What to Do at the Start of Class

The start of every class period should look the same. As you arrive, even before the bell rings, you should begin the start-of-class checklist. It will focus you in several ways.

On Google Classroom, it looks like this:

That link loads the handout. It fits on the front of a single page. Laminated color copies are posted on the walls and spread throughout the room.

Here is a direct link: https://tinyurl.com/makerspace-start


Step #1: The Physical Space


Using the space effectively is about much more than modular tables and rolling chairs. You can choose seats that allow you to collaborate, and you can rearrange the room to suit your goals. Be sure to

  • sit where you can be most productive;
  • avoid groups that will distract you;
  • load only what you need on your Chromebook; and
  • put away your phone.

On the last two points: Store the phone where it can’t tentacle its way into the learning environment, and strip the Chromebook of anything not related to our work. You lack the self-control to do anything else.


Step #2: Google Classroom


The use of a form to set goals and practice mindfulness is detailed here: The Start of Class: Daily Calibration. The goal-setting is a requirement. It ought to happen at the start of class, and it must happen within the first ten minutes or so.

Always check your current, upcoming, and missing assignments. Those posts will provide a road map for the rest of the period. Read all directions and announcements carefully, and be sure to click on every link.


Step #3: Gmail


This step is best understood as a failsafe for Google Classroom. Set up notifications so that you can be informed of any and all updates related to the course, from new posts to individual feedback. If you need help organizing your Gmail inbox, make that a priority.


Step #4: Google Drive


Another failsafe. You’re more likely to open documents and files somewhere else, but you should have this app organized well enough to find any file you need quickly.

You will often share folders and files from Drive when you are compiling evidence for grading purposes.


Step #5: Sisyphean High


You most often find yourself on the course website through a Google Classroom link. It needs to be bookmarked, though, because it contains everything related to the learning process. All lectures, notes, and other posts are required reading.

You should also begin to use this site as a means of asking questions and getting feedback. The comment section is always open, and it’s a waste to leave it empty.

The Feedback Chain

This is another exploration of how feedback works in a Humanities makerspace. These are other posts on the same subject:

There are many, many more.

Continue reading

WIP GAP Explained

© Metro Trains Melbourne, Dumb Ways to Die


TL;DR — WIP GAP

WIP GAP stands for work-in-progress grade abatement profile. It refers to a provisional score entered into the online gradebook. Click on provisional in that sentence, and you’ll see why we’d use that adjective: This score should be changed later by the student’s further choices.

The use of a WIP GAP score, as opposed to the scheduled GAP score, is often because students have failed to meet the basic requirements of the course. For example, students may have failed to read assigned texts, to complete assigned analysis, or to use class time effectively.

Continue reading

Focus and Feedback

Note: Intended for the beginning of a school year (the tagged “opening salvo”). Each subheading links to an Atmosphere song, which is unrelated to anything but how good Atmosphere is.

Shrapnel


The focuses of this instructional post are in-class focus and feedback. The impetus is that it is never too early to warn you against straying from the path. We shouldn’t wait until the spring to discuss poor decisions; we should talk about it now, at the beginning of things, before any bad habits metastasize. The worst habits, like wasting class time and ignoring instruction, will slowly end you.

There’s something in that warning that should scare you, and I’ll tell you what it is. First, here’s what it is not.

It’s not what happens when you ignore instruction. That decision is insubordinate and disrespectful and breaking pretty specific rules of the whole school, and our classroom can only tolerate that for so long. Then you face some kind of punishment. Parents are called, Guidance meetings are arranged, infantilizing behavioral plans maybe get drawn up, etc. But that should embarrass you, not scare you.

It’s not your grade. As many posts explain, GAP scores suffer most when there isn’t evidence of in-class focus and feedback. The margin for error is less as you get older, too, but that’s obvious. That shouldn’t scare you, except to the extent that you are scared of the traditional Skinner-box shocks to your system.

It’s not even what bad decisions truly do to you. You are, right now, becoming a permanent version of yourself, and that self, for some of you, is going to be uninteresting, unskilled, and undisciplined. Believing otherwise is the “grain through the body of a bird” error explained many years ago in the first guide to this stuff, which puts it this way:

The ugly parts of us don’t operate on a switch. Apathy, disrespect, entitlement—these aren’t sweaters or jackets you can shrug off and cast aside when you’re tired of wearing them. That stuff will stick to you, stay with you, for a long time. When you choose not to work, you are breeding future selves, developing right now the habits that will poison or empower you in every aspect of your life. Your daily life is inculcation in its purest form: the linking together of a chain of decisions that will protect you or drag you down.

But that is more depressing than it is scary.

What you ought to fear is missing out1. Everyone who invests in this course and its philosophy, who works hard and pays careful attention, unlocks something special, and that is no longer a wild claim:

In essence, there are two courses taught in a Humanities makerspace. The first one exists to improve how you do your work, pay attention, and develop basic skills and traits. It attempts to make you a half-decent citizen of the world. It’ll cover ELA staples, get you ready for exams and graduation, and help you feel less stressed about grades.

The second course exists to transform you. Its students are smarter, more interesting, and more engaged. On their worst days, they have a space that understands and supports them. On their best days, they find real freedom and true inspiration.

Yes, you should be afraid of low grades, making disrespect a habit, upsetting the teacher enough that he decapitates you in the middle of class2. But much more existentially terrifying should be the risk of wasting such an opportunity.

To be in a room with people who have unlocked that deeper level is a constant reminder that you could have done it, too. You have the freedom to become a better person, to study many of the things you want, to do many of the things you want — and instead you’ve wasted it all to scroll through Instagram or play a video game3.

The Keys to Life vs. 15 Minutes of Fame


The purpose of a GAP score is to tell the story of your learning. The number unpacks to a profile, which unpacks to the work you’ve done in the course over (in our case) three weeks or so. To figure out that GAP score, you might want the complete guide next to you; you can get away, however, with just the following:

Every 15 days or so, you will be given a Google Form through which you indicate which GAP score you believe fits you. The data we gather through that form help us assess your struggles with the Dunning-Kruger effect and/or the imposter syndrome. Two of the self-assessments ask you to consider your in-class focus and use of feedback. That’s because those really are perhaps the two most important contributors to your success, even before you get to the logic of the profiles themselves.

