Another Brick in the Wall

Let’s jump into another failsafe, using the rolling whiteboard in our space as a springboard:

The drawing in the corner is a work-in-progress by one of the artists in the space. I appreciate the balance it gives to the much less artistic stuff happening in the upper-left corner.

All students (except for graduating seniors, of course) should make note of the required summer reading, which is posted to the high school’s website. Copies are available through our Google Classroom, as well. You should also note that the deadline for submitting any artifacts related to your Pareto Projects is Wednesday, June 12.

Course specifics:

English 10

You are in the midst of the final exam, and a complete overview of what to expect was already posted and photocopied. As a reminder, the English Department’s rubric covers everything related to the process, from start to finish; you will be assessed on your handwritten essay, your typed revision, and your Turnitin submission. It all counts. We will sit down with everything you produced through June 14 and evaluate it.

If you finish early, you should revise again. If you still finish early, you will be allowed to use the remainder of the week to finish your reader-response essay and/or your final self-assessment of the Pareto Project. See this post for details.

English 11

Finish the practice Regents Exam assignment posted to Castle Learning. You only need to do Part 1 unless told individually to practice Part 2 or Part 3. You need the repetition of the multiple-choice passages before next week. See this post for details.

If you are stuck on your college essay, talk to us in class about delaying the required reader’s response until the weekend. We can be flexible with the deadlines.

The Regents Exam will be on June 19. Any information you need will be posted to your course stream on Google Classroom.

AP English

Make absolutely sure you’ve looked at the Regents Exam overview posted here. It is also a very, very good idea to practice the multiple-choice section before next week. Use Castle Learning.

In class, you should take three days to practice writing a reader-response essay. We’ll talk about getting the most out of that experience, which should be a low-impact, high-yield one. If you are stuck on your college essay, however, talk to me about exemptions or adjustments.

Again, be sure you’re familiar with the Regents Exam. Read the overview, look at the prompts from the provided test, and get yourself in the right mindset.

The Regents Exam will be on June 19. Any information you need will be posted to your course stream on Google Classroom.

2019 English 10 Final Exam

Another failsafe for English 10 students preparing to write their in-class final exam.

Overview

The final will be written from Monday, June 10, through Friday, June 14, with any extra time or other accommodations given during the week. Students will be given an essay prompt and accompanying sources. They will use these to write an essay response by hand, to type a revision, and then to submit a final copy to Google Classroom. Another copy must be submitted to Turnitin. The work will be scored with the English Department’s rubric and given a final grade out of 100 points.

Basics

Type: Argument from Sources

Dates: 6/10/19 — 6/14/19

Total Time: 200 minutes (in class)

Point Value: 100

% of Final Average: 20%

Protocol

A full testing protocol will be in effect for the entire week of June 10, or until all students have finished all steps of the exam. Breaking that protocol may result in a zero on the final. All students must:

  • Sit in assigned seats
  • Turn off and store phones and other handheld devices
  • Turn off and store Chromebooks and other computers
  • Stay silently working until given permission to get ready to leave at the end of each testing period

Note: You will have a moment at the start of each class to complete the daily check-in. Your goals should be based around specific steps in the writing of the final exam essay. Then you will store your phones and computers for the remainder of the period.

Format

Here is the exact first page of the final exam. Only the specifics of the topic have been obscured.

This is exactly the format of Part 2 of the ELA Regents Exam, which you have practiced at least twice this year. As you will on that state exam, you must write a complete essay here in response to the provided topic, task, and guidelines.

Process

You will start working on Monday, June 10. You must leave your work with your teachers at the end of each class period. If you are given permission to take a finished, handwritten draft home to type it, that permission will be given explicitly in class.

Suggested time for the handwritten response: 90 minutes, or roughly two-and-a-half class periods

When you have finished handwriting your response in the provided essay booklet, you will begin revising it. At this point, you may once again use your Chromebook or laptop computer.

Suggested time for the typed revision: 90 minutes, or roughly two-and-a-half class periods

When you have finished typing your revision, you must submit a copy to the appropriate assignment on Google Classroom. You have until midnight on Friday, June 14, to do this.

Then you must submit a second copy to the appropriate assignment on Turnitin. You have until midnight on Friday, June 14, to do this.

Requirements

Note: Final exams not submitted to Turnitin will not be scored. You must submit your writing to Turnitin to receive a final exam grade.

  • Complete, handwritten copy of the response
  • Typed revision submitted to Google Classroom
  • Typed revision submitted to Turnitin

The revision will be given a score out of 100 points through the English Department’s writing rubric. See below.

Again: Final exams not submitted to Turnitin will not be scored. You must submit your writing to Turnitin to receive a final exam grade.

Rubric

Writing Rubric – English Department

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Prep

Note the prep built into the course at the 40-day and 13-day marks. You’ve written arguments from sources before, and your persuasive essays from Q4 are explicitly designed to prepare you to write this kind of response.

