40 Days: AP English Language & Composition

April 22 is the beginning of the fourth and last quarter of the year. 40 days remain. Let’s start with a review of the basic resources available to students and all stakeholders:

If you are a parent or guardian and haven’t already done so, bookmark the course website and sign up for Google Classroom email summaries.


Course Specifics: AP English Language & Composition


We’ve just finished all of our in-class exam prep, having workshopped Section I and written the three essays for Section II:

AP Exam: Section II — Workshop

The AP Exam is on May 15. We won’t be doing only exam prep, of course; we’ll also finish our look at classification and division through this essay due on April 25, in addition to a study of George Orwell’s “Politics and the English Language.”

For the last quarter of the year, students will be given a choice of novel, with a push for The Catcher in the Rye or The Great Gatsby. In addition to the usual approach to literary analysis and discussion, we will learn to write a reader-response essay:

Writing Process: Reader’s Response

As an AP Language course with a prescribed limitation on canonical literature, we will discuss atypical possibilities for this final reader’s response. The focus, as always, will be a discussion of literary merit and the purpose reading in the Humanities.

We’ll write college essays after the AP Exam, and in June, we’ll share and present Pareto Projects, also known as 20-Time or 20% Projects. For a recap of what that entails:

There is no final exam in class for juniors taking AP English Language. Seniors will be asked to complete a Senior Talk according to the requirements laid out by the high school. That information will be posted separately to Google Classroom for anyone it affects.

Finally, there is the New York State Regents Examination in English Language Arts. The single essay on this exam is nearly identical to the synthesis essay on the AP, and all of our multiple-choice practice will have prepared AP students well for Part 1 of the Regents Exam. We will practice all three parts through Castle Learning, using those data to put everyone in the best position to succeed.

Ask any questions about our scheduled work below, and pay careful attention to any changes announced through Google Classroom. As always, assignments will be formally posted there; this site will be used for instruction, general feedback, and planning purposes; and individual feedback will be given interstitially through our usual methods.

40 Days: English 11 Regents

April 22 is the beginning of the fourth and last quarter of the year. 40 days remain. Let’s start with a review of the basic resources available to students and all stakeholders:

If you are a parent or guardian and haven’t already done so, bookmark the course website and sign up for Google Classroom email summaries.


Course Specifics: English 11


We’ll finish our study of One Flew Over the Cuckoo’s Nest, which we began on March 3, with the last of our in-class writing prompts:

Cuckoo’s Nest: Weekly Assignments

We’ll then write a reader’s response to One Flew Over the Cuckoo’s Nest through the following writing process:

Writing Process: Reader’s Response

For the last novel of the year, students will be given a choice between The Catcher in the Rye and The Great Gatsby. We will base the choice on a discussion of literary merit. We’ll work our way toward another reader-response essay that grapples with the chosen novel, in addition to the usual approach to literary analysis and discussion.

For our nonfiction, we’ll read “The Ways We Lie,” an essay of classification and division. We will read the text, discuss it, and then answer some of a series of questions on rhetorical and stylistic strategies. That analysis will then lead to student-driven classification and division. Here are the resources that will be posted:

Pareto Projects, also known as 20-Time or 20% Projects, will be presented in June. For a recap of what that entails:

There is no final exam in class for English 11 students. Instead, there is the New York State Regents Examination in English Language Arts. We will continue our work on the Part 2 essay in April:

CC ELA Regents Exam: Part 2 Prep

We will practice Part 3 after that, with a mock score ready for each student by mid-May. In June, we will troubleshoot each section of the exam in order to put everyone in the best position to succeed.

Ask any questions about our scheduled work below, and pay careful attention to any changes announced through Google Classroom. As always, assignments will be formally posted there; this site will be used for instruction, general feedback, and planning purposes; and individual feedback will be given interstitially through our usual methods.

40 Days: English 10 Regents

April 22 is the beginning of the fourth and last quarter of the year. 40 days remain. Let’s start with a review of the basic resources available to students and all stakeholders:

If you are a parent or guardian and haven’t already done so, bookmark the course website and sign up for Google Classroom email summaries.


Course Specifics: English 10


We’ll start with Macbeth, which we’ll read and watch in class:

Reading Macbeth

We’ll then write a reader’s response to Macbeth, using the following writing process:

Writing Process: Reader’s Response

For the last novel of the year, students will be given a choice. We’ll work our way toward another reader-response essay, in addition to the usual approach to literary analysis and discussion.

We’ll also study persuasive writing, a mode of discourse that lets us learn about research, synthesis, and citation. Students will write a persuasive essay in May.

Pareto Projects, also known as 20-Time or 20% Projects, will be presented in June. For a recap of what that entails:

The final exam will be taken in class during the week of June 10. It will be based on the essay-writing portion of the New York State Regents Examination in English Language Arts.

