English 10: Pareto Project Update


Pareto Project Updates


This is the original guide we used to set up your Pareto Projects:

Click here to read the updated Google Doc.

When I built that guide, the goal was to split your projects into two rounds, which you can see in the original calendar. We also set “deliverable” deadlines, focusing on what you could create and present, in writing or in person, by certain dates.

A couple of months later, I’d like to shift the calendar for these projects. Here is the updated version, which you’ve seen in class and online already:

Course Calendar

Remember that our shift to a GAP score every three weeks shifted our specific lessons and assignments a little bit, and that also applies to your Pareto Projects. We will now take one Friday every three weeks to check in on your progress. On those days, you will be in the iLC, where you will be able to spread out and use those resources as you see fit.

Remember, too, that you have spent a considerable amount of time in this course working on organization. When we meet in the iLC on those designated Fridays, you are responsible for setting the agenda and being productive. You must bring your own device, for instance, since we will no longer have a class set of Chromebooks. You must plan in advance for anything else you’ll need.

To help get you in that frame of mind, we have reserved the iLC for every Friday in March. We need to explore that space and see what it offers us in terms of collaborative and innovative learning. That means that you should plan to bring everything you need directly to the iLC, not Room 210, on the following dates:

  • March 3 | Pareto Project Checkpoint
  • March 10 | GAP 3B Due
  • March 17
  • March 24 | Pareto Project Checkpoint
  • March 31 | GAP 3C Due

You will be able to choose to focus on anything course-related while we are in the iLC, but there are assignments and checkpoints associated with certain Fridays. It’s like everything else in here: There is tremendous freedom and a precise structure. You need both.


Pareto Project Deadlines


Your new deadline for these projects is June 2. On that date, you will finish your projects and begin talking to us about what’s next. You might present to your peers, publish an essay, launch a YouTube channel — we will figure out what fits your work at that time.

For the first Friday after our shift — March 3 — you need to assess the state of your project. Answer the following questions:

  1. To what extent have your project goals changed over the last two months?
  2. What have you accomplished?
  3. What have you learned?
  4. Finally, what’s your next step, and how are you using the iLC on Friday, March 3, to accomplish that next step?

#4 can be something you write now, on Thursday, in preparation for the iLC, or something you write over the weekend, looking back at your work on Friday. Write your answers in a Google Doc and attach it to the Google Classroom assignment that probably led you to this post.

Ask questions about this work or the Pareto Project overall in the comments below.

Pareto Projects: Soft Reboot


Pareto Project Updates


It’s never a bad idea or a waste of time to look over the instruction manual for something, even if you’ve already started using it. You might find some clarity you didn’t have or notice a function he didn’t see the first time. Here is the instruction manual1 for your Pareto Projects:

Click here to read the updated Google Doc.

When I built that guide, the goal was to split your projects into two rounds, which you can see in the original calendar. We also set “deliverable” deadlines, focusing on what you could create and present, in writing or in person, by certain dates.

A couple of months later, I’d like to shift the calendar for these projects. Here is the updated version, which you’ve seen in class and online already:

Course Calendar

Remember that our shift to a GAP score every three weeks shifted our specific lessons and assignments a little bit, and we’ll extend that soft reboot to your Pareto Projects. We will now take one Friday every three weeks to check in on your progress. On those days, you will be in the iLC, where you will be able to spread out and use those resources as you see fit.

Remember, too, that you have spent a considerable amount of time in this course working on organization. When we meet in the iLC on those designated Fridays, you are responsible for setting the agenda and being productive. You must bring your own device, for instance, since we will no longer have a class set of Chromebooks. You must plan in advance for anything else you’ll need.

To help get you in that frame of mind, we have reserved the iLC for every Friday in March. We need to explore that space and see what it offers us in terms of collaborative and innovative learning. That means that you should plan to bring everything you need directly to the iLC, not Room 210, on the following dates:

  • March 3 | Pareto Project Checkpoint
  • March 10 | GAP 3B Due
  • March 17
  • March 24 | Pareto Project Checkpoint
  • March 31 | GAP 3C Due

You will be able to choose to focus on anything course-related while we are in the iLC, but there are assignments and checkpoints associated with certain Fridays. It’s like everything else in here: There is tremendous freedom and a precise structure. You need both.