In the week before the exam begins, the best prep is the required prep: Part 2 of the Jun. ’18 ELA Regents Exam, which is posted to Castle Learning. The earlier you do this, the more helpful the feedback will be.

You can also ask questions below about any aspect of this final.

The End-of-Year, Liminal Stuff

Like the last post, this one is about choices and consequences, but it’s more focused on that all-important 36th chamber, or what we do between the bells.

For most of the year, we focus our in-class time on a different kind of feedback: lots of circulating of ideas, grouping and regrouping students, etc., all built around ongoing, collaborative tasks. It’s a makerspace, with all the shifts that suggests.

The end of year dictates a lot more summative feedback, including more summative notes on your final projects, essays, etc. There are also exams to study for and final grades to compile.

Now consider how many deadlines, toward the end of a school year, fall on or around the last day of classes. This shifts the focus away from what you will take with you — the skills, traits, and habits that will help or hurt you next year — and toward what you did, fortunately or unfortunately, as assessed by rubrics and final grades and so on.

This changes the day-to-day shape of the period, at least for the last 13 days or so1. Most classes experience similar shifts — more review, more presentations, in-class finals that span several days. It’s not unusual.

So you might see the teachers in this space spend an entire class period with one student, because she needs that much face-to-face help on her college essay.

You might see one of us spend a period hunched over a computer screen, because we’re adding feedback to the first draft of a book a student submitted that day for his Pareto Project.

You might see us meeting with a small group in a corner of the room for 30 minutes, because we need to walk them through a practice exam posted to Castle Learning.

None of these is that different from the normal makerspace setup, but it does preclude the kind of responsive redirection you’re used to. In other words, we’re not correcting your in-class focus unless it bubbles over into disruption or disrespect. Your choices are your own. That’s why you have such an exhaustive set of resources to guide you:

CYOA: The Cave of Time, Failsafes, and Redundancies

This is also the return of the return of the fatal flying guillotine. The onus is on you, the student, to make the right choice. If you can’t self-regulate, and if the vast number of failsafes fail you, and if the intrinsic and extrinsic motivation of the profiles fails you — well, then you’ve failed yourself.

This is the end of the year; you are now what you have repeatedly done, especially in these last few months. If you recognize deficits or gaps, it will be your responsibility to correct them before next year, wherever next year finds you — in college, in a job, in your senior year, etc. It might be best to focus on starting new habits that will carry over into next year.

Make absolutely no mistake here: You can and should reach out for clarification about anything you get in terms of summative feedback, from final exam scores to final GAP scores to final Pareto Projects. You can — and will — receive the same level of feedback as always. But in the last few days, you get out of this space exactly what you put into it. That’s not unique to a makerspace, but it may feel more in focus in a makerspace. The liminal stuff is given more clarity.

So it’s down to you. Recognize what that looks like.


  1. That’s an arbitrary number, although it is exactly the focus of these organizing posts in 2019: English 10, English 11, and AP English

CYOA: The Cave of Time, Failsafes, and Redundancies

Choose-your-own-adventure (CYOA) or Interactive storytelling has grown in popularity in the last few years, most recently due to the “Bandersnatch” episode of Netflix’s “Black Mirror” show. In an English makerspace, this is an excuse to revisit the first Choose Your Own Adventure books, which were published in the late 70s and early 80s, starting with The Cave of Time, by Edward Packer.

By “revisit,” of course, we mean “use as a metaphor to start a post on student choices.” Metaphors help us organize our thoughts, after all, even when there’s a bit of an edge to the work.

In this post, we’re talking about the choices available to students in the makerspace, how those choices are presented, and the extent to which structure and flexibility are intertwined and reiterated in different ways. As always:

What Is a (Humanities) Makerspace?


Turn to Page 180


This post will use evidence from a single day — May 31, 2019 — to highlight how much planning and preparation goes into this system of teaching. The “failsafes and redundancies” mentioned on one of the room’s whiteboard are the specific focus.

That whiteboard hangs in a corner by our cellphone storage. Students see it every day. (See the physical tour for context.) It’s a semi-permanent collection of class philosophies and protocols, and it includes a goal-setting checklist required at the start of each period.

Makerspaces thrive on specific, actionable student goals. You can’t build skills randomly. You can’t create meaning without a plan. Curiosity and discovery need more structure, not less, to flourish.

From the teacher’s perspective, that means engineering failsafes and redundancies for all the background reading, resource requirements, assignment instructions, etc., that students need to make choices and set goals. Students need to stumble across another iteration of this information every time they turn around.


The Rundown: May 31, 2019

Here is my set of notes for Friday, May 31, which were read aloud to each class and edited throughout the day:

These are updates, reminders, individual notes to myself, and so on. Since I have to consider students who are absent, I also pin a version of this sheet to Google Classroom. (One AP English class that Friday had ten students out — a third of the class — for Guidance group sessions, sickness, college visits, etc., for instance.)

