Another Brick in the Wall

Let’s jump into another failsafe, using the rolling whiteboard in our space as a springboard:

The drawing in the corner is a work-in-progress by one of the artists in the space. I appreciate the balance it gives to the much less artistic stuff happening in the upper-left corner.

All students (except for graduating seniors, of course) should make note of the required summer reading, which is posted to the high school’s website. Copies are available through our Google Classroom, as well. You should also note that the deadline for submitting any artifacts related to your Pareto Projects is Wednesday, June 12.

Course specifics:

English 10

You are in the midst of the final exam, and a complete overview of what to expect was already posted and photocopied. As a reminder, the English Department’s rubric covers everything related to the process, from start to finish; you will be assessed on your handwritten essay, your typed revision, and your Turnitin submission. It all counts. We will sit down with everything you produced through June 14 and evaluate it.

If you finish early, you should revise again. If you still finish early, you will be allowed to use the remainder of the week to finish your reader-response essay and/or your final self-assessment of the Pareto Project. See this post for details.

English 11

Finish the practice Regents Exam assignment posted to Castle Learning. You only need to do Part 1 unless told individually to practice Part 2 or Part 3. You need the repetition of the multiple-choice passages before next week. See this post for details.

If you are stuck on your college essay, talk to us in class about delaying the required reader’s response until the weekend. We can be flexible with the deadlines.

The Regents Exam will be on June 19. Any information you need will be posted to your course stream on Google Classroom.

AP English

Make absolutely sure you’ve looked at the Regents Exam overview posted here. It is also a very, very good idea to practice the multiple-choice section before next week. Use Castle Learning.

In class, you should take three days to practice writing a reader-response essay. We’ll talk about getting the most out of that experience, which should be a low-impact, high-yield one. If you are stuck on your college essay, however, talk to me about exemptions or adjustments.

Again, be sure you’re familiar with the Regents Exam. Read the overview, look at the prompts from the provided test, and get yourself in the right mindset.

The Regents Exam will be on June 19. Any information you need will be posted to your course stream on Google Classroom.

The End-of-Year, Liminal Stuff

Like the last post, this one is about choices and consequences, but it’s more focused on that all-important 36th chamber, or what we do between the bells.

For most of the year, we focus our in-class time on a different kind of feedback: lots of circulating of ideas, grouping and regrouping students, etc., all built around ongoing, collaborative tasks. It’s a makerspace, with all the shifts that suggests.

The end of year dictates a lot more summative feedback, including more summative notes on your final projects, essays, etc. There are also exams to study for and final grades to compile.

Now consider how many deadlines, toward the end of a school year, fall on or around the last day of classes. This shifts the focus away from what you will take with you — the skills, traits, and habits that will help or hurt you next year — and toward what you did, fortunately or unfortunately, as assessed by rubrics and final grades and so on.

This changes the day-to-day shape of the period, at least for the last 13 days or so1. Most classes experience similar shifts — more review, more presentations, in-class finals that span several days. It’s not unusual.

So you might see the teachers in this space spend an entire class period with one student, because she needs that much face-to-face help on her college essay.

You might see one of us spend a period hunched over a computer screen, because we’re adding feedback to the first draft of a book a student submitted that day for his Pareto Project.

You might see us meeting with a small group in a corner of the room for 30 minutes, because we need to walk them through a practice exam posted to Castle Learning.

None of these is that different from the normal makerspace setup, but it does preclude the kind of responsive redirection you’re used to. In other words, we’re not correcting your in-class focus unless it bubbles over into disruption or disrespect. Your choices are your own. That’s why you have such an exhaustive set of resources to guide you:

CYOA: The Cave of Time, Failsafes, and Redundancies

This is also the return of the return of the fatal flying guillotine. The onus is on you, the student, to make the right choice. If you can’t self-regulate, and if the vast number of failsafes fail you, and if the intrinsic and extrinsic motivation of the profiles fails you — well, then you’ve failed yourself.

This is the end of the year; you are now what you have repeatedly done, especially in these last few months. If you recognize deficits or gaps, it will be your responsibility to correct them before next year, wherever next year finds you — in college, in a job, in your senior year, etc. It might be best to focus on starting new habits that will carry over into next year.

Make absolutely no mistake here: You can and should reach out for clarification about anything you get in terms of summative feedback, from final exam scores to final GAP scores to final Pareto Projects. You can — and will — receive the same level of feedback as always. But in the last few days, you get out of this space exactly what you put into it. That’s not unique to a makerspace, but it may feel more in focus in a makerspace. The liminal stuff is given more clarity.