Pareto Project Deadlines


Your new deadline for these projects is June. Note that there is no date attached to that deadline. At the start of the month of June, we will use one of the designated Pareto Fridays to talk about presentations, publishing, final essays, final reports, and so on — the potential artifacts that will tie together the work you’ve been doing.

Because those artifacts will differ from student to student, we can’t set a specific deadline for everyone right now. We can only say that you will spend June finishing up these projects. In the meantime, you should revisit the original blueprint you completed for your project, noting that it has been updated to reflect our new calendar:

Pareto Project: Blueprint

What you “deliver” on each designated Pareto Friday will differ from project to project, but you should approach those deadlines with an eye toward producing something. The idea of “finishing” the projects will be refined as we move forward, too. For some of you, June will be about reviewing your goals and your success in meeting those goals. for others, this project will be a labor of love, and it will continue into the summer and into next year. in the latter case, “finishing” will mean something quite different.

For the first Friday after our shift — March 3 — you need to assess the state of your project. Answer the following questions:

  1. To what extent did you keep up with the biweekly update essays required by this January 3 post?
  2. To what extent did you “curate a digital presence,” as outlined in this December 20 post?
  3. To what extent have your project goals changed over the last two months?
  4. What have you accomplished?
  5. What have you learned?
  6. Finally, what’s your next step, and how are you using the iLC on Friday, March 3, to accomplish that next step?

Write your answers in a Google Doc and set it aside, using your new system of organization to keep track of it. Finish it over the weekend. You will be asked to submit those answers next week, and you will have only a portion of a single class to do that. You will go to Room 210, the assignment will be posted to Google Classroom after the bell rings, and then you will need to find your answers to those questions and submit them inside of five minutes or so. Among other things, this is a test of your ongoing organizational efforts and your ability to invest in these instructional posts enough to figure out what to do.

Ask questions about this work or the Pareto Project overall in the comments below.


  1. For lack of a better metaphor. Orwell would disapprove. 

RE10: Online + Offline Reflections


Organizing Your Device


Good news: You can sign out your district-issued Chromebooks this week. That opportunity opens up a number of other opportunities, especially in a class that embraces an Internet-driven, interstitial access to learning. We’ve always been fortunate enough to have a class set of Chromebooks, but now every student has access to a computer, which means we’ve leveled the playing field entirely. You all have access to a device. The choice of using a computer or other device is now yours.

Your first assignment from this post is to organize your personal device, which includes (but isn’t limited to) the following:

  • District-issued Chromebook
  • Personal laptop
  • Smartphone
  • Tablet

Make this device into a tool for learning. This is deeper than setting up Google Drive and Gmail, although you need your Google tech to be organized; the device itself should be organized, from what tabs open when you launch a browser to which sites you bookmark to how you arrange and access apps. You are leaning on all four kinds of organization outlined in this post:

Getting Things Done

The device you choose is a physical object, much like a folder or backpack. It will only work as well as your mental approach to it. And you will need to plan ahead in terms of schedule in order to maximize what you do in class, which remains the all-important 36th chamber of instruction.

Assignment: Organize your device for learning, and then:

  1. Take screenshots of that organization, including screenshots of your Internet browser, bookmarks, Google Drive folders, and Gmail setup. Include screenshots of your smartphone’s or tablet’s app arrangement, too, if you use one.
  2. Embed these screenshots in a Google Doc.
  3. Explain your organizational approach for each screenshot or set of screenshots.
  4. Attach that document to the appropriate Google Classroom assignment.

Printed Annotations


On Tuesday, February 28, you received a printed copy of this post:

Empathy and Blame: Essay Approach

The four quotations embedded in that post offer insight into how we approach essay writing. You’ve had time now to engage with the assignment online and offline, with the freedom to annotate and take notes as you see fit. That lets us talk about some of what separates your offline learning from your online learning. You need a mix of both, and you need to make choices that consider the efficacy of both.