Ask any questions about our scheduled work below, and pay careful attention to any changes announced through Google Classroom. As always, assignments will be formally posted there; this site will be used for instruction, general feedback, and planning purposes; and individual feedback will be given interstitially through our usual methods.

Reading Macbeth


Resources: Macbeth


To study William Shakespeare’s Macbeth, you start with the language barrier. Shakespearean English will make it hard for you to experience the play, even when performed, as you would any other story; the usual narrative beats and character development are often locked behind your ability to understand what’s being said.

I suggest you start with a summary, like the one provided here: Folger Shakespeare Library: Macbeth. You might want to wade into the Wikipedia entry, but remember that Wikipedia intends to be comprehensive — there is a lot of information there.

Macbeth is a great story, and the language used to tell it is worth the effort of decoding. Macbeth’s speeches are timeless; his wife’s, maybe more so. As a play, it is meant to be performed, so we will watch one of these performances:

Each can be rented for free with an Amazon Prime membership. The first one is probably more visually interesting; the second, through its lack of sets, emphasizes the actors more.

To read along, we will use the robust version of the play available online at Open Source Shakespeare:

This allows you to use Snap and Read to translate, plus any and all other online tools that might help you understand and appreciate Macbeth. In addition, we will encourage you to use SparkNotes, especially their translation of the text into modern English:

If that seems strange to you, remember that we approach reading as a source of empathy and experience. There will be no quizzes on plot nor tests on symbolism. If you can handle the intrusive ads on SparkNotes, you should use it to help you understand the play as we read it and watch a performance of it.

In the end, and in lieu of tests and quizzes, you will write a reader-response essay to enrich your experience of Macbeth. That process is outlined here:

Writing Process: Reader’s Response

Ask questions about the unit outline below. Save questions about the play itself, the reader-response essay, and any other related assignments for the relevant post here or on Google Classroom.

Writing Process: Reader’s Response

A Reader’s Response

This is a writing guide for a reader-response essay, which is also called a reader’s response. This kind of essay draws on reader-response criticism, a school of literary theory that prioritizes the individual’s experience of a text.

This can be done with any text, so you may have been assigned one (e.g., Frankenstein) or allowed to choose one. You must obviously start by reading the text closely. Most other requirements are explained through this guide or fall naturally under the auspices of our course. Remember, as always, to engage with the materials — by clicking on auspices to learn a new word, for instance.

You’ll also, as always, need to read the instructions and feedback given to you even more carefully and closely than the subject of your reader-response writing. This is the unbowed backbone of our course. It will always matter most that you learn to explore articles and texts like this.

Continue reading

AP Exam: Section II — Workshop

From a relevant column: “The Charm of Old-Fashioned Snail Mail”


How to Practice Timed Writing


First, an overview of what to expect:

That summary comes from the most helpful resource for the writing portion of the exam. Click the image of the link below to load the official site of the College Board:

Given enough time, anyone could use that page — and only that page — to pass Section II of this AP exam. That page gives you prompts, scored student essays with explanations, reports from the graders, and reports from students. You could follow a simple feedback loop:

  1. Pick an exam to practice.
  2. Pick a question.
  3. Set a timer for the suggested amount of time.
  4. Write a response.
  5. Read all of the resources for that question: sample essays, scoring explanations, grader reports, etc.
  6. Use this understanding to score your own essay.
  7. Revise that essay.

Step #6 works best with a teacher, of course, so I’ll be scoring your timed essays. In fact, it’s better to have a teacher handle the first two steps, too; I can give you tasks tailored to your needs, even if it means cobbling together a complete Section II from multiple exams.

The specific writing assignments will always be posted to Google Classroom. You will also always have time in class to write each response, although Question 1 requires you to schedule in 15 minutes to read the sources beforehand. See the section below for more information on getting the timing right.


Our Usual Section II Practice


Here is an example of cobbling together a practice exam:

This is what will most often be distributed in class. More on what each question provides:

2012 Exam: Question 1 | Source D is not included in this packet because of copyright constraints. That helps students focus on having the rest of the sources speak to each other. This prompt also requires a thoughtful balance of commonplace knowledge, anecdotal experience, and source-based argumentation1.

2012 Exam: Question 2 | This passage tops out at 110 lines, which is one of the longest passages given for any Question 2. That lets students practice reading and annotating quickly and toward a thesis. It also helps that this passage has a specific audience and rhetorical context that readers can grasp2.

2014 Exam: Question 3 | It’s interesting that this comes from Po Bronson, whose writing we study each year, but the reason to use this 2014 prompt is its unexpected complexity. It requires more reading than many Question 3 prompts, and then it names a specific audience for the response. Most prompts for Question 3 are truly general arguments; this one requires students to demonstrate an awareness of a specific audience, not just the rhetorical context3.


