The Age of the Essay, Updated

Finding the River

Camille Corot's "Interrupted Reading" (1870)

Camille Corot’s “Interrupted Reading” (1870)

Here is Paul Graham’s “The Age of the Essay” as posted to his website: http://www.paulgraham.com/essay.html.

Read this carefully. You aren’t required to annotate the text, except that annotation helps you to understand it. Annotating is one way to build understanding. Another is to collaborate on an interrupted reading of the text.

Interrupted reading is what it sounds like: You read a bit, discuss or write about what you’ve read, and then read more. That’s closer to what real-world reading looks like, and it invites others into the discussion. For that purpose, you’ll be given a copy with numbered paragraphs: Paul Graham’s “The Age of the Essay” (Reformatted).

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Pareto Projects: Getting Started

Quick Links:

This post is for any student starting a new project, rebooting an old one, or joining the makerspace midway through the year. Passion projects, which are called Pareto Projects in this space, often go through changes over time — and they remain, regardless, an important part of student growth in a Humanities makerspace. This is why they are emphasized as early as the course syllabus and as late as the final exam.

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January 4, 2021

Welcome back. We’ll do most of the heavy lifting online this week, so be sure to pay attention during class. We will cover all of the follow items.


2021 Reboot

Before you get to class on January 4, you will have a Q2A score in Infinite Campus. It can be unpacked through the same general feedback post you’ve had all year:

Static GAP Score Feedback

You can also use a spreadsheet that has been specially prepared for you. Load it here:

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Essay Challenge: Toxic Positivity

Overview

The challenge is to write an essay on the subject of toxic positivity. If you’re reading this in November, 2020, the current essay prompt on empathy is here; this challenge also answers that prompt.

Our writing guide, which works for any and all writing responses, is here. You’ll want it for this challenge.

Toxic positivity needs a definition first. This article starts with one:

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English 12 Schedule: 11/9–12/4

Refer to the various course calendars as needed: https://tinyurl.com/2020-scope.

Use this post to ask questions about how to navigate the upcoming weeks. You can ask questions about specifics here or in the comment sections of the relevant instructional posts. You can ask at any time, too. Don’t stop after a deadline — remember what the Course FAQ has to say about that.

Be sure to use class time to ask questions. You can also advocate outside of class through email, Google Classroom, and any shared documents.

11/30 Update: The work from the end of Q1 has been moved to the end of the post. Read on for daily reminders and copies of the current writing work.

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Level Design: In-Class Focus

There are levels here. The first level is the post you are now reading, which offers a simple mandate:

Treat your class time as the rare resource it is, and advocate for yourself early and often.

That’s the surface level. The next level asks you to read just under 300 words on in-class focus. It does not take long.

Leveling Up: Level 1-1

Leveling Up: Level 1-1

Then we get to a level that covers the same material in a little over 800 words.

Leveling Up: Level 2

Leveling Up: Level 2

Finally, you get to a complete unit of study. It clocks in at over 2800 words and incorporates a considerable amount of ramiform reading. It teaches you much more than you think, too.

Leveling Up: Boss Level

Leveling Up: Boss Level

This is done to help you. You need self-discipline, self-awareness, self-control — and if you ever doubt the reasons why, you could look at another set of leveled lectures:

There are levels. Get as far as you can.

English 12 Menu

More on menus, cooking, and other metaphors: Green Eggs and Deconstructed Ham.

Main English 12 page: 2023–2024: English 12

Note: Each set of dates below refers to a grade abatement panel, which is one-third of the triptych of grades earned each quarter.

English 12: 2024 Project Post


Q1A: 9/5/23–9/26/23

English 12 Syllabus

Course Overview

Introductory Letter

English 12 Opening-Day Writing

English 12: Introductory Form

Daily Checkpoints

Weekend Writing

GAP Overview

Q1B: 9/27/23–10/26/23

Close Reading: The Age of the Essay

Guided Analysis: The Age of the Essay

Narrative Brainstorming

First Draft of Personal Narrative

Q1C: 10/19/23–11/9/23

What Is Literature For?