Here is a document that explains further:

Starting at the top of that handout, you see again these two most basic requirements of this course, which are also the two keys that unlock upper-tier success:

  1. You must make the most of the class period.
  2. You must invest in feedback.

Feedback is also the focus of this instructional post, which links to an updated Medium essay on feedback here. These counter a lot of long-standing rumors while reiterating the importance of our time together during the school day — see this essay or this one for more on working face-to-face and during the period. Here is another post on the concept, too.

Back to focus and feedback: Part 1 of the handout (“The Keys”) asks you to self-assess your in-class focus and the level of feedback you’ve generated. Again, it’s an iteration of what you see in the Google Form you complete every three weeks or so. It is a color-coded, subjective self-assessment.

What may help to clarify how a self-assessment is useful is a look at what the old version of this handout looked like. Instead of circles, there was a line of emojis:

When viewed through some browsers, the faces looked like this:

This will seem unimportant, but there was a reason to use faces instead of numbers, at least originally. It is all about relative self-assessment.

In our case, there are two perspectives. The first is the imagined perspective of an objective observer. What would someone notice about your in-class focus and feedback over the course of several weeks? That observer doesn’t care about why you were playing video games or mindlessly reloading Snapchat; he just makes a note that you were.

The second perspective is relative, and it’s inspired a bit by the Wong-Baker pain scale:

There is a lot of subjectivity in this sort of self-assessment. What you consider to be a 10 — the worst pain you’ve ever experienced — might be only a 4 or 6 for a much less fortunate person. It’s still a 10 for you, though, because you can only base it on your experience. That’s the second perspective in our classroom: To a small extent, your best version of focusing might be different from that of others, and we might adjust — to a small extent — the standards to which you are held. You might be capable only of a certain level of feedback. That’s okay, if it’s true.

Again, the first perspective on your body of work is ultimately more important:

What would an objective observer write down, if he was asked to describe your habits and behavioral patterns?

We aren’t always after the reasons you were compelled to play on your phone for 35 minutes while your required reading gathered dust in front of you. We can’t always take into consideration why you were playing video games instead of workshopping an essay. And, in fact, advocacy is such an integral part of the course that if you did need to space out for 35 minutes, you could probably ask for that, reflect on it later, and end up learning quite a bit about yourself4.

Part 2 of the handout (“The Engine”) clarifies these two perspectives through some close reading. The selections you see come from grade abatement profiles of 2, 4, 6, and 8, which give us final scores of 60, 70, 85, and 95, respectively. By any heuristic, these are the profiles that serve as benchmarks for failure and success. These small excerpts should help you arrive at a more accurate and helpful GAP score.

GAP 2 | A 2 {may indicate} [a deliberate and systemic disengagement]…

This is a question of repeated, conscious choice. How many times does a student need to disengage, miss work, lose focus, etc, before it is “deliberate and systemic”? How many mistakes are permissible? No one expects perfection, even at the level of a 9, but we have to start the discussion with some sort of threshold. You have agency and self-control, and very few students goof off out of malice. You do it without thinking. At a certain point, however, a lack of adjustment or a lack of thinking is a choice.

GAP 4 | These students {do not meet} [the basic requirements of the course]…

The GAP 2 has modal language, which is language suggesting possibility. The student “may” meet those criteria, but there are other ways to slip to that tier. For a GAP 4 and its surrounding scores, the language is direct: If you do not meet the basic requirements of the course, you really shouldn’t be scored any higher than a 4 (70).

The question, then, is what the course defines as its basic requirements. Right now, as always, the course values in-class focus and student-driven feedback more than anything else. This new handout also lists the obvious stuff, like getting work in on time and being amenable to redirection, as basic requirements. As the handout says, it’s about doing the job on the days you would rather be watching Netflix, instead of, you know, actually watching Netflix in class5.

So the question is, again, how lenient we ought to be. Where is the line between human error and apathy or indulgence? It isn’t a hypothetical question. To illustrate what I mean, here are data from a normal classroom at 9:00 AM on 5/17/17:

Those are self-reported GAP scores from about a dozen students for a three-week assessment period. See how high the scores are? Maybe you can spot the issue when you read the original directions from the Google Classroom assignment:

That clearly states that completing the form before May 19 would lower a student’s profile score. So about a dozen students, some of them otherwise excellent, didn’t read the directions before jumping in. They also didn’t read the calendar, and they seem to have forgotten what we discussed in class. Yet they self-reported scores in Tier 4. Should those students have received lower GAP scores? Should we have shrugged away their mistake, even though it was mid-May? Where do we draw the line?

And that’s an innocuous example. The point might be that these are complicated problems, and we need to talk early and often about them.

GAP 6 | Students earning a 6 {are consistent and reliable} [in performance]…

My theory is that you consider “performance” to be only a particular set of things you do in school. Tests are performances. Essays are performances. Exams are definitely performances. The formative steps aren’t performative in the same way, so you cut corners and cheat the system if/when you need to. That’s not a finger-wagging accusation: Over the years, hundreds of students have admitted to copying homework, using Schmoop before a class discussion, zoning out during lectures, etc.

This course rests on the opposite principle: The process is what matters, and the products should never be the primary focus of our learning. That means that “consistent and reliable” work happens every day. I encourage you to read about that philosophy in this article about preschool crafts, and then to skim this:

View at Medium.com

GAP 8 | An 8 {reflects} [a systemic investment in the course]…

In many of the notes on earning a GAP 8, you’ll see “galvanize” identified as the key verb. That’s true, but another important verb is “reflects,” in no small part because of what it does for us metaphorically.

