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Pareto Project: Process Update

The most obvious changes below are to the calendar for your Pareto Projects, but you will need the definition of a “process update,” too, to help you plan for those checkpoints.


Calendar Update


In the last version, the checkpoints occurred roughly every three weeks, but not on the same day of the week. That has been changed so that a process update happens every other Friday. In English 10, we will almost certainly set aside the period on those dates to work together; English 11 and AP students should not anticipate having that class period, however, since we will be using that time for exam prep.

You can load the updated Google Doc version of the calendar by clicking here. If you’d like to download and print a version, you can use this PDF copy of version 2.1:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2017%2F01%2FParetoProjectCalendar.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

 


Process Update


For all students, these biweekly updates should follow a similar format:

PARETO PROJECTS | Click that link to load the home of our eventual/hopeful Pareto Project publication. Your assignment for every required update is to write an essay that could hypothetically be published there. That essay should be a short, insightful response that blends the answers to three questions:

  1. What have you accomplished so far for your Pareto Project?
  2. What have you learned so far?
  3. What’s next?

Answer these in a way that makes sense for your project. Include whatever images, links, digressions, etc, you want. You will not automatically be published, and many of you haven’t yet set up a Medium account. That’s okay. The metacognitive stuff is more important, so it matters most that you monitor your progress and find something insightful to say about it.

When in doubt, use the instructional posts that are available online. Delving into those posts will hone your close reading ability, and you will get better at communicating your questions and concerns only if you’re fully informed.

Pareto Project: Next Steps


Revisited in 2017


After Monday, December 19, you should have a blueprint for your Pareto Project. If that’s not the case, you have the rest of this week to work with your teachers to finish this blueprint. You must have your work ready before the winter break. Use the complete guide to the project, focusing on Step #3:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F12%2FParetoProjectGuidev1.6.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

We will return to Step #4 as a class in January. You will also have approximately one day a week dedicated to the Pareto Project — the necessary 20%.

If you have any questions about what to do over the next two weeks, refer to the guide or ask questions below.


Back to Essay Writing


We will spend the rest of this week reinvigorating your emulation-through-analysis essays. You’ll need your copy of 100 Great Essays, and you’ll need this new post:

ETA Essay: SOAPSTONE

Pareto Project: Day 4

Kandinsky’s Composition VIII. Click to see more of his work.


Step #4: Digital Presence


With today’s iteration, the complete guide to this Pareto Project has been rolled out to you, and you can now move at your own pace through the prefatory assignments and into the project itself. Start with version 1.6 of the guide:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F12%2FParetoProjectGuidev1.6.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

Step #4 asks you to set up Twitter and Medium accounts to use throughout this process. It also encourages you to think critically about the other sites you can use to develop and eventually share your work. Most of this will be done in class under our atelier model — i.e., under teacher or teacher-proxy supervision — but you can begin at any point.

For Medium, exploring the site is the key. You will eventually hope to have a curated set of writing like this:

View at Medium.com

That is Gina Arnold, a graduate of Brewster and the student who first suggested that our makerspace might be able to use Medium. She predicted its rise as a digital platform, and she continues to use it for academic and job purposes. Your planned updates, which are identified on the Pareto Project calendar, will be posted to your Medium account, which should emulate the professional tone Gina uses.

Otherwise, explore the site. You’ll find everything from national newspapers to online comics, and your voice will eventually join these ranks. (You can do the same sort of exploration on Twitter, but stick to Medium for now. The Twitterverse is a labyrinth that would panic Asterion.)


Step #5: The Work


Step #5 has you start the work of this project. So that you’ve seen it twice, here is the complete guide again:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F12%2FParetoProjectGuidev1.6.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

Notice that Step #5 gives you access to your peers’ concise ideas. Their projects are part of your environment for the rest of the year, and the more aware of each other you become, the better your own work will be. This is your “network of possible wanderings,” as Teresa Amabile once wrote in a discussion of creativity:

Expertise encompasses everything that a person knows and can do in the broad domain of his or her work. Take, for example, a scientist at a pharmaceutical company who is charged with developing a blood-clotting drug for hemophiliacs. Her expertise includes her basic talent for thinking scientifically as well as all the knowledge and technical abilities that she has in the fields of medicine, chemistry, biology, and biochemistry. It doesn’t matter how she acquired this expertise, whether through formal education, practical experience, or interaction with other professionals. Regardless, her expertise constitutes what the Nobel laureate, economist, and psychologist Herb Simon calls her “network of possible wanderings,” the intellectual space that she uses to explore and solve problems. The larger this space, the better.