Assignment: Write briefly but insightfully about what you did with the printed copy of the post and what you learned from the printed copy, answering some or all of these questions:

  1. To what extent did you annotate the printed copy of the quotations?
  2. What insight did that bring to the offline reading?
  3. Were these authors’ ideas clearer in some way when you read the printed copy?
  4. Do you feel the difference in terms of learning and engagement when you consider these quotations offline?

Attach a copy of your responses to the appropriate Google Classroom assignment.

Juniors: Online + Offline Reflections


Interstitial Learning and Individual Devices


Good news: You can sign out your district-issued Chromebooks this week. That opportunity opens up a number of other opportunities, especially in a class that embraces an Internet-driven, interstitial access to learning. We’ve always been fortunate enough to have a class set of Chromebooks, but now every student has access to a computer, which means we’ve leveled the playing field entirely. You all have access to a device. The choice of using a computer or other device is now yours.

This matters because we’re all creatures of habit, and one of our habits is to occupy the same space in the same way at the same time. When you arrive to Room 210, most of you pick up a Chromebook from the classroom set, say hello to me, and then settle into your usual seat. It doesn’t matter if you’re writing an in-class essay, having a class discussion, or reading a post on this website — you keep the Chromebook open next to you. It doesn’t matter if you have a smartphone (~100% of you do) or a tablet, either — you associate classroom work with a classroom-specific computer plucked from a cart.

Our classroom set will be gone by the end of this week. Those Chromebooks are being repurposed for individual use. Our method of instruction won’t change, though, which means that you must bring your own computer or device to do work. That subtle shift in responsibility will make a noticeable difference in how you allocate your time and other resources. You’ll have to think ahead.

Your first assignment from this post is to organize your personal device, which includes (but isn’t limited to) the following:

  • District-issued Chromebook
  • Personal laptop
  • Smartphone
  • Tablet

Make this device into a tool for learning. This is deeper than setting up Google Drive and Gmail, although you need your Google tech to be organized; the device itself should be organized, from what tabs open when you launch a browser to which sites you bookmark to how you arrange and access apps. You are leaning on all four kinds of organization outlined in this post:

Getting Things Done

The device you choose is a physical object, much like a folder or backpack. It will only work as well as your mental approach to it. And you will need to plan ahead in terms of schedule in order to maximize what you do in class, which remains the all-important 36th chamber of instruction.

Assignment: Organize your device for learning, and then take screenshots of that organization. You’ll want screenshots of your Internet browser, bookmarks, Google Drive folders, and Gmail setup, but there are certainly more possibilities, like a screenshot of your smartphone’s app arrangement. Embed these screenshots in a Google Doc, explaining your organizational approach for each one. Attach that document to the appropriate Google Classroom assignment.


Something More Kinesthetic


On Tuesday, February 28, you received a printed copy of this post:

Orwell Essay Writing: Approach

The four quotations embedded in that post offer insight into how we approach essay writing. You’ve had time now to engage with the assignment online and offline, with the freedom to annotate and take notes as you see fit. That lets us talk about some of what separates your offline learning from your online learning. You need a mix of both, and you need to make choices that consider the efficacy of both.

Assignment: Write briefly but insightfully about what you did with the printed copy of the post and what you learned from the printed copy. Did you annotate it? What insight did that bring to the reading? Were the ideas clearer in some discernible way when you read the printed copy? Do you feel the difference in terms of learning and engagement when you consider these quotations offline? Answer some of these questions, plus any other questions that arise, and attach a copy of that writing to the appropriate Google Classroom assignment.

Empathy and Blame: Essay Approach

On Empathy and Blame

Using your notes from last week, we are going to begin writing an essay. The post above should be familiar to you, and you should have responses to the prompts at the end of it. Those responses will inform our next steps, which start with finding an approach.

In Google Classroom, you’ll find the first part of this assignment, which is to break down and analyze four quotations. Here is the first, which comes from Piet Hein:

Art is solving problems that cannot be formulated before they have been solved. The shaping of the question is part of the answer.