Most of your self-assessment looks at quantifiable stuff. You could, for instance, count the number of minutes you’re off-task when determining that a GAP 4 is your fate. If you believe you’ve been “consistent and reliable,” you can add up the assignments you’ve handed in, collate the formative and process-based work you did, and stack up your feedback-driven metacognition. It’s sortable, stackable, quantifiable data.

When you invest in the entire system, however, your evidence moves beyond the quantifiable and into something more reflective. Which is not to get too existential6. Think about how else we can use “reflect” in a classroom: It’s the other part of the self-monitoring you do, alongside metacognitive writing and discussion. You reflect your investment through self-monitoring. Once you observe the true purpose of the work, you can set the course accordingly. You’re in control of the learning, because you are involved in all parts of the system — not just the daily class periods and formal writing assignments, but everything.

Which is why Part 3 of this new handout, “The Vehicle,” is a list of the universal skills and traits we value. They are streamlined and edited a bit, but they aren’t changed fundamentally from the other guides to grade abatement, collaboration, and so on. Every iteration helps a bit. When you are invested enough, in fact, and when your focus becomes honing these skills, you will see them reflected in everything you do.

That’s why it matters less which books we read, which essays you write, and which discussions we have. It’s more important for you to memorize our list of skills and traits, and then for us to work together to determine what you need to do to hone your strengths and eliminate your weaknesses. This becomes the blueprint for your growth:

Reflections


At this point, your brain should be churning as it begins to process this. You may need to write down your understanding for me to read and comment on. You may want to write about your previous experiences with grades. You may need to ask questions in the comment section below7. Regardless, you absolutely must write something in response to all this feedback — not just because that is a formal assignment, but because it’s the whole point.

First, I want to add that I still believe that it is nearly impossible to fake in-class focus and feedback. You can fake a certain level of curiosity and empathy, but it’s nearly impossible to reframe a period spent off-task as anything but what it was. You can rush through a few pages of perfunctory reflection, but it’s nearly impossible to turn a real lack of feedback and investment into something else.

Since “nearly” impossible is not the same as “totally” impossible, I usually try to pitch faking it in here as a good idea, theoretically speaking. That was the theory as early on as the tenth section of this essay:

If you force yourself through the motions in here, those motions will inculcate the skills and traits we want. A misanthrope who forces himself to take collegial and galvanizing actions will incrementally learn empathy. A narcissist who forces herself to reflect and metacogitate every week will incrementally find new self-awareness and insight. An apathetic student who grinds through assignments just to get them done will incrementally gain a real appreciation for the value of the work.

That’s idealistic, but it seems to be true for most students: If you fake it, at least you’re doing some good. Learning doesn’t have to be a zero-sum game.

I think there’s something else to add, though: If you decided that this “nearly impossible” claim was a challenge, you might figure out how to fake it. You might fool me. Or you might just slip through the cracks, earning credit when credit is definitely not due. Then the hard-working students become frustrated, seeing a kind of injustice. No one wants to feel cheated, to have a peer succeed dishonestly, or to see a good system subverted.

So here’s the thing: Did that person succeed? Did he really? When a student “cheats” in here, all he’s done is get worse at everything that the world actually values. That vehicle for learning — the list of universal skills and traits — might as well be a car rusting on cinder blocks in the front yard. The student, having gotten away with wasting class time and ignoring feedback, has made himself more distracted and more disrespectful. He knows less now and can do less with the little he knows than his peers. He’s grown dishonest and cynical and selfish.

That’s… not really a victory. How do you imagine you would celebrate that? “Boy, I tricked him! I’m a terrible student! My life is going to be much harder now!”

I mean, yes, I’m upset about that, but not in a mustache-twirling kind of way8. I would like the world to be filled with respectful, creative people who take advantage of extraordinary opportunities to learn about themselves and the world around them. I hope you will make that world a better place through your intelligence and compassion. I believe in your potential, and I hate to see it wasted.

That’s all.


  1. Not in the FOMO sense, although that’s a concept worth studying, especially as a gateway to learning about the five-factor model of personality. There is a test you can take, the IPIP-NEO, that will generate a really rich set of data to unpack and analyze. It’s a way of getting to know yourself more completely, and that’s almost always a helpful thing. 

  2. “Metaphorically!” he shouted quickly, glancing at administration and laughing nervously. “Metaphorically decapitates you in the middle of class.” 

  3. Both of which you could legitimately do, if it was part of a unit of study you’d designed. You could write about these things, study them, read excellent ETA essays on them. You’d get more out of it. Why not do that? Why not take the extra five minutes to advocate thoughtfully for the very thing you are doing thoughtlessly? 

  4. The best kind of metacognition is uncomfortable, so this would be perfect: Why do you need to waste class time? Is it really that you’re wasting it, or is something more significant going on? What is your brain up to? 

  5. Again, you could probably write and read about this, if you were invested enough in the course to see how it connects to our work. Binge-watching culture is fascinating, and I’d want to help you unpack the reasons why that show had so transfixed you that it couldn’t wait another few hours. 

  6. Says the Camus-inspired website that has pitched Regents Exam prep in the past with a Kafka reference

  7. Try that out. Scroll down and ask a question. It’s never too late to engage with the interstitial elements of the course, and it is the easiest and fastest way to get feedback. 

  8. Although I wonder… In that scenario, who is Dudley Do-Right? 

The Start of Class: Daily Calibration

Book art by Guy Laramée.

Note: This post isolates and updates the daily calibration form introduced here: Objects in Space. Here is the “start of class” handout shared with students and posted on the walls, on the tables, and online:

Direct link: https://tinyurl.com/makerspace-start


Daily Calibration for Students


The daily calibration form is the key to your in-class focus, at least to some extent. Links for each class period can be found on Google Classroom, at the top of the “Classwork” tab. Put that link somewhere you can access quickly — the home screen of your phone, the bookmarks bar of your browser, etc.

Here is a pre-filled copy to consider:

(The joke, such as it is, comes from this writing by Albert Camus, which inspired the name of this site, the philosophy of this course, and a few other existentially important elements of what we do.)