Creative thinking, as noted above, refers to how people approach problems and solutions—their capacity to put existing ideas together in new combinations. The skill itself depends quite a bit on personality as well as on how a person thinks and works. The pharmaceutical scientist, for example, will be more creative if her personality is such that she feels comfortable disagreeing with others—that is, if she naturally tries out solutions that depart from the status quo. Her creativity will be enhanced further if she habitually turns problems upside down and combines knowledge from seemingly disparate fields. For example, she might look to botany to help find solutions to the hemophilia problem, using lessons from the vascular systems of plants to spark insights about bleeding in humans.

Expand your expertise and experience, and this 20% really will contribute to the majority of your learning.

As always, ask questions below.

 

Pareto Project: Day 3

Kandinsky’s On White II. Click for more.


Step #3: Proposals


First, you should note that our original plans have shifted in light of your needs. That’s a good thing. I want to give you time to get your mind around this project. You will receive the complete guide according to this schedule:

  • Thursday, December 8: Introduction, Overview, and Step #1
  • Friday, December 9: Step #2
  • Tuesday, December 13: Step #3
  • Thursday, December 15: Step #4

Step #5 is a little gimmicky, since it will simply tell you to get to work. You’ll get it with Thursday’s update, and you’ll see what I mean. Let’s start today with the Pareto Project guide, updated with Step #3:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F12%2FPareto-Project-Day-3.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]


The Blueprint


Step #2 is ongoing, remember, and you have updated directions for what to do by Wednesday. Step #3 is there for those of you ready to tackle it. For the sake of redundancy, a link to the blueprint is below. Remember to make your own copy.

There’s a metaphor here, I’m sure of it. (Click for the blueprint.)

Pay careful attention to the section of the guide for Step #3 that discusses how to share and refine these blueprint proposals. Make this as collaborative an effort as possible to cut down on delay.

As always, ask questions about this step here or in class. You’re closing in on winter break, and we’re likely to move on before then to talk about Santa Claus; before that, you need to be sure you know what to do for this project. More than perhaps any other skill or trait, this is a test of your organizational and autodidactic strength.

Pareto Project: Days 1-2, Revisited

Kandinsky’s Improvisation 31 (Sea Battle). Click for more.


Assignment Specifics: Step #1 + Step #2


You have two current assignments on Google Classroom. Here are the particulars for Step #1, which is due by Monday at 5PM. Use class time to submit this work, since it requires only a small amount of writing:

Write a paragraph or two offering your insight into your upcoming schedule as it pertains to your Pareto Project ideas. Don’t overthink or overanalyze; focus on what you and I both need to know as you begin this Pareto Project.

Step #2 has a deadline of Wednesday afternoon, again at 5PM. Use the following directions for the already-posted assignment:

Write a reflective and insightful record of the “idea smithing” part of the project, including your thoughts on how the Google+ Community collaborated. Keep this to less than a page, unless you have pertinent analysis of that community to offer that requires more.

First, though, you must settle on an idea, share it with your classmates on Google+, and seek feedback there. Turn that digital space into an extension of and entrance into our physical classroom this week. The necessary links, which are posted alongside further instructions in our last post and the current iteration of the guide, are reprinted below:

Second, you must compress your idea into 120 characters or so and add it to the following Google Form, which must be completed by Wednesday afternoon at 5PM, when the rest of Step #2 will be checked in:

Those are the four assignments that you must complete this week. In list form:

  1. Write a short, explanatory response about your schedule and time as instructed in Step #1 of the Pareto Project guide.
  2. Share your ideas, critique the ideas of others, and otherwise collaborate online and in class.
  3. Write a reflective response about Step #2 of the Pareto Project guide.
  4. Submit your final project idea through the provided Google Form.

Step #3 is explained next.


Step #3: Due Monday, December 19


The calendar for this Pareto Project, which is always up-to-date on Google Drive, shows that the official proposal for your Round 1 Pareto Project is now due on Monday, December 19. This date is unlikely to change, because we need to lock in your projects before the winter holidays. The first required checkpoint is the day you return.