Limon: Selected Poems

Foppa: Selected Poems

Reintroduction Writing

1984 Resource Page

Q2A: 11/13/23–12/1/23

Narrative Showcase

ePortfolio Introduction

Q2 Essential Questions

1984: Part One

Classwork Rubicon Grades

Q2B: 12/4/23–12/22/23

“The Ways We Lie”: Emulative Analysis

Classification Essay: Overview

1984: Part Two + Part Three

Q2C: 1/3/24–1/19/24

1984: Essential Question Exam

Classification & Division (C&D) Essay: Brainstorming

C&D Essay: Prescriptive Paragraphing

C&D Essay: First Draft

Q3A: 1/22/24–2/9/24

C&D Essay: Revisions

C&D Essay: Final Copies

Weekly Writing Grades: Guided Reflection

Self-Exploration Unit: Descriptive Writing

Self-Exploration Unit: Storytelling

Q3B: 2/26/24–3/8/24

Self-Exploration Unit: SWOT Analysis

Senior Projects: Brainstorming

Frankenstein: Preface to Chapter 8

Frankenstein: Reader-Response Analysis

Q3C: 3/11/24–4/12/24

Frankenstein: Chapters 9–24

Frankenstein: Reader-Response Analysis

Make-Up Essays: Classwork Rubicon

Make-Up Essays: Weekly Writing

Senior Projects: Guided Project Analysis

English 12: 2024 Project Post

Q4A: 4/15/24–5/3/24

Empathy and the Collective Good Unit: The Bean Trees

Senior Projects: Student-Selected Literature

Senior Projects: Senior Success Project (Senior Talk)

Q4B: 5/6/24–5/23/24

Senior Projects: Student-Selected Literature

Senior Projects: Addressing an Audience

Senior Projects: Senior Success Project (Senior Talk)

Q4C: 5/29/24–6/7/24

Senior Projects: Senior Success Project (Senior Talk)

Final Reflections


2021–2022 Archived Menu of Choices

2022–2023 Archived Menu of Choices

66 Minutes

If you were to look at all the categories assigned to this post, you’d see it covers everything from grade abatement to feedback to triage. Looking through those categories isn’t the point today, though; the links are there to emphasize that the post you are reading is important. Very, very important. Use-an-empty-adverb-and-italicize-it important.

The central concept here is that you must maximize your work for the 66 minutes of class time allotted this year. You’ll have breaks built in, including breaks you can schedule yourself; the rest of the time must be fully focused on our work.

You’ll have a flexible set of guidelines for this, which you can load below:

That schedule is printed and posted in the classroom, too. This post provides context. You will start with a list of instructional posts that have something in common.

You do not need to read these, because they are assigned when needed; several of them, in fact, have been sent in concert with the post you are reading now.

Again and again, these posts circle back, like so many falcons in the widening gyre, to in-class focus and feedback. Those are the keys.

The feedback in question is more than the feedback you receive on work. It’s the instructional feedback chain that you need to learn and to grow. You cannot be successful without sustained in-class focus and a habit of reading — closely reading — every instructional post, guide, letter, and comment.

This year, 2020-2021, you are physically present for our course only once a week. The odd Wednesday you attend will be dedicated to the Pareto Project. This is a strange schedule for a strange year.

Here are multiple versions of the full scope and sequence of the year:

What this exhaustive planning drives home for me is also what it should drive home for you:

  1. We spend the first four months of the year practicing and hopefully mastering the skills, traits, and processes of authentic learning.
  2. Only if you have built those foundations can you use the final five months to create extraordinary work.
  3. You cannot build anything in this space without serious in-class focus, especially on interstitial feedback and instruction.

In other words, if you do not make the most of your in-class focus, and if you do not invest fully in the instructional framework of this course, you cannot be successful.

Each week, you meet for just 66 minutes in person for a period of intense focus. This will include conferences, in-person workshops, presentations, lectures, and class discussions. You must make active, thoughtful choices.

There will be just 33 minutes additionally of at-home focus. This will include synchronous activities like discussions, lectures, and peer presentations. Distance learners can extend this beyond the required 33 minutes. You must make the best of the situation.

Again, you have access to a schedule for this:

Wednesdays will always be set aside for “genius hour” passion projects. Students who are on the schedule will workshop their projects, in person or remotely; the other students have the option of asynchronous feedback through Drive, Docs, or a meeting during office hours.

Overall, there is a limited amount of time for the critical in-person work on writing, reading, and the other Humanities skills and traits. You must, therefore, direct yourself outside of class time to prepare for in-person feedback and workshops.

If you do nothing else, you must treat the 66 minutes of in-person time as sacrosanct: You must do good, authentic Humanities work while you are in the classroom.

This is possible. 66 minutes is just 0.65% of your entire week. If you happen to be in person on Wednesday, too, that percentage doubles to just 1.3% of your life over seven days.

You can dedicate a single percentage of your time each week to this space. And a strange thing will happen, when you do: You will find it easier to dedicate more time outside of this space to this work. You will find the work more meaningful. It will be easier.

This is the trick of it: The more you invest in the class, the more you benefit; the more you benefit, the more you will want to invest in the class, and the easier it will be to do so. Authenticity and understanding stack.

Once more, here is the post that breaks down your 66-minute periods for 2020-2021:


  1. This is the text that you’ll find reprinted below, almost verbatim.