So it’s down to you. Recognize what that looks like.


  1. That’s an arbitrary number, although it is exactly the focus of these organizing posts in 2019: English 10, English 11, and AP English

CYOA: The Cave of Time, Failsafes, and Redundancies

Choose-your-own-adventure (CYOA) or Interactive storytelling has grown in popularity in the last few years, most recently due to the “Bandersnatch” episode of Netflix’s “Black Mirror” show. In an English makerspace, this is an excuse to revisit the first Choose Your Own Adventure books, which were published in the late 70s and early 80s, starting with The Cave of Time, by Edward Packer.

By “revisit,” of course, we mean “use as a metaphor to start a post on student choices.” Metaphors help us organize our thoughts, after all, even when there’s a bit of an edge to the work.

In this post, we’re talking about the choices available to students in the makerspace, how those choices are presented, and the extent to which structure and flexibility are intertwined and reiterated in different ways. As always:

What Is a (Humanities) Makerspace?


Turn to Page 180


This post will use evidence from a single day — May 31, 2019 — to highlight how much planning and preparation goes into this system of teaching. The “failsafes and redundancies” mentioned on one of the room’s whiteboard are the specific focus.

That whiteboard hangs in a corner by our cellphone storage. Students see it every day. (See the physical tour for context.) It’s a semi-permanent collection of class philosophies and protocols, and it includes a goal-setting checklist required at the start of each period.

Makerspaces thrive on specific, actionable student goals. You can’t build skills randomly. You can’t create meaning without a plan. Curiosity and discovery need more structure, not less, to flourish.

From the teacher’s perspective, that means engineering failsafes and redundancies for all the background reading, resource requirements, assignment instructions, etc., that students need to make choices and set goals. Students need to stumble across another iteration of this information every time they turn around.


The Rundown: May 31, 2019

Here is my set of notes for Friday, May 31, which were read aloud to each class and edited throughout the day:

These are updates, reminders, individual notes to myself, and so on. Since I have to consider students who are absent, I also pin a version of this sheet to Google Classroom. (One AP English class that Friday had ten students out — a third of the class — for Guidance group sessions, sickness, college visits, etc., for instance.)

This space uses a triptych approach to assessment, with three “panels” per quarter. Formal assignments are organized chronologically on Google Classroom to facilitate student work. So the next failsafe/redundancy is what students see under the current “panel” of assignments:

That’s a list of what AP English students must do at the end of the school year. When a student clicks to see more information, this is what they see:

Each panel opens up to show formal directions and materials for every unit, lesson, and assignment. That screenshot is of materials for the college essay, for instance. Any formal assignments will also include those materials, plus deadlines, further instructions, and a running tally of missing/submitted/returned work:

Another failsafe/redundancy is the course calendar, which is available through Google Classroom, the course website, and this direct link:

The calendar is constantly updated, with links to relevant instructional posts and handouts included next to brief outlines of each lesson. Recent updates have also brought the most recent panel of lessons to the top of the spreadsheet:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2019%2F05%2FLessons-Q4C-AP-2.pdf” viewer_width=100% viewer_height=500px fullscreen=true download=true print=true]

 

The calendar is another way for students (in this case, AP students) to organize themselves and choose their daily goals. It isn’t available offline, because of how often it is updated, and that raises an important point: All the online failsafes are designed to augment and support the in-class ones, and vice-versa.

In addition to the expected use of direct and small-group instruction, face-to-face redirection, and so on, there are whiteboards around the room that are updated with information as often as necessary. Click below to scroll through four of those whiteboards:

 

Students are surrounded by reminders about assignments and deadlines. Updates are even noted in different colors to help differentiate the new information.

It’s equally important that these whiteboards are surrounded by the innovations of the space — grade abatement profiles, interstitial learning protocols, posters on cognitive biases, etc. — because the specific assignments don’t happen in a vacuum.

To reiterate the point from earlier: All the physical redundancies augment the digital ones. The most widely used digital failsafes are on Google Classroom, where students submit formal assignments. The most powerful digital resource, however, is this course website.

Depending on the device you are using right now, you may not see the home page of this site in exactly the same way. Here is that home page on a Chromebook or desktop PC:

The menus and links are responsive, so they just look different on mobile browsers. Regardless, the site starts with a full set of links to daily essentials, calendar updates, and instructional posts. The home page centralizes whatever assignment or event is currently happening, too. In this case, it’s the Pareto Project presentations for the end of the year.