That echoes the second quotation to analyze, which is from Paul Graham, whose “Age of the Essay” tells us what writing should do (emphasis mine):

To understand what a real essay is, we have to reach back into history again, though this time not so far. To Michel de Montaigne, who in 1580 published a book of what he called “essais.” He was doing something quite different from what lawyers do, and the difference is embodied in the name. Essayer is the French verb meaning “to try” and an essai is an attempt. An essay is something you write to try to figure something out.

Figure out what? You don’t know yet. And so you can’t begin with a thesis, because you don’t have one, and may never have one. An essay doesn’t begin with a statement, but with a question. In a real essay, you don’t take a position and defend it. You notice a door that’s ajar, and you open it and walk in to see what’s inside.

If all you want to do is figure things out, why do you need to write anything, though? Why not just sit and think? Well, there precisely is Montaigne’s great discovery. Expressing ideas helps to form them. Indeed, helps is far too weak a word. Most of what ends up in my essays I only thought of when I sat down to write them. That’s why I write them.

Next, you should look closely at this selection from Joan Didion’s “Why I Write,” which is about how she approaches essays and other writings:

It took me some years to discover what I was.

Which was a writer.

By which I mean not a “good” writer or a “bad” writer but simply a writer, a person whose most absorbed and passionate hours are spent arranging words on pieces of paper. Had my credentials been in order I would never have become a writer. Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means. What I want and what I fear.

Before we get to the last quotation, let’s talk about the fact that you already have a subject for the essay you will be writing. You have watched videos on empathy and blame, and you’ve thought about how those ideas connect to you, your school, and your life. You know the topic, or at least the possible topics; now you need to determine how to approach the work

This is going to be your approach, which is the first element of any piece of effective writing. You need an interesting question to ask or a unique perspective to explore. Paul Graham compares this, in “The Age of the Essay,” to a river finding its way to the sea; Virginia Woolf compares it to a “shock” that drives her to “put the severed parts together.” That’s the last quotation for you to analyze before working on your own approach:

I hazard the explanation that a shock is at once in my case followed by the desire to explain it. I feel that I have had a blow; but it is not, as I thought as a child, simply a blow from an enemy hidden behind the cotton wool of daily life; it is or will become a revelation of some order; it is a token of some real thing behind appearances; and I make it real by putting it into words. It is only by putting it into words that I make it whole; this wholeness means that it has lost its power to hurt me; it gives me, perhaps because by doing so I take away the pain, a great delight to put the severed parts together. Perhaps this is the strongest pleasure known to me.

Each of these quotations offers you a way to look at how you approach your own essay. When you’ve finished that analysis, you can begin to write about your own approach. You aren’t quite writing the essay itself yet; instead, you are outlining and brainstorming and questioning things. Ask yourself:

  1. What question or questions will drive your process?
  2. What is your perspective on these subjects?
  3. What’s interesting or inventive or curious about your thinking right now?

Ask me questions and share any ideas you have below. Remember that Google Classroom has your formal assignments for the week.

Orwell Essay Writing: Approach

To Think More Clearly

Let’s spend the week experimenting with how you write the essay that follows that post. Look to Google Classroom for the formal assignment, and then start with this quotation from Piet Hein:

Art is solving problems that cannot be formulated before they have been solved. The shaping of the question is part of the answer.

That echoes Paul Graham, whose “Age of the Essay” tells us what writing should do (emphasis mine):

To understand what a real essay is, we have to reach back into history again, though this time not so far. To Michel de Montaigne, who in 1580 published a book of what he called “essais.” He was doing something quite different from what lawyers do, and the difference is embodied in the name. Essayer is the French verb meaning “to try” and an essai is an attempt. An essay is something you write to try to figure something out.

Figure out what? You don’t know yet. And so you can’t begin with a thesis, because you don’t have one, and may never have one. An essay doesn’t begin with a statement, but with a question. In a real essay, you don’t take a position and defend it. You notice a door that’s ajar, and you open it and walk in to see what’s inside.