This form requires you to set a goal for the 24 hours that fall after the class period. What will you accomplish during that time? What do you hope to learn, to create, to explore, etc? Think of this as another inflection point: a moment when the trajectory of your day changes.

You are also invited to reflect on your physical and mental state, with an optional space for any other thoughts you want to share. This part is highly encouraged; self-awareness and self-efficacy begin with that kind of mindfulness.

All told, it takes only a few moments at the start of each class period. Those moments build powerful habits and generate a stronger connection between you and the work of a course like this. A larger picture of you also emerges over time. Consider this screenshot of student feedback:

The first two columns’ data come from what we’d call the mindfulness section of the form, which is drawn from the excellent educator resources at Stop, Breathe & Think. That section looks like this:

While these sections are optional, they can center you physically and mentally, giving you a greater chance of shifting cognitively from whatever came before — an exhilarating gym class, a relaxed lunch period — into the work of a Humanities makerspace.

The next columns of data are goals and miscellaneous feedback or updates. (The exact order has been changed since this screenshot.) This is incredibly powerful information to have at the start of the class period, and not just for teachers. For you students, this is a way to orient yourselves in the middle of a day that pulls you in a dozen different directions.

Completing this form is, therefore, incredibly important. This is a habit that will help you navigate academics, relationships, and the equally Sisyphean grind of many jobs. You can and often should pause momentarily to take stock of your physical and mental wellbeing. You can and often should set an immediate, achievable goal.

Ask questions about this below.

Humanities Makerspace Building Blocks


Established Innovations


Our Humanities makerspace relies on flipped instructionproject-based learning, and standards-based grading. These innovations are not unique to us. Each is supported by years of research and evidence of their impact on student learning.

There are other innovations that are unique to a Humanities makerspace. They change the dynamics, the look and feel, of the learning environment. As a result, it is essential that all stakeholders approach the makerspace with an open-minded desire to learn.

Students get this information through the course orientation, through each course’s unique syllabus, and through opening-week activities. Further information is given in class and online, and we reevaluate the learning environment at every opportunity. Here is an example of what this looks like at the end of the first quarter.

It is the sincere hope of every teacher who uses the makerspace that all non-student stakeholders use this website and the vast resources it archives to become fluent in the language of the space. As this 2015 essay puts it, “[a] a student’s task is to avoid illiteracy about the way this course works.” The same must be true for all stakeholders.

A good place to start would be with definitions of flipped instruction, project-based learning, and standards-based grading.

Flipped Instruction 

Google: What is a flipped classroom?

Major shifts:

  1. Instruction takes place online in the form of teacher essays, lecture notes, flipped discussion, and more.
  2. Class time is spent doing the work that is traditionally done at home.
  3. Large-group instruction is rare.
  4. Small-group and individual instruction is common.
Project-Based Learning 

Google: What is project-based learning?

Major shifts:

  1. Formative work and process is emphasized as much as any final product.
  2. Projects are iterative, individualized, and ongoing.
  3. The project-based approach is adapted for essay-writing and reading assignments.
  4. Lessons do not have “do nows” and “exit tickets”; instead, there are workshop dates and checkpoints.
Standards-Based Grading 

Google: What is standards-based grading?

Major shifts:

  1. Grades are not given on individual assignments.
  2. Feedback is tied to the development of universal skills and traits, ELA-specific skills and traits, and content knowledge.
  3. Grade are give at regular intervals (every three weeks in our space) and reflect standards-based achievement and growth.
  4. Grades are tied to universal profiles that reflect evidence of mastery according to knowable criteria.

ELA Requirements


These are the elements found in every ELA course. They are part of our makerspace, whether in a co-taught inclusion class or as part of a college-level curriculum.

Required Texts

The syllabus for a particular course lists the canonical fiction and nonfiction we study. Each course calendar reflects the time dedicated to reading, discussion, and responsive writing, including analysis. We also provide frequent updates on what, how, and why we’re reading.

In 2018-2019, the space adopted a unique reading process. This idea of choosing what to read, either to augment assured experiences or in place of them, is still being considered. (Note: When an innovation doesn’t work like we hoped, we recognize that, learn from it, and get back to basics.)

Required Writing

The syllabus for a particular course lists the required essays we write. This includes assured experiences, such as the persuasive writing in English 10, the college essay at the end of English 11, and the senior talk in English 12. Each course calendar reflects the time dedicated to writing and revising.

We use a unique writing process. On top of that process, we are able to incorporate any other rubric, from Regents Exam rubrics to department-wide rubrics. The process is universalized.

Exam Prep

English students must pass a Regents Exam to graduate. This exam is taken at the end of English 11. In those junior classes, we fold weekly test prep into our schedule a few months ahead of the exam. The calendar reflects this.

In addition, all analysis of literature involves an exam-styled prompt. See the directions and handouts in this shared folder: Simplified Analysis. This applies to all students except seniors, since seniors have already taken the exam that requires this sort of writing.

In AP- or Honors-level class, exam prep based on the expectations of the College Board is also assigned regularly. The calendar reflects this.


Sisyphean High


Now we come to the innovations that are unique to our makerspace. There are many resources that explain these unique elements, and they all answer the same question:

What Is a (Humanities) Makerspace?

That post covers the basics thoroughly. This post, the one you are reading right now, delineates how flipped instruction, standards-based assessment, and project-based learning led to those other innovations. Each iteration improves on the original. Each is based on established educational research. And for each, there is evidence of the overwhelmingly positive impact on student learning.

Testimonials and evidence are always available online. Further testimonials crop up naturally from students, as in these examples from the top ten graduating seniors in 2019:

Flipped Instruction → Interstitial Instruction

There are many resources explaining what interstitial instruction does to iterate and improve on the idea of flipped instruction. Here are three:

Interstitial instruction relies more heavily on hypertextual, teacher-written essays than other forms of flipped instruction. These instructional essays and posts can be revisited and explored repeatedly, offering multiple points of entry for students of differing ability levels.

Interstitial instruction also utilizes Google Classroom to set deadlines, give feedback, individualize assignments, and so on. Submitted work is organized and archived digitally.