As another reminder/failsafe, the home page also has this:

CALENDAR & LESSON UPDATES [5/31 EDIT]

AP English Language & Composition: 40 Days to Go Update | 13 Days to Go Update

English 11: 40 Days to Go Update | 13 Days to Go Update

English 10: 40 Days to Go Update | 13 Days to Go Update

This is different from the regularly updated calendar of daily lessons. These are instructional posts specifically designed to help organize students. Twice in the last quarter, I have laid out in painstaking detail everything required, expected, etc. for the rest of the year: at the 40-days-to-go mark, and again at the 13-days-to-go mark. These posts came after spring break and our four-day Memorial Day weekend, respectively.

What these posts do is more than just create important redundancy in expectations. They also offer students a place to ask questions and engage in discussion with their teachers. That interstitial functionality isn’t often utilized well, but it has a lot of potential.


The Theory

It’s improbable that a student could spend a day in the space and miss all of those resources:

  • the spoken reminders and updates
  • the direct feedback in person
  • the whiteboards around the room
  • the printed copies of checklists
  • the Google Classroom updates
  • the Google Classroom unit materials and assignments
  • the updated calendars with links to other resources
  • this course website’s vast and detailed resources

And that is just one day. These failsafes and redundancies are always there. It’s an interstitial system. It’s more than fair, therefore, to assume that every student should know what to do and how to do it. The information is out there. It’s as clear and accessible as it possibly could be.

So how is it that, despite the vast resources and constant reiteration of expectations, some students left that 36th chamber having made bad choices? Some work was late; some, missing entirely. Time was wasted in and out of class. Questions were asked that have been answered a hundred times already, and then the 101st answer was also ignored.

Well, we have to acknowledge human nature, especially human nature in adolescents. Even with every failsafe and redundancy in place, a few students will be lost. They’ll make bad decisions. That’s okay, in that it’s just another opportunity to solve a problem. The space, as always, cares about how students learn.

We have to approach those struggling students with empathy. Any negative choice made in this space reveals a deeper problem, and that activates the makerspace’s true purpose: to solve authentic personal and academic problems together. When the failsafes fail, yes, it’s the student’s choices that led us there — but there’s an “us” in that sentence because it’s also the responsibility of the system to adjust.

For instance, right now: What else could a space like this do to make the expectations, directions, resources, etc., more pervasive or more accessible? If you’re reading this as a student, you can leave your ideas below.

Pareto Projects: 5/30/19–6/14/19


Setting the Schedule


Like last time, there is a master schedule for the culmination of these projects.

All students are on this document. Find the sheet for your period, and then find your last name. That slot indicates your project deadline, whether or not you are presenting. If you are presenting, that is when you will present. Otherwise, that is when you will submit your project.

Refer to the original project guide (embedded below) and FAQ (also below) for more details. When in doubt, ask questions here or in class.

Notes on the provisional nature of the schedule:

  • TBD means that the final product hasn’t been clarified yet. Are you writing? Presenting? Creating something else? Make that clear as soon as possible.
  • ??? means that you still do not have an idea/blueprint/etc. on record for this round of projects.
  • Any other changes you’d like to make must be suggested in person or over email as soon as possible. The deadline for changes will be given on Google Classroom.
    • Note: This includes changes to your project’s focus; changes to what you plan to do (e.g., changing to or from a presentation); and changes to your due date, which will be considered on a case-by-case basis.
  • If you want to use the iTheater, the DaVinci Lab, or any other space in the iLC, make that known as soon as possible, and I’ll look into it for you.

Remember to cross-reference these deadlines with the calendar for the end of the year.


Project Showcase



Recap: Background


The Pareto Project: Complete Guide

Pareto Project: FAQ


Final Self-Assessment


Pareto Projects: Final Self-Assessment

Video Meliora: Phone Ban

Starting Monday, your phones will be banned in the classroom. You’ve been given one of the pockets in the corner of our room as a holder for that phone:

Notes on the surrounding posters and handouts are in the next section. First, a complete list of assigned pocket numbers:

Write down your number. They are assigned in alphabetical order. We may also use these numbers to do some assigned group work.

Part of what you’re doing is performative — you are showing us, at the start of class, that you’ve chosen to remove the distraction of the phone. Putting that phone in its designated pocket does that. You are basically channeling Oedipus in this scene and playing to the back of the theater.