If all you want to do is figure things out, why do you need to write anything, though? Why not just sit and think? Well, there precisely is Montaigne’s great discovery. Expressing ideas helps to form them. Indeed, helps is far too weak a word. Most of what ends up in my essays I only thought of when I sat down to write them. That’s why I write them.

And we’ll throw in Joan Didion’s “Why I Write,” too, which adds another perspective:

It took me some years to discover what I was.

Which was a writer.

By which I mean not a “good” writer or a “bad” writer but simply a writer, a person whose most absorbed and passionate hours are spent arranging words on pieces of paper. Had my credentials been in order I would never have become a writer. Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means. What I want and what I fear.

Right now, you have a subject for the essay you are writing. You have potential prompts and possible directions to take. You may have jumped into putting words on the page, and you may have only just finished reading that preparatory post1; regardless, you are at the relative start of the writing process.

Now you need a clear and precise approach to the subject at hand. You need an interesting question to ask or a unique perspective to explore. Paul Graham compares this, in “The Age of the Essay,” to a river finding its way to the sea; Virginia Woolf, in Moments of Being, compares it to a “shock” that drives her to “put the severed parts together”:

I hazard the explanation that a shock is at once in my case followed by the desire to explain it. I feel that I have had a blow; but it is not, as I thought as a child, simply a blow from an enemy hidden behind the cotton wool of daily life; it is or will become a revelation of some order; it is a token of some real thing behind appearances; and I make it real by putting it into words. It is only by putting it into words that I make it whole; this wholeness means that it has lost its power to hurt me; it gives me, perhaps because by doing so I take away the pain, a great delight to put the severed parts together. Perhaps this is the strongest pleasure known to me.

Come up with your approach. What question will drive your process? What is your perspective as you begin? What’s interesting or inventive or curious about your thinking as you start writing? What are you trying to learn?

Ask me questions and share ideas below.


  1. If you fall into the camp that hasn’t done the prep work, keep that to yourself until you’ve caught up, and recognize the danger of making poor choices over and over again: Eventually, you are what you do. 

Grade Abatement Triptychs

From “Why I Hacked Donkey Kong for My Daughter.” In here, we’re hacking a different DK.


TL;DR: Panel by Panel, a Picture Emerges


Roughly every three weeks and fifteen class periods, you will earn a profile score that will be posted to Infinite Campus. This will happen three times each quarter. Your final grade for each quarter will be the average of those three profile scores. This will gives us a three-panel “triptych” of your performance, with each panel showing the body of evidence you produced in that time.

Continue reading

To Think More Clearly

With Orwell’s 1984 and “Politics and the English Language” as a backdrop, we’re going to talk about grammatical declension1, and that more than justifies a look at LOLcats. They have a rich history (really) and lead us into complex studies of macros and grammar (yes, really). For me, though, if we’re going to look at declining English and memes, nothing really beats the simple stupidity of wurds. (Full LOLcats image available here.)


Orwell’s Inspiration


[A]n effect can become a cause, reinforcing the original cause and producing the same effect in an intensified form, and so on indefinitely. A man may take to drink because he feels himself to be a failure, and then fail all the more completely because he drinks. It is rather the same thing that is happening to the English language. It becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier for us to have foolish thoughts. The point is that the process is reversible. Modern English, especially written English, is full of bad habits which spread by imitation and which can be avoided if one is willing to take the necessary trouble. If one gets rid of these habits one can think more clearly, and to think clearly is a necessary first step toward political regeneration…

That quotation is drawn from George Orwell’s “Politics and the English Language,” which we will continue to use to frame a unit of study on contemporary English writing and its connection to our thoughts and actions, especially our dishonest thoughts and actions. Refresh your memory of the first instructional post here:

Politics and the English Language

Now we move into some focused writing work that is meant to be balanced through your recent organizational efforts. The way you approach this writing assignment also gets into the circadian dynamics we’ve discussed before, because you must be more vigilant and focused than ever to avoid falling behind. We’re using that Orwell quotation above, though, to focus on two things:

  1. [A]n effect can become a cause, reinforcing the original cause and producing the same effect in an intensified form, and so on indefinitely.
  2. [T]he process is reversible.