At the same time, the kinesthetic and face-to-face aspects of learning are emphasized as essential “maker” activities. It’s not just flipping instruction and doing homework in class; it’s inviting students to adapt a framework to suit their individual learning style and needs. The goal is an anytime/anywhere learning environment.

Standards-Based Grading → Grade Abatement

There are many resources explaining what grade abatement does to iterate and improve on the idea of standards-based grading. Here is an entire site of testimonials to its efficacy. Below is the grade abatement process, which includes every updated material and resource:

The GAP Process

In brief, grade abatement answers the case against grades through a system of profile-driven, evidence-based assessment. The profiles are precise but flexible, incorporating a nuanced set of universal skills and traits that can be individualized and adapted to any ELA curriculum. Final scores can be unpacked into rich, specific feedback, offering modular points of entry for all students — yet it all fits on a single handout.

Project-Based Learning → Daily Check-In

Instead of a “do now,” there is a required “check-in” form for students. It is explained in a post on the physical makerspace, which includes a direct link to a pre-filled form:

The required goal-setting is accompanied by optional mindfulness prompts and a space to share privately with the teacher. Think of it as the social/emotional framework for our academics.

Project-Based Learning → 20% Projects

Google: What is a 20% project?

Our version of a 20% project, which is sometimes called a 20-Time or Genius Hour project, is the Pareto Project. It has its own guide, an FAQ, and a unique final assessment.

In brief, students complete a project entirely of their own choosing, which they then present, publish, or otherwise share. Student projects and testimonials are available online.

Project-Based Learning → Bishop Composition

The complete writing process is sometimes called bishop composition, a reference to some of the origins and applications of the process itself. Writing is the central pillar of the makerspace, which leads to several related shifts:

  • Units are based on essential questions, central skills and traits, or authentic problems.
  • Student growth, choice, and metacognitive insight are emphasized over final writing products.
  • Emulation is emphasized over analysis, as detailed in this instructional essay.

The writing process can be adapted for any purpose. Here is an example of adapting it for the college application essay.


Complete Transparency


Finally, it is important to note that transparency is essential to all flipped instruction, project-based learning, and standards-based grading, especially as conceived in a Humanities makerspace.

A good example is the stakeholder’s guide that is sent home to parents every year, which is often accompanied by course-specific letters, like this AP English letter from 2018. The message is clear: You can know as much about what we do as you’d like. Information is power, and all stakeholders, from students to administrators, have access to that power.

There is also a constant effort to provide redundancies and failsafes, as explained here in late 2019. This approach respects that procrastination and avoidance are part of human nature. Think of it as guided inquiry — agency and autonomy assisted by expert guidance and feedback.

More evidence of the invitation to investment can be found in the FAQ featured on the home page of this site:

Makerspace FAQ

The End-of-Year, Liminal Stuff

Like the last post, this one is about choices and consequences, but it’s more focused on that all-important 36th chamber, or what we do between the bells.

For most of the year, we focus our in-class time on a different kind of feedback: lots of circulating of ideas, grouping and regrouping students, etc., all built around ongoing, collaborative tasks. It’s a makerspace, with all the shifts that suggests.

The end of year dictates a lot more summative feedback, including more summative notes on your final projects, essays, etc. There are also exams to study for and final grades to compile.

Now consider how many deadlines, toward the end of a school year, fall on or around the last day of classes. This shifts the focus away from what you will take with you — the skills, traits, and habits that will help or hurt you next year — and toward what you did, fortunately or unfortunately, as assessed by rubrics and final grades and so on.

This changes the day-to-day shape of the period, at least for the last 13 days or so1. Most classes experience similar shifts — more review, more presentations, in-class finals that span several days. It’s not unusual.

So you might see the teachers in this space spend an entire class period with one student, because she needs that much face-to-face help on her college essay.

You might see one of us spend a period hunched over a computer screen, because we’re adding feedback to the first draft of a book a student submitted that day for his Pareto Project.

You might see us meeting with a small group in a corner of the room for 30 minutes, because we need to walk them through a practice exam posted to Castle Learning.

None of these is that different from the normal makerspace setup, but it does preclude the kind of responsive redirection you’re used to. In other words, we’re not correcting your in-class focus unless it bubbles over into disruption or disrespect. Your choices are your own. That’s why you have such an exhaustive set of resources to guide you:

CYOA: The Cave of Time, Failsafes, and Redundancies

This is also the return of the return of the fatal flying guillotine. The onus is on you, the student, to make the right choice. If you can’t self-regulate, and if the vast number of failsafes fail you, and if the intrinsic and extrinsic motivation of the profiles fails you — well, then you’ve failed yourself.

This is the end of the year; you are now what you have repeatedly done, especially in these last few months. If you recognize deficits or gaps, it will be your responsibility to correct them before next year, wherever next year finds you — in college, in a job, in your senior year, etc. It might be best to focus on starting new habits that will carry over into next year.

Make absolutely no mistake here: You can and should reach out for clarification about anything you get in terms of summative feedback, from final exam scores to final GAP scores to final Pareto Projects. You can — and will — receive the same level of feedback as always. But in the last few days, you get out of this space exactly what you put into it. That’s not unique to a makerspace, but it may feel more in focus in a makerspace. The liminal stuff is given more clarity.

So it’s down to you. Recognize what that looks like.


  1. That’s an arbitrary number, although it is exactly the focus of these organizing posts in 2019: English 10, English 11, and AP English

CYOA: The Cave of Time, Failsafes, and Redundancies

Choose-your-own-adventure (CYOA) or Interactive storytelling has grown in popularity in the last few years, most recently due to the “Bandersnatch” episode of Netflix’s “Black Mirror” show. In an English makerspace, this is an excuse to revisit the first Choose Your Own Adventure books, which were published in the late 70s and early 80s, starting with The Cave of Time, by Edward Packer.

By “revisit,” of course, we mean “use as a metaphor to start a post on student choices.” Metaphors help us organize our thoughts, after all, even when there’s a bit of an edge to the work.