You will be given the updated guide with Steps 3-5 on Tuesday, December 13. That will allow some of you to move directly into Step #3, the proposal, while others will need the next two days to finish Step #2. Everyone will use the end of the week to set up digital portfolios and accounts, and to meet with me and peers about the proposals themselves.

If you have any questions about this, ask them in class or below.

Pareto Project: Day 2

Kandinsky’s Black and Violet. Click for more.


Idea Smithing


Each time I update the site with more Pareto Project information, I’ll repost the entire guide to that point. You should skim over the previous pages, because there will be edits that clarify or expand on ideas. Today’s guide ends with Step #2, for instance, but it also adds a single sentence in Step #1:

You must also choose a project that fits your schedule; if you must limit your focus during Round 1, you’ll have a chance to be more ambitious when we start Round 2 in mid-March.

That clarifies Step #1 a little, and it lets me add further clarification here: You need a project that can be accomplished in the time you have, and the time you have differs from person to person and month to month. Are you going to be in the musical? You should account for that upcoming responsibility. Are you busy with winter sports? That gives you less time for a larger project. Do you have a lot of idle time each day? You can plan something more ambitious.

Let’s start talking about ideas by reading Step #2:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F12%2FPareto-Project-Day-2.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

Step #2 is called Idea Smithing, and that metaphor will help us: You need to craft an idea, and you probably need some heat and pressure to do it.


Measure Twice, Cut Once


We’ll open the discussion in class, using groups of whatever size you choose. That will be our chance to talk about the timing element of Step #1, too, including what you should hand in on Google Classroom for that assignment.

The written work of Step #2 begins when you visit Google+, using the links at the end of the current guide. You can also use these direct links:

This is where you should make your elevator pitch. Putting your idea in writing will do what writing always does, which is to render your thoughts so we can revisit them. Your peers will then offer critical feedback to help you refine, repurpose, or reject the idea. Then, on Monday, I’ll post a Google Form to collect everyone’s pitches, which will also give you a chance to see what students in the other courses are doing for these Pareto Projects.

Ask questions about Step #2 below, and remember: Don’t just think outside the box; break it down and build something new. Or, you know, this:

Pareto Project: Day 1

Wassily Kandinsky’s Yellow, Red, Blue. Click for more of his art.


Paradigm Breaking


On Thursday, December 8, you start your Pareto Project. This is your chance to learn what you want to learn and create what you want to create. Under the aegis of grade abatement, and with my help and the help of your peers, you will design a twelve-week project that culminates in — well, in whatever you want it to culminate in. You aren’t just encouraged to think outside of the box; you should break down the box and turn it into something new.

You will receive the guide to this project in sections:

  • Thursday, December 8: Introduction, Overview, and Step #1
  • Friday, December 9: Step #2
  • Monday, December 12: Steps #3-#5

The staggered release of the guide means that you cannot jump ahead easily. You have time to explore each step of the process. You have time to read. You have time to ask questions.

You’ll see why this is so important when you load the three pages for Day 1:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2016%2F12%2FPareto-Project-Day-1.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

Those three pages are stacked with links and further explanations of all kinds, and that’s before you get to the first step. You need to slow down and spend your time more judiciously than you normally do.

Remember that I write to you in a way that also teaches you how to read. Unpacking the guide is its own lesson, so you must read carefully. You must take notes. Only then should you start to talk to your peers and teacher.

A copy of the calendar for this project has been photocopied for you. Let me know if a copy of the guide itself should be printed —and before you rush to say, “Yes, it should,” note that most of what you need is linked to within the guide. Printing might not have the efficacy you think it does, but we’ll talk about it.

This first excerpt has also been shared through Google Classroom, where you will eventually submit your work for Step #1.

Final Project: Week Two


Week Two | 5/4–5/8


Final Project: Step #1 | Choosing a Topic

Review the idea of project-based learning through this PBL graphic:

Your goal is to check off each of the seven elements there as you work your way through the seven steps of the Final Project. Whether or not you have a topic in mind — and even if you made great strides with the Senior Talk — you should spend this week reading, thinking, and discussing what is possible.

There are many ways to find a challenging problem or question, for instance. How about the Japanese concept of ikigai?