In other words: You will spiral into confusion and frustration the more confused and frustrated you get, but there is always a way to stop the cycle and reclaim your learning for yourself. There is a lot going on below, and all of it is interesting, if you’re open to it. Use your time wisely, ask the right questions, and do good work.


First, a Caveat


The idea of political discourse is important to Orwell’s argument, and the connections he makes between clear thinking, “the slovenliness of our language,” and politics should grow more important to us, especially now. I think we should embrace the opportunity. Perhaps we can use some of the original meaning behind the word “politics” to help us focus:

Politicks is the science of good sense, applied to public affairs, and, as those are forever changing, what is wisdom to-day would be folly and perhaps, ruin to-morrow. Politicks is not a science so properly as a business. It cannot have fixed principles, from which a wise man would never swerve, unless the inconstancy of men’s view of interest and the capriciousness of the tempers could be fixed.

That comes from Fisher Ames, whose idea of a “science of good sense” ought to appeal to our better natures, especially in the vexed and volatile world of politics. That said, I want to repeat that this is not a unit about politics, at least not expressly or exclusively. It is a unit on the way language shapes our thoughts — a unit about names, business jargon, school jargon, lying, Twitter, slang, profanity, memes, and much more.


Your Assignment


Write an essay inspired by “Politics and the English Language.” This essay must demonstrate an understanding of Orwell, and it must use his ideas and specific language to an appropriate extent.

The audience, subject, purpose, etc, of this essay are all yours to decide. That kind of freedom can lead to bad choices, however, so I’ll give you a list of possibilities. Consider each before striking out on your own. Whatever your choice, you probably ought to start by skimming Paul Graham’s treatise again. You want an essay that is interesting and insightful — the kind of “river” writing that engages its author and reader equally.

Note that many of these are drawn from the essay by Maddie Crum that is included in the first option. That’s a subtle clue that you should devote some time to Crum, even if you eventually choose to write a completely unrelated essay of your own.

Note also that the deadline for this assignment is posted on Google Classroom, where it will be edited at least once or twice in the near future. The goal is organization, remember? You need to stop self-medicating through deadlines and invest in the process part of writing, reading, and thinking.


§ Option 1Degree of difficulty: 8.0

Emulate Maddie Crum.

Maddie Crum is the author of this Huffington Post essay about workplace jargon. It’s much more interesting than you think, and it’s perfect for emulation. Start, of course, with the ETA work: Read Crum, break down her writing, and note how it connects to Orwell. Then consider your own observations of a specific place and its identifying or characteristic language. You might look at the language of textbooks, the profanity of the school hallway, the violent metaphors in sports reporting, or the language of the college application process; you might also analyze the way your family communicates, the way a specific group talks on Twitter or Facebook, or the peculiar grammar of texting and other forms of micro-communication. Whatever your chosen subject, the purpose of a direct emulation of Crum is to (1) identify the problem; (2) explain its causes and effects; and (3) offer a well reasoned approach to solving it.


§ Option 2 | Degree of difficulty: 9.92

Write an essay about the current political landscape.

The instructional post that introduced Orwell should help you here, and current events offer almost endless ways to apply “Politics” to current politics. Your goal is to add something meaningful to the discussion. How you approach that goal is up to you, so it will take a lot of individual discussion to get started.


§ Option 3 | Degree of difficulty: 6.5

Write an essay about placeholders such as “like.”

Crum brings up the debate over placeholders, and you can do a lot with the connection between verbal tics and written clarity. It might help you to read Christopher Hitchens’ essay on the subject, especially his idea that “you have to talk well in order to write well, and you can’t write while using “like” as punctuation.”


§ Option 4 | Degree of difficulty: 7.0

Write an essay about the language we use to discuss stress and anxiety.

This builds off of Crum’s inclusion of Times essay on being busy, which she uses to argue that “[w]hen we replace a specific task with a vague expression, we grant the task more magnitude than it deserves.” The way we discuss stress and anxiety shape how we feel about stress and anxiety, which in turn shapes our responses. You should also look to the recent instructional post on empathy and blame for inspiration here.