In this post, we’re talking about the choices available to students in the makerspace, how those choices are presented, and the extent to which structure and flexibility are intertwined and reiterated in different ways. As always:

What Is a (Humanities) Makerspace?


Turn to Page 180


This post will use evidence from a single day — May 31, 2019 — to highlight how much planning and preparation goes into this system of teaching. The “failsafes and redundancies” mentioned on one of the room’s whiteboard are the specific focus.

That whiteboard hangs in a corner by our cellphone storage. Students see it every day. (See the physical tour for context.) It’s a semi-permanent collection of class philosophies and protocols, and it includes a goal-setting checklist required at the start of each period.

Makerspaces thrive on specific, actionable student goals. You can’t build skills randomly. You can’t create meaning without a plan. Curiosity and discovery need more structure, not less, to flourish.

From the teacher’s perspective, that means engineering failsafes and redundancies for all the background reading, resource requirements, assignment instructions, etc., that students need to make choices and set goals. Students need to stumble across another iteration of this information every time they turn around.


The Rundown: May 31, 2019

Here is my set of notes for Friday, May 31, which were read aloud to each class and edited throughout the day:

These are updates, reminders, individual notes to myself, and so on. Since I have to consider students who are absent, I also pin a version of this sheet to Google Classroom. (One AP English class that Friday had ten students out — a third of the class — for Guidance group sessions, sickness, college visits, etc., for instance.)

This space uses a triptych approach to assessment, with three “panels” per quarter. Formal assignments are organized chronologically on Google Classroom to facilitate student work. So the next failsafe/redundancy is what students see under the current “panel” of assignments:

That’s a list of what AP English students must do at the end of the school year. When a student clicks to see more information, this is what they see:

Each panel opens up to show formal directions and materials for every unit, lesson, and assignment. That screenshot is of materials for the college essay, for instance. Any formal assignments will also include those materials, plus deadlines, further instructions, and a running tally of missing/submitted/returned work:

Another failsafe/redundancy is the course calendar, which is available through Google Classroom, the course website, and this direct link:

The calendar is constantly updated, with links to relevant instructional posts and handouts included next to brief outlines of each lesson. Recent updates have also brought the most recent panel of lessons to the top of the spreadsheet:

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2019%2F05%2FLessons-Q4C-AP-2.pdf” viewer_width=100% viewer_height=500px fullscreen=true download=true print=true]

 

The calendar is another way for students (in this case, AP students) to organize themselves and choose their daily goals. It isn’t available offline, because of how often it is updated, and that raises an important point: All the online failsafes are designed to augment and support the in-class ones, and vice-versa.

In addition to the expected use of direct and small-group instruction, face-to-face redirection, and so on, there are whiteboards around the room that are updated with information as often as necessary. Click below to scroll through four of those whiteboards:

 

Students are surrounded by reminders about assignments and deadlines. Updates are even noted in different colors to help differentiate the new information.

It’s equally important that these whiteboards are surrounded by the innovations of the space — grade abatement profiles, interstitial learning protocols, posters on cognitive biases, etc. — because the specific assignments don’t happen in a vacuum.

To reiterate the point from earlier: All the physical redundancies augment the digital ones. The most widely used digital failsafes are on Google Classroom, where students submit formal assignments. The most powerful digital resource, however, is this course website.

Depending on the device you are using right now, you may not see the home page of this site in exactly the same way. Here is that home page on a Chromebook or desktop PC:

The menus and links are responsive, so they just look different on mobile browsers. Regardless, the site starts with a full set of links to daily essentials, calendar updates, and instructional posts. The home page centralizes whatever assignment or event is currently happening, too. In this case, it’s the Pareto Project presentations for the end of the year.

As another reminder/failsafe, the home page also has this:

CALENDAR & LESSON UPDATES [5/31 EDIT]

AP English Language & Composition: 40 Days to Go Update | 13 Days to Go Update

English 11: 40 Days to Go Update | 13 Days to Go Update

English 10: 40 Days to Go Update | 13 Days to Go Update

This is different from the regularly updated calendar of daily lessons. These are instructional posts specifically designed to help organize students. Twice in the last quarter, I have laid out in painstaking detail everything required, expected, etc. for the rest of the year: at the 40-days-to-go mark, and again at the 13-days-to-go mark. These posts came after spring break and our four-day Memorial Day weekend, respectively.

What these posts do is more than just create important redundancy in expectations. They also offer students a place to ask questions and engage in discussion with their teachers. That interstitial functionality isn’t often utilized well, but it has a lot of potential.


The Theory

It’s improbable that a student could spend a day in the space and miss all of those resources:

  • the spoken reminders and updates
  • the direct feedback in person
  • the whiteboards around the room
  • the printed copies of checklists
  • the Google Classroom updates
  • the Google Classroom unit materials and assignments
  • the updated calendars with links to other resources
  • this course website’s vast and detailed resources

And that is just one day. These failsafes and redundancies are always there. It’s an interstitial system. It’s more than fair, therefore, to assume that every student should know what to do and how to do it. The information is out there. It’s as clear and accessible as it possibly could be.

So how is it that, despite the vast resources and constant reiteration of expectations, some students left that 36th chamber having made bad choices? Some work was late; some, missing entirely. Time was wasted in and out of class. Questions were asked that have been answered a hundred times already, and then the 101st answer was also ignored.

Well, we have to acknowledge human nature, especially human nature in adolescents. Even with every failsafe and redundancy in place, a few students will be lost. They’ll make bad decisions. That’s okay, in that it’s just another opportunity to solve a problem. The space, as always, cares about how students learn.

We have to approach those struggling students with empathy. Any negative choice made in this space reveals a deeper problem, and that activates the makerspace’s true purpose: to solve authentic personal and academic problems together. When the failsafes fail, yes, it’s the student’s choices that led us there — but there’s an “us” in that sentence because it’s also the responsibility of the system to adjust.

For instance, right now: What else could a space like this do to make the expectations, directions, resources, etc., more pervasive or more accessible? If you’re reading this as a student, you can leave your ideas below.