This is another angle on the Pareto Project idea of finding your passion, but it’s bigger than that — perfect for the final months of your senior year, in fact. Ask yourself:

  1. What are you good at doing?
  2. What does the world need?
  3. What can you be paid for?

The third question is perhaps not as inspiring as the other two, but it’s no less essential. As for the world around us: We are weathering a generational crisis, so you are witnesses to what the world needs. You could (and perhaps should) consider making this Final Project somehow related to this moment in history.

You also have the original set of options for the Senior Talk, as outlined in that February post. Here they are again, with some edits:

Option A: Pareto Projects | One intention of your Pareto Project was to generate a topic for any sort of Final Project. This applies whether you maintained the same passion project for the entire year or rebooted it. The connection to a final project may be obvious, or it may take some divergent thinking. As always, you should ask for feedback when you need it.

Option B: Self-Prescribed Book | Your self-prescribed book project is another option for the Final Project. Could it be evolved into something more substantial? Could it be turned into a video essay or other artifact? Again, the best approach is to brainstorm in class about the connections between your book, any work you’ve done toward a book-driven project, and this Final Project.

Option C: Research-Driven Essay | The research-driven essay may also lead directly into a Final Project. The research portion can serve a kind of double duty, since two of the seven steps outlined here involve research. What else could you do to expand on your statement of purpose, if you got to that step? What could be done with the writing to turn it into something more substantial?

Option D: New Focus If you like, of course, you can develop a new topic. You can talk with peers, talk to me, ask questions in the comment section below — whatever inspires you. Consider that ikigai concept. Revisit projects you created earlier this year, in previous years, for other classes, and so on.

Regardless of what you think you’ll do for this project, spend as much time as possible this week simply exploring. The best way to find a topic is to read, watch, and listen to as much as you can.

To help, here are some video essays chosen to help you think divergently about topics and what you do with them. Look at them for potential final products, sure, but focus also on the insight in each one.

First, a series of literature-based video essays from Storied and PBS Digital Studios. You can load the entire playlist of It’s Lit here, or sample the earliest video in the playlist:

Lindsay Ellis, one of the people featured there on PBS Digital Studios, has her own channel, and there is a playlist of 35 video essays there. The most recent video there is about Cats, and it deals intelligently with what a musical is, how an adaptation works, and why Cats was such a failure as a movie:

You might also enjoy Polygon’s Brian David Gilbert, who has a terrifically insightful series of video essays exploring video games. Each video turns its original concept into a discussion of societal, philosophical, existential topics. This video, for instance, teaches the monomyth and hero’s journey:

Every episode of Unraveled is excellent, especially if you are looking for atypical topics to pursue.

You might also want to try your hand at a video tutorial of sorts, like the WIRED series that explains concepts through five levels of complexity:

You could try to do something similar. WIRED also has an excellent process analysis of beatboxing that is posted outside of the 5 Levels playlist:

Process-analysis projects can be an excellent way to explore something you are passionate about, good at doing, and able to teach others.

Ask questions about these examples or any other aspect of this week’s work in the comments below.

Senior Projects Redux

René Magritte, Time Transfixed (1938)

Full steam ahead.


Quick Read: What to Know


① You are not responsible for every scrap of understanding in every post.

There are levels to this kind of interstitial instruction, which is why it’s called interstitial.

In other words, there is no expectation that you exhaust every post and letter. The depth is there for students who would benefit from that depth.

To paraphrase the end of this essay by John Holt: Dive into these lectures and lessons, take the parts you understand, skip the parts you don’t, get what you can out of it, and then get to work.

As you do the work, you can ask questions, get clarification, and revisit these posts. It’s part of the process, and the process is the key.

An example is the writing from today. There is this “quick read,” then the rest of the post; then there is a letter to stakeholders that links to additional information; and on top of that, there are the updates through Google Classroom and ParentLink that likely brought you to this post.

The depth here helps. Do what you can, push yourself when appropriate, and advocate at all times.

② You are responsible for continued project-based learning.

The rest of the year will continue your project-based learning, which is enabled by flipped instruction, and which is ultimately assessed through profiles.

The goal of any project is to hone universal skills and traits. The purpose of instruction is to facilitate your creative efforts. Feedback is scaffolded and individualized, and you are empowered to use the space to help each other.

That goes for the digital space, too. Losing our classroom is a terrible blow; maintaining this digital connection will help us recover.

③ You are now required to complete only a “senior talk” and one additional project.