You should turn off notifications, sound, etc., before storing the phone. Make it obvious that you are removing the distraction.


The Why


You’ll notice posters and handouts all around the storage cubby for your phones. These are reminders about how to start the class period so that you can be most effective. The bigger poster is drawn from this:

“What Do I Do Next?”

While the smaller posters are all gleaned from the following document, which will be added to the “What Do I Do Next?” post when I find an extra hour in the day.

This is all about self-control and removing distraction. Remember that we banned phones once before:

Moratorium

That was the trial run. Keep in mind, too, that we looked at self-control and distraction earlier in the year:

The Return of the Fatal Flying Guillotine

That’s where the black-and-yellow poster by the phone cubby originates, at least in this class: Video meliora proboque, deteriora sequor. It means, “I see better things, and approve, but I follow worse.” I think you’ll find your productivity increases greatly without that distraction.

Ask questions about any of this, from the protocol for putting away your phones to the philosophy behind the decision, in the comment section below.

Galvanizing Feedback: How to Sisyphean High

“Sisyphean High” is an example of anthimeria in the title of this post, because we’re talking about a different sort of action. As always, the most important thing we learn is always something about how we learn, and the makerspace exists to build a better version of each student.

To Sisyphean High, so to speak, is to study how we learn the way we’d study computing in order to build our own PC. It’s highly modular learning — that is, learning with a focus on understanding and then experimenting with each component1.

It is also best done collaboratively, hence:

In It Together: 2/14/19 Discussion

That activity and the subsequent discussion need to be codified somehow, or we’ll lose the insight students gleaned from this year’s feedback after analyzing it in class2. For instance, that instructional post, “In It Together,” asks us to sort the responses into positive and negative piles, but students had a better idea almost immediately:

  1. A pile of responses that could be used to help others
  2. A pile of responses from students who seem to need help

That’s a great example of the best kind of feedback. And after we’ve done that — sorted the responses according to a different sort of efficacy and need — we can start getting down some of your insights.

Students: Use the comment section of this post to share ideas. Focus on how to galvanize peers and improve the learning environment. Reflect on the patterns you saw and the specific details that resonated. Above all else, be empathetic.

We’ll talk in class about how to use our universalized writing process to respond to this activity, too, according to your interest and investment. An open letter, a narrative, a how-to guide — these are all possible writing responses that could be published and publicized in order to help others.


  1. If PC building isn’t your thing, I really do think this essay that uses cooking as the analogy is a helpful one. 

  2. It’s important to link back to last year’s feedback, too, as part of this exercise. The insights are the same, although the data pool is shallower. 

In It Together: 2/14/19 Discussion

Note: This post is from 2019, but it may help other students and stakeholders to understand the efficacy of the course. The lesson outlined and explicated here was designed to showcase positive feedback from students, both to defend the space from its detractors and to encourage buy-in from students and other stakeholders.

On to the original post:

Scroll past the background to the first subheading (“Rising Tides”) to see the details of the lesson itself. We will be setting up on February 13, weather permitting, and sharing out our findings on February 14. And if you missed this on the main page of the site, here’s an essay about taking risks and getting engaged in our makerspace:

View at Medium.com

In brief, the lesson we’re running this week is about collecting and sharing feedback in order to increase student buy-in and agency. The makerspace embeds Brewster’s SCP and other “future-ready” methods, and specific student feedback, positive or negative, helps us improve that work.

That’s one of our makerspace walls, with notes on the Daily Check-In and its mindfulness component; the use of engineering “failsafes” to insure a common language; the connection between our work and Brewster’s SCP; and in the corner, a note on adaptability in the face of inevitable curricular dissonance.

Just like it is in our writing process, adaptability here is about a universal language that students can take with them1.

Consider what Gerald Graff and Steve Benton published about this in 2013:

[C]urricular dissonance also does much to widen the achievement gap. The high achievers manage to synthesize the mixed messages on their own and thereby deepen their learning from course to course, but the rest do not. For them, education is not a cumulative process, but a bizarre obstacle course in which students must virtually start from scratch every time they enter a new course. Who can blame them if they come away believing that education is just a cynical business of learning enough to get past one teacher and then setting aside those lessons to meet the unrelated or conflicting demands of the next one?

This matches what you see in a high school. Students move from class to class and year to year without a guarantee that things will stay the same. That “bizarre obstacle course” persists, even when progressive systems like Brewster develop ways to bring teachers together — and Brewster’s Strategic Coherence Plan really does give students universal languages for assessing their own learning.