What Is a (Humanities) Makerspace?

As part of the conference day that led to that tweet, I’m polishing my one-sentence definition of makerspaces:

Makerspaces emphasize iterative, process-based learning that is

  1. built around a common language for that process;
  2. focused on collaboration; and
  3. supported by expert feedback.

That unpacks, of course, into a lot more material. There is an FAQ on makerspaces, a recent clarification of grade abatement, tons of student insight into how the space connects to ELA and SCP standards, and more, all available through the website.

The rest of this post explores how the ELA framework and standards work in our space. What follows is adapted, in fact, from the general course syllabus and this Google Site.


What Is a Makerspace?


“Makerspace” is not the only term for this kind of work, and in the real world, the name is relatively unimportant Names are always relevant, of course, because they help us set the agenda for the work we do. The point is that folks solving problems in the real world will be less concerned with the name of the space and more concerned with the work itself. The work is what matters.

This clip from Apollo 13 showcases makerspace problem-solving:

What you have there is a group of like-minded and similarly trained folks who must confront a real-world problem. To solve it, they gather all the tools and resources they need, and then they collaborate on a solution.

In this particular example, NASA engineers pour out a box of mechanical components and use their expertise and creativity to “invent a way to put a square peg in a round hole.” As in most makerspaces, academic or otherwise, the components are physical — gears, electronics, plastic, etc. Even when the components are something as small as DNA, they are still physical.

That’s why hacking DNA (to create cow-less milk; read the Wired article hyperlinked in the previous paragraph) requires the same kind of makerspace thinking needed to save stranded astronauts. These examples also fit the usual acronym attached to makerspaces in education: STEAM (Science, Technology, Engineering, Art, and Math).

English doesn’t often get a seat at the table, perhaps because its components are more abstract. Literature and writing aren’t considered to have the same modular, experimental elements, at least in a general sense, and the history of makerspaces, hackerspaces, fab labs, etc., is very much about the STEM and STEAM disciplines.

But a makerspace can be an excellent way of reading, writing, and exploring the Humanities. That’s because all makerspaces must answer the same two questions:

  1. What important, real-world problems are we solving?
  2. What components and tools do we need to solve those problems?

These are the same questions answered by scientists, engineers, and so on. What’s interesting is how universal the questions become when applied to an English classroom. What is more universal than being human? In fact, the authentic problems students face in an English classroom are the problems all of us face. They are the questions that we answer through reading, writing, and thinking:

What does it mean to be a human being?
What does it mean to coexist in a society?
What are my beliefs?
How do I want to live my life?

Like all classrooms, an English classroom is where students also experiment with and learn to use so-called “soft” skills. A makerspace approach simply makes that work more explicit. Skills and traits like self-awareness, self-efficacy, and collegiality are components for solving problems like these:

What does it mean to be educated?
What is the purpose of school?
How does each of us learn best?
What are the most important skills and traits for our futures?

In a Humanities makerspace, we experiment to find solutions to these problems and answer these questions. We collaborate, ask experts, do research. We try to think outside the box. We dismantle the box to build a better one, when necessary.

So the tools and components we pour out on the table in English are

  1. a set of universal skills and traits;
  2. our connections to other human beings; and
  3. the literature and nonfiction that best teaches us how to be human.

Makerspace Building Blocks


The rest of this post explores the specifics of writing, reading, and thinking in the space, since those are the primary tools and resources used to solve problems in the Humanities. It’s critical, though, to understand the building blocks of this kind of learning:

Humanities Makerspace Building Blocks


Makerspace Writing


Writing is the fundamental creative act of a Humanities makerspace. it is driven by essential questions (like these), central texts (like this), prescribed prompts (like these), and much more.

We use a writing process built from the ground up to emulate college-level writing workshops and STEAM makerspaces. We focus on component understanding, modular experimentation, and constant metacognition.

Importantly, as the FAQ emphasizes, the makerspace applies this process to the same grade-level and course-specific prompts done by non-makerspace classrooms. We hit the same targets, from MLA-formatted research papers to college essays.

Below is a direct link to this writing process, followed by an instructional essay that explores the importance of writing, the history of makerspace-inspired writing guides, and the need for a different kind of assessment.

DIRECT LINK: THE WRITING PROCESS: V4 (2019)

The Writing Process


Makerspace Reading


Reading in a makerspace is an intricate, flexible process that emphasizes student choice while adhering to grade-level and course-specific text requirements. We cover the skills of literary analysis, including test-driven terminology prep; close reading, both with fiction and nonfiction; and and the balanced study of contemporary and canonical essays and novels.

You can see what I mean in these posts:

We usually start with this video:

As that suggests, literature is one of the many tools available to people in the real world, and it is easily the most powerful tool we can use to develop empathy and expand our life experiences. In our makerspace, it’s a tool connected to all the rest. It’s one of the components we pour out on the table, so to speak, when we need to answer the most important questions.

It’s not the particular book that matters, as a result; it’s how that book is read. We stress choice. We use essential questions to drive those choices. We still tackle the canonical requirements, from American short fiction to Shakespeare, but often allow students to branch out in order to invest fully in the reading process.

Above all else, we are focused on the component experiences that make students lifelong readers, not children who hate reading. To see a 2019 attempt at developing this habit, look here:

Good Reads and Goodreads


Makerspace Thinking


Metacognition is the key to the thinking in our space. The most important thing students learn is always something about how they learn, and a makerspace embraces that. Many of the most powerful lessons come from this, and the skills associated with thinking are universally important.

That’s why we have a daily check-in form, for instance, that invites mindfulness and clear goal-setting. We also spend substantial time on the habits of in-class focus and feedback, which is how the space can let students individualize many assignments.

The content still matters! This is critical: The content, assured experiences, etc., are still approached with fidelity. The makerspace prepares for tests, gives quizzes, studies literary devices, and hits however many pieces of canonical literature we need to. Consider this reading calendar from 2018-2019.