§ Option 5 | Degree of difficulty: 8.5

Write an essay on Internet memes.

This one has the most potential to derail even a focused student, so you would need to look past the superficiality of the subject and delve into the way language shapes meaning in memetic circles. Look to the italicized opening of this post for ideas, and bookmark Know Your Meme.


§ Option 6 | Degree of difficulty: 6.5

Write an essay on fonts.

Comic Sans is the obvious whipping boy in this discussion, but it’s a lot richer than that. You would look at whether Orwell’s logic applies to superficial elements of writing like kerning and font type, especially in a hypertextual (or web-based) sense. For instance, does this essay on level design fit Orwell’s ideas, since it deliberately uses no capital letters? Does font choice actually impact clarity of thought?


To give you a little further help, here is an essay written last year by one of the top seniors in the graduating class of 20173:

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  1. We’ll be collecting words that we love (and hate) during a future lesson, and I discovered “declension” during a previous year’s study of Orwell. It derives from the same root as the more obvious “decline” and refers to “a condition of decline or moral deterioration.” It somehow seems apt in 2017. 

  2. Writing well about politics is always difficult, but the current landscape has made it into a minefield. 

  3. A fact that has less to do with her writing ability than you think. Being good at school and writing well are skills that overlap, of course, but much less than any of us would like. 

On Empathy and Blame

In designing your lessons, I cling to this idea, from the GAP protocol you’ll need to review before Friday:

We may take as our guide here John Dewey’s observation that the content of a lesson is the least important thing about learning. As he wrote in Experience and Education: “Perhaps the greatest of all pedagogical fallacies is the notion that a person learns only what he is studying at the time. Collateral learning in the way of formation of enduring attitudes… may be and often is more important than the spelling lesson or lesson in geography or history… For these attitudes are fundamentally what count in the future.” In other words, the most important thing one learns is always something about how one learns. As Dewey wrote in another place, we learn what we do.
~Neil Postman, Amusing Ourselves to Death

The most important thing is always something about how you learn, and you learn what you put into practice. We need more “collateral learning” in our lives. Keep that in mind as you watch these next two videos and prepare to write a response.


Prompt #1: On Empathy



Prompt #2: On Blame



Your Response


Take the next 48 hours or so, in and out of class, to write a response to these videos. Use these three ideas to guide you:

  • These videos obviously connect to the skills and traits of this course. What do they add to your understanding? To what extent can you use these as part of our learning?
  • Last week, the entire building spent P1 looking at the idea of accountability, and the second video above especially connects to that lesson. How do these videos on empathy and blame tie into what you saw last week?
  • Your personal reaction matters as much as the course and the building. To what extent do these videos resonate with you? What will you take away from them to put into practice?

Write something that weaves those three focuses together, if you can. Consider your response an essay in the true sense of the word, and attach a copy of that response to the post in Google Classroom.

Getting Things Done

From the profile of an INTJ, or “Architect.” Click for the website by NERIS Analytics Limited, which includes a free test and explanation of these personality classifications.

 


Getting Things Done, Part 1


Load the following calendar in a separate tab or window:

That calendar will be plastered everywhere it can be this week. It organizes two major components of our course for the rest of the year:

  1. Grade Abatement | You will pause every three weeks to complete a Google Form, which will be used as it was in Q2 and Q1 to generate a GAP score for that three-week period. You’ll have three GAP scores by the end of the quarter. They will be averaged together for your quarterly grade.
  2. Pareto Projects | On the Fridays indicated, we’ll set aside the period for focused Pareto work, including as many trips to the iLC as we can manage. Ignore the previous calendar for now1.

Remind yourself that there is a protocol for grade abatement that will, if followed specifically, allow us to post a GAP score every three weeks. Load a copy of that protocol here, or through any of the half-dozen links on this site. There are always extra copies in the classroom, too.