The high achievers’ ability to navigate this is the key. That ability can be learned, and all students need to know how to “synthesize the mixed messages on their own and thereby deepen their learning,” as Graff and Benton put it. We need to teach deeper skills and develop persistent traits in students.

With that in mind, here are the prompts and instructions that were posted on January 28, with a soft deadline of February 4:

Engines That Could

The prompts are carried over from the 2018 version of this survey. They are, in order:

  1. Reflect on our use of makerspace ideas and strategies — project-based learning, process-focused feedback, collaboration, etc — to promote student-centered work.
  2. Reflect on the extent to which the interstitial classroom’s flipped, multi-level instruction has changed how you access lessons and other important information.
  3. Reflect on the ways grade abatement’s use of profiles, skills, and traits has impacted your self-awareness, self-efficacy, and overall sense of success. Use this post as necessary: http://sisypheanhigh.com/malachite/?p=2139.
  4. Reflect on how you use technology (e.g., smartphones, Chromebooks) in the makerspace to individualize and organize your learning.
  5. Reflect on our approach to writing, especially the focus on process over product and the use of radial and proxy feedback to empower and encourage students.
  6. Reflect on our approach to reading, especially the use of student choice in literature through the process outlined here: http://sisypheanhigh.com/malachite/?p=2106.
  7. Reflect on the extent to which the course and classroom have impacted your social and emotional well-being, especially the use of a mindfulness-inspired daily check-in (http://sisypheanhigh.com/malachite/?p=2539).
  8. Reflect on our focus on empathy and collegiality as the “stuff of growth,” including the extent to which your work with others has helped you to accomplish your learning goals.
  9. Reflect on the big questions we consider as a Humanities makerspace — the problems we solve, individually and collectively, through creative and critical thinking.
  10. Reflect on the extent to which this course invites you to take risks, overcome obstacles, and forge connections between hard work and success.
  11. Reflect on the extent to which you are given clear goals and actionable feedback that help you adapt to academic and social/emotional challenges. See the posts on feedback as necessary: https://medium.com/@sisypheanhigh/a-better-form-of-feedback-b340032e3dd0
  12. Reflect on how this course instills in you the skills, traits, and attributes you believe are necessary for college and a 21st-century career.
  13. Reflect on the extent to which our universal skills and traits have helped you in other academic disciplines and assignments.
  14. Reflect on how this course is explicitly and implicitly preparing you for any and all high-stakes tests, including explicit test prep. Consider, too, our approach to quizzes: http://sisypheanhigh.com/malachite/?p=2562

There is also a space on the form for additional reflections that don’t quite fit one of the other prompts.


Rising Tides


To set up student work on these responses, my co-teachers and I needed to

  1. take the unedited feedback from students and transfer it to a spreadsheet;
  2. post that spreadsheet: https://tinyurl.com/SSCP-19;
  3. print the responses and add some of the feedback from last year’s students;
  4. cut out each individual response; and then
  5. bag the responses by prompt.

Each class period gets a stack or two on one of the tables in the makerspace. Then, in groups, they sort the responses, putting positive feedback in one stack and negative feedback in another.

Remember, this is unedited feedback, except where we had to remove identifying details. That’s the point. Students will see overwhelmingly more positive feedback, and that positive feedback tends to be specific and clear. The focus on metacognition and self-efficacy creates that kind of clarity.

And what that does is to open up a discussion about why students are not successful, or at least about what those students report about their lack of success. No one is singled out or otherwise embarrassed, even through an individual conference, because our focus is on helping everyone improve their learning.

As the responses are sorted, each group talks about what they observe, with the ultimate goal of reporting out those findings in a discussion over the next period or two. Each group will also share ideas on how to move the less successful students into the much larger group of motivated, successful students.

We’ll repeat the lesson in each class, from 10th grade to AP, and then provide everyone a chance to codify their findings through website comments, posters in the classroom, and open letters to struggling students.