Getting the Timing Right


The suggested time for Section II is two hours, with fifteen minutes for reading. You have, therefore, 135 minutes total in which to write these three essays.

The best way to practice is to set aside 135 minutes for the entirety of Section II. You would first look at the prompts when you start the timer; after 135 minutes, you would stop.

This is often impossible, of course, because many AP students don’t have 135 uninterrupted minutes. If you do, that block of time falls at the end of a long day, when your writing is going to be severely affected by decision fatigue:

I’m embedding that article to draw your attention to the most important aspect of this practice: Write your best timed essay for each response, even if you have to break it up over multiple days. Decision fatigue will not be a factor at 8AM on the day of the exam.

If you complete Section II in one well-rested sitting, that’s the best possible set of data for us to use. Otherwise, you’ll have class time. The issue, of course, is that we have only 40 minutes or so each day, with 23 hours or so between each chamber. We will have to work around that.

The most efficient schedule is probably going to look something like this one, which is from 2019:

We will set aside a Monday for in-class reading, to make sure you’ve seen the prompts and had 15 minutes to read; then we’ll use three consecutive periods to finish Section II in its entirety.

During those three days, you could work on any essay, but it would make the most sense to go in order, letting the natural time limit of each period do its job. It’s not a perfect emulation of the testing situation, but it’s a good assessment of your timed writing ability.


Scoring Guides


The most important step in preparing for the timed writing portion of the exam is to study what the College Board expects you to be able to do. For our usual practice (see above), here are the scoring guides provided by the College Board:

Each one provides a high-scoring essay, an essay scored somewhere in the middle (4, 5, or 6), and an essay at the very low end. You need all three.

Start with the rubric, which will come before the sample essays. Read the rubric carefully. Then skip to the scoring commentary. Before you look at each essay, read the overview, which will tell you exactly what the prompt required; then read the College Board commentary for the essay you want to study.

As an example, look at Question 1 from 2012. The College Board provides commentary for an essay that was scored a 5. You must first know what that 5 translates into on the rubric:

Essays earning a score of 5 develop a position on whether the USPS should be restructured to meet the needs of a changing world, and if so, how. They develop their position by synthesizing at least three sources, but how they use and explain sources is somewhat uneven, inconsistent, or limited. The argument is generally clear, and the sources generally develop the student’s position, but the links between the sources and the argument may be strained. The writing may contain lapses in diction or syntax, but it usually conveys the student’s ideas.

The language we use for scores of 5 in grade abatement is similar. Performances at this level are limited, with some strengths and some weaknesses. Usually, the weaknesses are such that the overall essay suffers, hence language like “inconsistent” and “strained.” Here is how the College Board evaluates the essay that was scored a 5:

This essay does present the argument that the USPS needs to be restructured, but this argument is uneven in its development. That unevenness is in part a consequence of how sources are synthesized to offer support for the argument. On the one hand, one series of sources is used to indicate the many specific ways the USPS might revitalize its operations to meet the needs of a changing world. On the other, the student cites a source that celebrates traditional modes of letter delivery and the personal touch it enables, the connection established when a handwritten card arrives at one’s doorstep. A more fully adequate essay would integrate these positions clearly. It is entirely plausible to argue that the post office might adapt to a changing world yet retain traditional elements of its service, but the essay lacks the organization necessary to sustain such an argument. Moreover, in the discussion of strategies the post office needs to pursue, the essay employs inconsistent evidence and explanations to support the student’s argument: some solutions based in the sources (for example, the USPS might consider being the only carrier to deliver reliably all seven days of the week) are reasonable and appropriate, but other solutions (for example, paying postal workers on commission) are not as convincing.

That essay is five pages long, which makes it longer than the essay scored a 9, yet it fails to establish and defend an adequate position in response to the prompt. This is a critical point to consider when evaluating your own writing.

Whether you are using scoring guides that are assigned by your teacher or looking through the College Board’s site for resources to study on your own, it might be most effective to start with the middle-of-the-road essays. The 5s (and even many 4s) provide an actionable contrast to the 8s and 9s. The lowest-scoring essays are less helpful, although the scoring commentary still offers important guidance.


  1. All synthesis prompts invite this balance, but this one requires it. The subject is common, but the intricacies of the prompt demand more awareness than other prompts. 

  2. For contrast, consider Question 2 from the 2006 exam. Student scores were low nationally for that prompt, probably due to the surprising complexity of such a short passage. That test is before the overall of this AP exam, however, and provides less benefit to current students. Hazlitt is tough, though, and worth getting to know; he has an essay on the pleasure of hating that is worth the time it takes to understand it. 

  3. Again, almost all essays require this awareness. The advantage of practicing this particular prompt is that it requires students to address their audience specifically. 

