what you look like, how charming you are, or how much latitude you have been given throughout your life to do what you want. It cares only about what you do.


Today’s Assignment Again


Since we got sidetracked from today’s assignment for a bit, I’ll clarify what you must do:

Your assignment for Thursday is to spend 30-40 minutes writing about your progress toward a top-tier GAP score in Q2. In just three days, you have created a small body of evidence. What does it look like? More importantly, what do you need to do now?

In the future, you won’t have many formal assignments that require you to be metacognitive and reflective to this degree. Instead, you will need to find time every week or so to think and write like this on your own. We might take a class period here and there to revisit and refine that metacognitive and reflective process, or to talk about the protégé effect and its impact on your learning, but that would be no different from taking a period to talk about organization or timed writing or critical thinking. We’ll deal with skills and traits as necessary.

Quarter 2, Day 3

Image borrowed from this blog post.

Image borrowed from this blog post.


The Stuff of Growth


On Monday, regardless of class and grade level, you were given a checkpoint assignment. Below are three anonymous, exemplary submissions, presented with minimal commentary. Carefully read the exemplar for your class’ assignment. Then type up an actionable analysis. That bolded phrase breaks down like so:

  • actionable | Your analysis must indicate actions you can take in the future. Focus on what you did or didn’t do in comparison to the relevant exemplars, and then use that to discuss what you will do next time.
  • analysis | You need insight into precisely what makes this work exemplary. Talk about specific elements: use of detail, arrangement of ideas, meaningful insight, overall approach, etc.

This is peer ETA work, or an attempt to learn by analyzing and emulating a peer. It bolsters and in some cases supplants individual and group feedback. With that in mind, today’s submission — what you submit to Google Classroom later — should meet certain criteria:

  • It must be significantly developed, which means you can’t write a few sentences and call it a day.
  • It must be significantly detailed, which means you need to cite specifics from the exemplar.
  • It must have some sort of shape, which means you can’t just throw your thoughts on the page haphazardly.

If you have questions, ask them (quickly!) in the comment section at the bottom of this post.


Quick FAQ


Q: Why include all three exemplars in one post?

A: Same answer as last time: The skills and traits of this course are universal. The goal of peer ETA work isn’t to copy the exemplar; the assignment is over, and “corrections” aren’t a thing in here. You can only benefit from today’s writing if you look beneath the specifics and focus on actionable analysis — in this case, what the best kind of metacognitive and reflective writing looks like, regardless of the assignment. A junior can learn a lot by reading the most effective work by a tenth grader, an AP student could benefit from the work done over in Regents, etc.


10R Exemplar


Tenth graders wrote short stories, which is a bit more fun than a traditional essay1. The most important step, however, was their understanding of authorial choice. This exemplar identifies specific language and elements that create everything from character motivation to suspense. It’s quite good.

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F11%2FQ2D1-RE10-EX.pdf” viewer_width=100% viewer_height=400px fullscreen=true download=true print=true]


11R Exemplar


Just like all of these, this brief bit of metacognition was attached to a copy of the central writing response itself, and that response was developed enough to need a bit of analysis moving forward. If you don’t invest in the first part of the writing process, this reflective and metacognitive loop won’t work, and that top GAP tier will stay out of reach.

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F11%2FQ2D1-RE11-EX.pdf” viewer_width=100% viewer_height=400px fullscreen=true download=true print=true]


AP Exemplar


This last one is thoughtful and specific, and it weaves in our reading and writing background authentically. It also references K-pop, which still surprises me by being a thing. Why, I remember when it was just S.E.S. and Drunken Tiger, and everything had to be imported on CDs from YesAsia. Now it’s as ubiquitous as any genre of music. (It’s strange, by the way, to date oneself through Korean pop music.)

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F11%2FQ2D1-AP11-EX.pdf” viewer_width=100% viewer_height=400px fullscreen=true download=true print=true]


  1. Not that we write traditional essays, but the comparison still stands.