This is empathy-driven problem-solving, done anonymously so that struggling students in the room can listen and incorporate the feedback at their own comfort level. It’s also a reminder of how powerful the profiles we use can be. The GAP process covers this, of course, but we’ll also be using the first page of a handout on GAP anchors:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2019%2F02%2FGAP-Anchors-WIP.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

 

The fourth tier of profiles center around a GAP score of 8, which becomes a 95 — by any metric, then, a measure of outstanding work. And the key in a makerspace to that performance is improving the learning environment for others. The strongest students benefit as much as anyone from the protégé effect, especially because of what that hyperlinked article ends with:

Above all, it’s the emotions elicited by teaching that make it such a powerful vehicle for learning. Student tutors feel chagrin when their virtual pupils fail; when the characters succeed, they feel what one expert calls by the Yiddish term nachas. Don’t know that word? I had to learn it myself: “Pride and satisfaction that is derived from someone else’s accomplishment.”

Unmotivated or disengaged students are given a way to reenter the learning environment, not out of fear or through force, but because the path is clear, and high-achieving students are shown a path to even greater success.

And that brings us back to how we started the year.

The Stuff of Growth

The first thing we do in the makerspace is watch the animated version of Ken Robinson’s speech on educational paradigms:

The complete poster of this RSA Animate hangs on our wall, too. And while it’s all inspiring, the key is what he says toward the end:

Great learning happens in groups. Collaboration is the stuff of growth.

As high schools move toward teaching students how to learn, not just teaching content, this collaborative “stuff” will be the most important element. Students will need empathy and a sense of the greater good to teach each other.

Herd Immunity

The other side of Robinson’s coin is that we need students who are inoculated against misinformation, cynicism, and self-doubt. That takes herd immunity:

View at Medium.com

This makerspace is emblematic of the need to arm students with information, open-mindedness, and patience. I can address rumor-mongering directly, and I can clarify what we do repeatedly; it’s only through the testimonials of students, however, that the paradigm shift begins to find roots. If we want buy-in for any major change in education, it has to be sold on the words of students.

That’s the point of a lesson like this: For all the lengthy, hyperlinked instruction delivered through this a website, the real impact will be in class using the oldest tools we have. We’ll have paper, pens, and voices. We’ll have each other.

As always, the comment section below is for questions.


  1. The next few paragraphs are lifted verbatim from that post on the writing process. This is really the focus of a Humanities makerspace, and I am getting used to the language as much as the idea. We are building substructural strength. As Neil Postman wrote, the most important thing students learn is always something about how they learn. 

Essay Writing: Five Prompts

This assignment builds on the NPR Podcast Challenge we started in early January:

NPR Student Podcast Challenge

You can continue to use the space to complete the challenge, and I’ll make that an ongoing option through the end of March. There is an opportunity here to do more than just a podcast, though. The five prompts provided by NPR could be used for discussion and essay-writing, too.

First, those prompts again:

Tell us a story about your school or community: about something that happened there — recently or in the past — that your audience should know about.

What is a moment in history that all students should learn about?

Show us both sides of a debate about an issue that’s important to you.

What do you want to change about the world? What’s a big change that students today will make in the future?

Explain something to us that kids understand and grown-ups don’t.

Answering these five questions has given you the subject and approach, at least, for five different essays. We will use the writing process(es) outlined here:

The Writing Process

Your assignment is simple: Choose a prompt, and then write an essay in response to it.

You can use your peers for inspiration, by the way, since you can load the Google Form you completed, click on “See previous responses,” and read hundreds of potential approaches:

You have to add your own answers first, of course. If you’ve done that, you now have access to the anonymous suggestions of your peers.

Follow any further directions on Google Classroom, and ask questions below.

Engines That Could

See the 2017-2018 version of this post here.

2/13 Update: We’ll be using this year’s set of data on February 13-15 to tackle motivation and engagement in the makerspace. Load a reader- and printer-friendly version of the responses here: https://tinyurl.com/SSCP-19.

The original instructional post is below.


Strategic Coherence


One of the first texts given to students each year is Ken Robinson’s TED Talk on educational paradigms. It introduces one of the animating beliefs of this makerspace, which is that traditional education does not prepare students for the world they will join after high school. That world demands a different kind of intelligence, and it’s a far cry from the “model of the mind” that Robinson criticizes.

Watch the whole thing periodically to remind yourself why we do what we do.

For most students, what this nebulous “real world” will demand matters less than getting into college and/or starting a career. That’s why district’s like ours look more specifically at what those colleges and careers value. That list always starts with empathy, but it also always includes the rest of the nontraditional skills and traits we centralize in this course. As a reminder, the instructional, assessment, and feedback structures in the makerspace are all linked by universal languages:

The GAP Process

Two of these universal skill and traits are self-awareness and self-efficacy, which we loop together like so:

Students need to understand why we do what we do. They need self-awareness and a sense of self-efficacy. There is a permanent place on this website to discuss the Dunning-Kruger effect and imposter syndrome, for instance, because an accurate sense of self is difficult at any age. And as that post on empathy and college readiness notes, we always need an answer to the question, “When am I ever going to have to use this?”