CC ELA Regents Exam: Part 2 Prep

For this test prep, we are using the Regents Examination in English Language Arts that was given on January 22, 2019. All materials are taken from the same source:

Copies of all previously written Regents Exam are available there.


Part 2: Writing from Sources: Argument


Note: The deadline for the handwritten step is “as soon as possible,” because your teachers will give you feedback as soon you submit your response. Use the calendar to organize yourself: Daily Lessons (All Classes): March 11 to June 17. If you need a prescribed deadline, use Monday, April 1.

All materials:

Steps for students:

  1. Complete Part 2 of the January ’19 ELA Regents Exam as instructed in class. Use the essay booklets provided to write your response. A copy of Part 2 is included in the folder linked above.
  2. Submit your handwritten essay response as soon as possible, using the “artifact” worksheet provided in class to drive feedback. Complete this sheet as instructed.
  3. Your teachers will return this feedback sheet with comments and a score. You will also be given access to exemplary student responses to compare to your own. Copies of these essays are included in the folder linked above. A copy of the state’s rubric is also included.
  4. Use the resources you read in Step #3 to revise your Part 2 essay response. Type this revision in Google Docs, and then submit it through Google Classroom by April 10.

You will have several weeks and plenty of class time to complete the process. Refer to the calendar for specifics. If you need more time, simply talk to your teachers in advance.

Ask questions below about any of these materials and/or steps.

AP Exam: Section I — Workshop

Critical note on compliance: If you are one of the 13 students who have yet to submit your Section I scores, do that immediately after reading this sentence.


Toward the End, “The Long Walk”


The AP exam, which packs three essays and 55 multiple-choice questions into about 200 minutes, is closer to a sprint than a marathon; the exam prep, however, is all long-distance running. You can’t cram for this AP. We go slowly and steadily.

Which brings us to the two Section I workshop day scheduled on our calendar. You should use the first one to generate questions and try to solve problems yourselves. Then you can use the time between the first and second workshop to seek my help here, interstitially, through the comment section of this post.

You will have individual needs, and we’ll address those through individual feedback and some test-specific triage. Most concerns, however, are going to overlap with the needs of the group. You’ll see below that particular questions and passages pose more problems. You’ll either be able to offer the explanations we need, be able to prompt the explanations we need, or be able to help by transcribing and posting questions here, on this post.

Note that it will matter down the road which of you got most of the answers correct on this practice test. Down this particular road, you’ll be asked to provide general advice and strategies to your peers. Right now, it’s about each passage and, more specifically, each question. We need to solidify your understanding of what each passage says, how each question works, how each set of answers can be filtered, and ultimately how to arrive at the correct answer.

Let’s start with what you can with the following data, too. You have the right answers, and you’ve had time to sit with the test; now you’ll see a spreadsheet of student performances. The order is randomized.

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2019%2F03%2FSR-MC-Responses-Copy-of-AP-Exam_-2012.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

 


Further Forms Data


That spreadsheet will take focus to unpack. That job may be helped by the data created by Google Forms — data you can access simply by clicking on the right link after submitting your own performance. I prefer the Forms data, so I’ve copied and pasted the statistics for each passage below.

Use this and the spreadsheet PDF to help you determine what to do next. Start with each other, and then send folks to ask specific questions in the comment section below.

[pdfjs-viewer url=”http%3A%2F%2Fsisypheanhigh.com%2Fmalachite%2Fwp-content%2Fuploads%2F2019%2F03%2F2012-AP-Exam_-32-Students-Reporting.pdf” viewer_width=100% viewer_height=600px fullscreen=true download=true print=true]

 

English 10 GAP Q3B Update: Six-Week Growth

Note: The header image for this post (the image you see in emails or when the post is embedded elsewhere) comes from this article on innovation as a mindset shift.


Six-Week Profiles: Q3B+Q3C


A few days ago, we overhauled your current unit of study:

The Invisible Man: Required Final Assignments

We also updated the daily calendar, which now reflects these changes. You can track your reading, plan your writing, and even set your daily goals in advance.

The renewed focus on structured, in-class work gives us an opportunity to slow down and walk you through new material, like the current SOAPSTONE analysis. It is also a chance to revisit your current progress in terms of GAP scores.

What we’ve decided to do is to eliminate the GAP score for Q3B. We will fold those three weeks’ worth of evidence into the profile-based assessment of the next three weeks, ending with another GAP report on April 5.

This means that you will be able to demonstrate growth, if you struggled recently, and earn a much higher profile score. You will be able to demonstrate more amenability and self-awareness. It’s a chance to look at six weeks worth of progress, not just three, which is exactly what some of you need. (Students already doing well should just keep on keeping on.)

A comment noting this decision and linking back to this post will be added to Infinite Campus. You can ask questions below.