The Senior Talk will need to be adjusted, but there’s a silver lining: You now have the option of choosing from many different final products. We will workshop the list as we go, and some of the options are explored further in this post.

The same step-by-step guide and instructional posts can be used for this Senior Talk:

One other project is required. You can include any projects started in February and early March. We will also workshop how to adjust the process and product for your choice. For a recap of what projects are required, use the letter sent to stakeholders today and the original webpage:

Make this choice manageable for yourself. As long as you communicate your needs, this can all be individualized, which is why the most important step, as always, is to establish a feedback chain.

Read on for more on each of these updates.


① Leveled Instruction


Two things to keep in mind about all the writing I do for you:

  1. There are many points of entry and departure in each instructional post, so you can choose how much to read at one time. You never need to dig every scrap of understanding out of these.
  2. The more you read, of course, the more you’ll be able to do. There are levels.

The first point there was hammered home, I hope, through our unit on reading and the answer to why we read in particular1.

The second point is illustrated by Friday’s post:

April 10, 2020

You can take your time with this sort of instructional post. There are multiple points of entry, plus simplified or summarized instructions on Google Classroom.

If you take that extra time to read more deeply, you’ll be better equipped to individualize the work. You can take as much time as you need, however. There are levels to this.


② Not an Overhaul


The focus of your second-semester projects has always been on how you learn, what skills you need to hone, and how each project prepares you for the future. It’s been an exercise in individualizing project-based learning as much as possible. That is a universal framework.

The difference now is that we all need to cope with the present. This is the makerspace in action: We have very real, very pressing problems; they are problems of identity, anxiety, connection to others, misinformation and information; and we can address those problems through reading, writing, and discussion.

Before we get to the projects, another link to the trio of updates from last week:

Distance Learning: Week 3
• April 9 Update
• April 10 Update

Again, there are multiple points of entry. Read what you can, when you can.

Of special note is that Q3 grades will be finalized and posted on Friday, April 17. On Wednesday, you’ll be asked to self-assess, just like always, and then to work out any issues over the next two days.

Then Q4 grades will be pass/fail, which is a boon to us. Remember what grade abatement is and isn’t — which means we can now focus on authentic purposes and audiences.

This post prioritizes your projects around a few of these ideas:

  • Which projects might help you sort through the current situation?
  • What will connect us to each other through projects in the Humanities?
  • Which products have different audiences, now that we are all living and working online?
  • What still helps the most to prepare you for next year?

It’s not an overhaul. These are the same projects you started in February. You need the option to streamline and simplify them, however, and that’s what you have: the option to set a manageable schedule for yourself.

After you’ve read the next portion of this post, use the comment section to ask questions. That, too, is part of managing your own schedule. Continue to advocate for your learning.


③ Required Projects


Senior Talk

The Senior Talk is still a requirement, and you must still work with the instructional post that links it to the Pareto Project:

✰ Pareto Projects and Senior Talks

You must also use the step-by-step guide, which only needs slight alterations to function through distance learning:

Every step still works, including the final steps, regardless of the final form of the talk. We can even use the original sign-up document:

We need to think creatively about what that presentation could look like. There are no bad ideas right now, and I will share examples of video essays and other “talks” over the next few days.

In addition to this Senior Talk (which needs a new label, since “talk” is no longer exactly fitting), you must complete one additional project. They are listed below in a suggested order.

Commencement Address

This is an important opportunity to reflect on the learning community you are leaving in June. Whether you share the final product or not, this is the kind of writing you should be doing during a pandemic: personal, audience-driven, reflective.

The resources include examples of commencement addresses, but you can consider open letters and other digital formats. The key is the universal guide’s focus on audience. That guide is below, followed by the instructional post for this project.

✰ Commencement Address

I want you to think seriously about writing this in order to share it.

Pareto Projects

You might prioritize these projects precisely because we are learning from home. It’s why this post was put together for you:

April 9, 2020

Scroll down to the second section of that post, and note that there has been a cultural shift toward “passion projects” since COVID-19 hit us.

If you choose to work on a Pareto Project, it might turn into one of the other projects. It might become something we didn’t predict at all. It might continue into the summer. Regardless of the arc of that work, you have a unique learning opportunity.