The Most Important Skill

That’s what we have here. The makerspace makes explicit connections to college-, career-, and world-relevance in order to reshape the geometry of traditional education. Our work is rooted in a shared sense of purpose.

Part of that is our focus on metacognition and reflection. Tracking the arc of our learning over time gives us the necessary self-efficacy. And that applies to all stakeholders: Teachers in the makerspace practice metacognition and reflection. Brewster, as a district, also reflects on its progress in order to improve.

Which brings us to the BCSD Strategic Coherence Plan:

This Strategic Coherence Plan has been available to the public for a while, but January 11, 2018 saw the formal release in that post. In late January of 2018, the Tri-State Consortium visited the district for three days to evaluate the SCP, which has led to even more innovation.

A quick aside: You can learn more about the Consortium here. I’ve been involved as a team member for almost a decade, and many of the innovations of this course started with Tri-State. I first heard of Alfie Kohn’s essay on de-grading through one of their study groups, for instance.

Our job as stakeholders is to help the district, and we do that by highlighting the extent to which our Humanities makerspace fits the Strategic Coherence Plan. Through the support of district- and building-level administration, we’ve been able to develop a unique and uniquely nontraditional learning environment, and it aligns perfectly with the SCP:

Load a PDF explaining how by clicking here.

Our particular innovations beyond the SCP are just that: innovations particular to our classroom. We have a unique assessment model, grade abatement, based on growth in universal skills and traits; an interstitial model of instruction that improves on the flipped classroom; and makerspace-inspired assignments that reframe and individualize the important work of the Humanities.

Students in this course can speak specifically to the district’s vision. It’s why feedback and advocacy are essential. The district values that perspective as much as I do, and a sense of how this SCP is enacted on the frontlines will help to shape what happens next. The feedback provided in 2018 is available here:

We do this at the halfway point of the year for two reasons: First, students are now fully immersed in a different way of learning and creating meaning. Like any makerspace, we need time to learn the basics and establish good habits. For a reminder of how this works, load the following post:

The Big Sky

Second, this gives us another semester to use the feedback. As you look at those responses from January of 2018, you’ll be able to see how each prompt is tied to student goals and growth. There needs to be time and space to process the responses while still in the makerspace.

With that said, there are a few notes for current students in the makerspace, who are probably reading this as part of the formal assignment.

Students, recognize this as an opportunity for self-awareness and self-efficacy. It requires the most important kind of reflection and metacognition, which is why this assignment is replacing the usual self-assessment writing that accompanies the GAP report process.

There is also an extrinsic motivation: This form will help you to generate evidence for the top tiers of grade abatement: the use of “inquiry-based tools and structures” in an attempt to “demonstrably improve the learning environment,” for instance. The cited language comes from the fourth tier directly:

This is also an opportunity to “do more than just what is required,” since the quality of your responses is entirely in your control. Those of you who take advantage of this opportunity will find more clarity and purpose, but you will also receive more feedback from me and the other teachers in the makerspace.

Review the questions first, and then write your initial responses in a separate document. Copy them into the Google Form when you’re ready. You can submit multiple responses at different times, edit your answers after you submit them, and get feedback before posting anything. Try to answer as many prompts as you can, and ask for help on prompts that are unclear.

The formal assignment will be posted to Google Classroom. Look there for any other pertinent information. Like everything else in our makerspace, this process is about looped feedback and shared understanding, so you need to work together. You might start by asking questions in the comment section below.

Makerspace Reading Calendar: 2018-2019

Here is a printable Google Doc with this information: https://tinyurl.com/ycep9emy


Background: Instructional Posts


These are embedded, in order, after the list.

  • The Reading Process | Covers everything.
  • As You Read: Works of Literary Merit | One version of the analysis process. An updated version is here: https://tinyurl.com/simplifiedanalysis.
  • Choosing to Read: Directions | Covers assigned texts versus student-chosen texts.
  • Literary Analysis Guide | Another version of the analysis process.

The Reading Process

As You Read: Works of Literary Merit

Choosing to Read [2018]

Literary Analysis Guide


Background: Course Syllabi


Each syllabus covers reading goals for the course in full. A note on AP English Language & Composition follows that embedded syllabus.