That protocol, like every iteration of every element of this course, focuses on how skills connect and concatenate2. And like every iteration and element, it emphasizes one skill as the one on which the others depend:

This screenshot includes the surrounding page material from the document, because it lets me emphasize again the need to “explore, create, learn” in here. (It also reminds you that the document is nine pages long, which means you have nine pages of information that you should have internalized months ago.) That is our focus, but it’s the less-exciting work of organization that gets us into that maker mentality.

For the next few days, you are looking at the academic stuff you have on you. That word, stuff, comes from a root meaning “to equip,” and that’s the idea: You equip yourself every day in order to deal with school and the work it requires. Your assignment is to assess your organization of that stuff in four categories:

  1. Physical | Start by opening up your backpack or bag, any and all notebooks you keep for your classes, your vintage Trapper Keeper, etc. You could pour this stuff out onto a table, if you have the space, or just flip through. Then assess the extent to which you have a system in place. Can you find materials you need? How ordered is your physical stuff? What does it look like?
  2. Digital | At this point in an instructional post, you should have a number of tabs open. That’s the first half of this category: How do you keep track of what you’re looking at online? Do you have a system for organizing ramiform reading? The second half is Google-driven and requires you to assess your Google Drive, Google Classroom, and Gmail organization. Do you have a system of folders in Drive to keep your work clear and accessible? Do you use a system to sort through email?
  3. Schedule | This is probably an extension of the first two, but let’s see if it helps to separate it. Do you have your schedule organized? To what extent do you plan out your days and weeks, and what does that plan look like? The calendar I’ve made for you is an example of organizing your time in this fashion. What do you do with those teacher-provided documents?
  4. Mental | Again, this is an extension of the rest, but it will probably help to keep it separate for this exercise, because we can focus in on GAP skills and traits. How do you organize your approach in this course and in other courses? What do you prioritize in terms of those universal skills and traits? Refresh your memory as necessary through this link.

Write down your observations after talking them over with your peers and/or me. The obvious next step will be to revisit and refine your systems for organization, but for now, concentrate on what’s in front of you. You will be able to put a copy of your notes and writings on Google Classroom.


Getting Things Done, Part 2


As a possibly important sidebar, let’s talk about your personalities. There is a caveat a little further down, but we should start with an introduction to the concept we’ll be using and then jump right into the test:

Free personality test | 16Personalities

Free personality test – take it to find out why our readers say that this personality test is so accurate, “it’s a little bit creepy.” No registration required!

This isn’t required, but you’re probably going to be interested in taking that test, which will give you a four-letter designation and a detailed explanation of what those letters mean. First, though, you’ll want that caveat:

What’s the Forer effect?

Have you noticed that you’re the kind of person who, while inherently empathetic, is also marked by a strong streak of independent thinking? Or perhaps you’re more the type who is a little self-critical and insecure, but can defend yourself when needed? Maybe you’re a human being, with various thoughts and feelings that sometimes contradict.

When we’re talking about how you organize yourself in here, we’re really talking about you as a whole person. That’s the universality our work drives toward. A personality test, especially one as steeped in good research as this one, might be useful. But that Forer effect is a real and powerful phenomenon.

The idea is not that a personality test is inaccurate or useless. It’s that you must be metacognitively vigilant about anything a website tells you, especially when your goal is self-improvement. I have long thought of myself as an INTJ, for instance, but I see more and more of myself in the description of an INTP these days. Without taking the test again, I can read through the differences and apply that knowledge to myself. I believe those differences are crucial to my development as a teacher, which gives me a starting point for meaningful metacognitive discussion and writing.

Approach this Myers-Briggs diagnostic with the same understanding: It’s more about how you use the ideas to organize your self-analysis than it is about being judged by an Internet test. If you do take this test, discuss its efficacy here and elsewhere in our classroom. Be sure you read everything the site presents to you, keep that Forer effect in mind, and do some reflective writing.

From the profile of an INTP, or “Logician”


  1. It’ll stay on the front page until I can insure that we’re able to use the new calendar. Remember that this sort of thing is iterative, which means it needs to be as flexible as it is focused. 

  2. Look that word up. I’ve always liked it because it sounds like its definition — like links being clipped together.