Makerspace Instruction


Here is an essay on how technology shifts instruction in a makerspace:

The Interstitial Classroom:
The key to collaborative and autodidactic learning
Or, how an English teacher learned to stop worrying and love the Internet 

There are many others that grapple with “interstitial” teaching, but that one best covers the philosophy behind the shift. Technology is a tool for learning, and it can become part of a lifelong habit of reading and writing. Consider one of the flipped lessons used to start a discussion about reading in a makerspace:

Well, Why Read?

That post discusses hyperlinks, responsiveness, and the freedom students have to engage with different levels of instruction. It is about turning the Internet into a tool for the Humanities and a resource for student growth.


Makerspace Assessment


Finally, there is how a makerspace treats assessment as a tool. This is covered in the post on building blocks, as well as many other posts on this site. Student feedback on the process is especially helpful.

The use of grade abatement allows us to give embedded, individualized feedback; teach 21st century skills in context; encourage risk-taking; and avoid grade obsession, gamesmanship, and the hit to self-esteem and self-efficacy caused by traditional grades.

The process is modular and responsive. It works for all grade and ability levels, because it makes universal skills and traits clear, discrete, and actionable. It enables a better form of feedback. Here is the process in full:

The GAP Process

But it is just as helpful to see posts that clarify grade abatement in the context of makerspace problem-solving:

Clarifying Grade Abatement

Makerspace FAQ

Classes in the makerspace study literature, write essays, explore essential questions, prepare for English exams, etc., just like any English class would. The difference is an overhauled and interlocking system for instruction, assessment, and feedback.

Like the course itself, this post is based on inquiry. Questions can be asked in the comment section or emailed directly to me (meure@brewsterschools.org), but the list below should help answer almost any question.

With that in mind, this FAQ isn’t structured like a normal FAQ. Instead of questions and answers, you’ll find the means to answer questions. Want to know if a “Humanities makerspace” is in line with the high school’s English Language Arts skills framework? Here is the answer. What about the district’s Strategic Coherence Plan? Covered exhaustively. Wondering how “grade abatement” works? Read the guides and testimonials. Heard that feedback looks different? I’ve included hundreds of examples.

Students in the space learn through direct and online instruction, with ample opportunity to experiment and ask for help. For every other stakeholder, this FAQ is a way to be informed. My goal is 100% transparency about what we do and how effective it is.

Note that the syllabus and orientation links are for AP English Language and Composition. That is because prospective AP students need information on the unique College Board curriculum, since it is implemented with the same fidelity given to the ELA framework and SCP.


Resources


Sisyphean High | Main site for materials, instruction, and online discussion. (You’re on it right now.)
The Humanities Makerspace | Google Site with testimonials, classroom pictures, student work, and much more.

Testimonials | Direct link to testimonials that connect the makerspace to the SCP and ELA skill spiral. Critical for student buy-in.
Engines That Could | Student self-analysis assignment built on the SCP and ELA skill spiral.

Syllabus | Explanation of the makerspace and overview of the AP course.
Course Orientation | Interstitial instructional post that covers the basics for all courses at the beginning of the school year. Updated for 2018-2019.

The GAP Process | Protocol and materials for grade abatement. Explains the entire assessment process. Updated for 2018-2019.
Clarifying Grade Abatement | More perspective on profile-based assessment. Updated for 2018-2019.
Mind the GAP | Unpacks the biggest previous updates to pedagogy in the space. From 2016.

Profiles, Skills, & Traits | Direct link to PDF of the profiles, skills, and traits that drive our learning.

Pre-GAP Triage: Overview | Overview of how exhaustively student data are collected and used in the space. For a direct link to evidence of this: tinyurl.com/gap-triage-218.

The Big Sky | Explanation of how the first quarter of each year is used to build skills that enable us to study content.

The Writing Process | Complete writing process. Built for responses in any genre or mode, but used most frequently for essays. Updated for 2018-2019.
The Reading Process | Complete reading process. Built for any assigned text, but used most frequently for literature. Updated for 2018-2019.

Well, Why Read? | Part of the reading process post. Specifically addresses how literature, nonfiction, and online reading factor into students’ futures.

Reading Calendar | Current schedule of canonical literature in all courses (2019).

The Pareto Project: Complete Guide | Protocol and materials for our Humanities “20 Time” project. Includes links to student work. Updated for 2018-2019.
Pareto Project: FAQ | Set of frequently-asked questions about the Pareto Project.
Pareto Project: Final Self-Assessment | How these “20 Time” projects are assessed in the makerspace.

Molecular Learning | Essay on risk-taking in the makerspace.
The Interstitial Classroom | Essay on the use of technology in the Humanities.
Head Training | One of many essays on the importance of face-to-face work in the makerspace.

Objects in Space | Instructional post about the physical space and how students arrange themselves within it. Includes notes on a mindfulness-based daily check-in form.

Inclusion and Co-Teaching in the Makerspace | Includes screenshots of the feedback process. Informative for students in non-ICT courses, too.

Stakeholder’s Guide | Updated and given directly to parents each year. Useful for all stakeholders, including students. Updated for 2018-2019.

A Better Form of Feedback | Complete overview of how feedback works in the makerspace. Links to other guides.
Mongering and Congeries | One of the links in the above essay. Counters misinformation about the makerspace explicitly and directly.

A Better Kind of Quiz | Overview of quiz-like assessments in the makerspace. Updated for 2018-2019.

Galvanizing Feedback: How to Sisyphean High | Student-generated discussion on how to use the makerspace effectively. Includes more testimonials. Note: In progress as of February 25, 2019.

Twitter: Sisyphean High | Course Twitter account. Used to share student work and course pedagogy with parents and other stakeholders. (Students don’t use Twitter.)

Medium: Sisyphean High | Course Medium account. Used for instructional essays.


How to Use These Resources


Again, it’s about inquiry and exploration, but for prospective students especially:

  1. Don’t read them all.
  2. Read the ones that seem to answer your question or concern.
  3. Read those carefully.
  4. Ask questions.

You can also put your question or concern below, as a comment on this post.