AP Language follows the reading requirements from the College Board, which are available here: tinyurl.com/210APCB. The most relevant section is this one:

Language & Composition is explicitly focused on a different kind of reading. Canonical literature isn’t excluded, but traditional analysis is discouraged. Nevertheless, the makerspace so strongly emphasizes literature as an aesthetic experience that exceptions must be made. See the course orientation and Ken Robinson’s “Changing Education Paradigms” video for more on this.


Makerspace Reading Lists: 2018-2019


The makerspace shifts us away from mandated reading and toward literary merit and student choice. One of the essential texts in the prefatory reading is John Holt’s “How Teachers Make Children Hate Reading,” which we use to frame that choice:

I don’t want you to feel that just because you start a book, you have to finish it. Give an author thirty or forty pages or so to get his story going. Then if you don’t like the characters and don’t care what happens to them, close the book, put it away, and get another. I don’t care whether the books are easy or hard, short or long, as long as you enjoy them.

As the “Choosing to Read” instructional post says, students navigate the first 30-40 pages of a novel in order to make that decision. Each time, we use a specific protocol to learn more about how students read, what that means for their learning, and where the threshold lies between challenging their habits and forcing the issue until something breaks.

Ultimately, students decide between the assigned book (e.g., 1984, One Flew Over the Cuckoo’s Nest) and another work of equal literary merit. They must read a book. They are encouraged to stick with the assigned one; the choice, however, is theirs.

We then focus on skills, traits, and the common experiences that all works of literary merit provide us. There are no quizzes and no tests. Literature is used in essays when it is appropriate in a real-world sense, or when we must do test prep.

Otherwise, literature is used to teach the reader. Reading gives us life experience, wisdom, and empathy. It also teaches students something about how they read, which is essential to how they learn.

The assured experience is in the skills and traits developed by reading, the discussions that don’t depend just on plot points, and the metacognitive and reflective work that drives growth.

Reading Calendar: First Semester (2018-2019)

My co-teachers and I built the course calendar in September: tinyurl.com/210-2018-cal. For all classes, the Pareto Projects and GAP scoring dates stay the same. Each quarter is divided into panels, like a triptych, with different kinds of literature assigned during each panel.

Here is a post explaining the use of Q1 as a skill-building crash course:

The Big Sky

Through the first semester, a variety of literature and other texts were studied:

Q2 ends with every course having studied a book according to the makerspace protocol, which includes, of course, doing close-reading exercises on prescribed excerpts, discussing thematic elements, and practicing literary analysis.

There are additionally several posts that combat misinformation and disinformation about the makerspace approach to literature. Here is one:

Mongering and Congeries

Here is another that focuses specifically on reading:

Well, Why Read?

Reading Calendar: Second Semester (2018-2019)

Up next will be three full-length books or plays in each course, in addition to short fiction, non-fiction, and poetry.

Below (or in the printable version of this post), you can see the major texts cross two GAP panels each, with around 30 class periods available to us during those two panels. This is more than enough time to introduce the literature, begin the reading process, and then make the student-driven choice to continue or to choose a work of equal literary merit.

Each class will keep test prep and the required essays in place, of course, as well as the Pareto Projects and other project-based learning opportunities (like the ongoing NPR Student Podcast Challenge).

Note that the listed texts are provisional. It might be that we decide that Othello is a better play for English 10, for instance, since it is taught in other English 10 classes. We might move up our study of The Catcher in the Rye in English 11 to partner up with other junior classes, too. We are using some of the most commonly taught books in the English Department in order to create assured experiences.

Note on the overlap between English 11 and AP English Language & Composition:

English 11 and AP English Language & Composition are taught some of the same canonical texts. They are also given some of the same essay prompts, including junior-year staples like the personal narrative. This is because AP English Language & Composition, while open to juniors and seniors, is practically and provisionally a junior-level course.

In 2008-2009, it was officially called English 11 AP. In 2009-2010, the course lost its lab periods, dropped the 11, and opened up enrollment to seniors. Since then, 553 students have taken the course. Exactly 20 (or 3%) have been seniors. Over the last four years, sections of AP English Language & Composition have had an average of 29 students. The only three seniors enrolled during that time are all from 2018-2019. The average number of seniors in any section in the last ten years is 0.8 — less than a single student. Juniors take AP English Literature and Composition; seniors do not take AP English Language and Composition.