In fact, this is a chance for you to build habits that will carry over into next year. Passion projects are the best way to do that, because they demand more structure from you. You build the scaffolding, and you fill it in.

Self-Prescribed Book Project

If you are able to use your time now to read, you may find no better time to become a better reader. That growth can then be turned into a project you design:

✰ Self-Prescribed Book Project

If nothing else, working further on a book you’ve chosen is a chance to discover or rediscover the part of you that loved reading when you were younger.

Below are the resources you’ve used or helped to create so far:

Research-Driven Writing

This is listed last here only because research-driven writing is part of the rest of pretty much every other item on this list. In fact, a research paper could explicitly be the product or outcome for the rest of the projects.

Don’t mistake this as a knock against research-driven writing. This is actually the most important set of skills on here: the ability to synthesize viewpoints, identify bias, craft an argument that deals with an issue, etc. It’s only that these skills are part of everything else, and time is of the essence.

To write an effective research-driven paper of any kind, you can follow this guide:

The rest of what you need is in the instructional post:

✰ Research-Driven Essay


  1. I haven’t used footnotes in a while, so let’s see if that code still works. Here is the end of an excerpt by John Holt that has been assigned off-and-on for a while now:

    This is exactly what reading should be and in school so seldom is — an exciting, joyous adventure. Find something, dive into it, take the good parts, skip the bad parts, get what you can out of it, go on to something else. How different is our mean-spirited, picky insistence that every child get every last little scrap of”understanding” that can be dug out of a book.

    I think that applies equally to a post on here. Dive in, take what you can, skip what you can’t, maybe circle back later on. Treat it as part of a much larger whole. 

Second Semester Projects

Quick links (also available through the site menus on the top or left):

The image below is from the Buck Institute for Education. These are essential project design elements for the work being asked of you during this final semester.

We will go over those elements separately. Here, first, are the three most important things to remember about these projects:

  • Almost every aspect of every project can be individualized.
    • Certain requirements, like the MLA formatting of your research paper, cannot be individualized.
  • You must read the instructional posts carefully in order to individualize the work and make it authentic.
    • Don’t jump into a project without understanding exactly what the parameters are. You can only individualize things if you start from the same place!
  • Your in-class focus and use of feedback will determine your grade abatement profile more than any other aspect of your learning.
    • This is the same as it ever was, but it’s worth repeating: You are accountable for your choices during the period, such as setting clear goals and staying focused on one of these projects.

You can approach these projects in any order. On Google Classroom, the semester looks like this:

That snapshot also highlights your daily goal-setting, which is more than a requirement: It’s also the best way for you to stay focused and organized for the final four months of the year.

Note that this screenshot doesn’t include the category for formative assessments. Those assignments will be created as needed; they will check what you know, determine what you need to be taught, and help us individualize the process for each project. An example is this post on crafting statements of purpose:

That post is embedded below, and it will be reviewed in class; for some folks, however, it may not be necessary. It depends on how skilled you are in crafting a thesis or crux for your project.

Here on the course website, the category page for this semester lists the instructional posts by descending post date:

The first post is an overview of the process, including a review of how the makerspace functions:

The next four posts cover the projects themselves — four or five in total, depending on how the Pareto Project and the Senior Talk overlap for each individual. Note that all projects can be connected, and many aspects can be combined.

Finally, these two posts provide lists of what is due, how it is assessed, etc, including information about the final exam:

The information in these last two posts has been reformatted, printed, and photocopied for use offline. Because it involves the final exam, the post on Pareto Projects and Senior Talks has also been reformatted and printed. Here is the folder with those resources:

Below, each of the instructional posts has been embedded. This does a couple of things for us. First, it shows the blurb about the post next to an illustrative thumbnail. Second, and more importantly, it shows the comment count for each post.

The best way for you to engage with these materials is to push that comment counter up. Use that resource! It doesn’t just provide you immediate access to feedback from a teacher. It’s also a way to discuss these projects with your peers, share and workshop ideas, post links to finished work, and much more.

(Using the interstitial resources of the course, like the comment section of a post, will also generate evidence of the skills and traits found in the highest grade abatement profiles.)


Embedded Instructional Posts


Senior Projects Overview

✰ Self-Prescribed Book Project

✰ Research-Driven Essay

✰ Commencement Address

✰ Pareto Projects and Senior Talks

Statements of Purpose

Final Obligations

Final Assessments