This space uses a triptych approach to assessment, with three “panels” per quarter. Formal assignments are organized chronologically on Google Classroom to facilitate student work. So the next failsafe/redundancy is what students see under the current “panel” of assignments:

That’s a list of what AP English students must do at the end of the school year. When a student clicks to see more information, this is what they see:

Each panel opens up to show formal directions and materials for every unit, lesson, and assignment. That screenshot is of materials for the college essay, for instance. Any formal assignments will also include those materials, plus deadlines, further instructions, and a running tally of missing/submitted/returned work:

Another failsafe/redundancy is the course calendar, which is available through Google Classroom, the course website, and this direct link:

The calendar is constantly updated, with links to relevant instructional posts and handouts included next to brief outlines of each lesson. Recent updates have also brought the most recent panel of lessons to the top of the spreadsheet:

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The calendar is another way for students (in this case, AP students) to organize themselves and choose their daily goals. It isn’t available offline, because of how often it is updated, and that raises an important point: All the online failsafes are designed to augment and support the in-class ones, and vice-versa.

In addition to the expected use of direct and small-group instruction, face-to-face redirection, and so on, there are whiteboards around the room that are updated with information as often as necessary. Click below to scroll through four of those whiteboards:

 

Students are surrounded by reminders about assignments and deadlines. Updates are even noted in different colors to help differentiate the new information.

It’s equally important that these whiteboards are surrounded by the innovations of the space — grade abatement profiles, interstitial learning protocols, posters on cognitive biases, etc. — because the specific assignments don’t happen in a vacuum.

To reiterate the point from earlier: All the physical redundancies augment the digital ones. The most widely used digital failsafes are on Google Classroom, where students submit formal assignments. The most powerful digital resource, however, is this course website.

Depending on the device you are using right now, you may not see the home page of this site in exactly the same way. Here is that home page on a Chromebook or desktop PC:

The menus and links are responsive, so they just look different on mobile browsers. Regardless, the site starts with a full set of links to daily essentials, calendar updates, and instructional posts. The home page centralizes whatever assignment or event is currently happening, too. In this case, it’s the Pareto Project presentations for the end of the year.

As another reminder/failsafe, the home page also has this:

CALENDAR & LESSON UPDATES [5/31 EDIT]

AP English Language & Composition: 40 Days to Go Update | 13 Days to Go Update

English 11: 40 Days to Go Update | 13 Days to Go Update

English 10: 40 Days to Go Update | 13 Days to Go Update

This is different from the regularly updated calendar of daily lessons. These are instructional posts specifically designed to help organize students. Twice in the last quarter, I have laid out in painstaking detail everything required, expected, etc. for the rest of the year: at the 40-days-to-go mark, and again at the 13-days-to-go mark. These posts came after spring break and our four-day Memorial Day weekend, respectively.

What these posts do is more than just create important redundancy in expectations. They also offer students a place to ask questions and engage in discussion with their teachers. That interstitial functionality isn’t often utilized well, but it has a lot of potential.


The Theory

It’s improbable that a student could spend a day in the space and miss all of those resources:

  • the spoken reminders and updates
  • the direct feedback in person
  • the whiteboards around the room
  • the printed copies of checklists
  • the Google Classroom updates
  • the Google Classroom unit materials and assignments
  • the updated calendars with links to other resources
  • this course website’s vast and detailed resources

And that is just one day. These failsafes and redundancies are always there. It’s an interstitial system. It’s more than fair, therefore, to assume that every student should know what to do and how to do it. The information is out there. It’s as clear and accessible as it possibly could be.

So how is it that, despite the vast resources and constant reiteration of expectations, some students left that 36th chamber having made bad choices? Some work was late; some, missing entirely. Time was wasted in and out of class. Questions were asked that have been answered a hundred times already, and then the 101st answer was also ignored.

Well, we have to acknowledge human nature, especially human nature in adolescents. Even with every failsafe and redundancy in place, a few students will be lost. They’ll make bad decisions. That’s okay, in that it’s just another opportunity to solve a problem. The space, as always, cares about how students learn.

We have to approach those struggling students with empathy. Any negative choice made in this space reveals a deeper problem, and that activates the makerspace’s true purpose: to solve authentic personal and academic problems together. When the failsafes fail, yes, it’s the student’s choices that led us there — but there’s an “us” in that sentence because it’s also the responsibility of the system to adjust.

For instance, right now: What else could a space like this do to make the expectations, directions, resources, etc., more pervasive or more accessible? If you’re reading this as a student, you can leave your ideas below.

13 Days to Go: English 10

Reminder: You’ve had an overview of the end of the year since April 12, when we had 40 days to go.

Every assignment due over the next three weeks has been posted since May 17. As always, you’ve had in-class and online calendars, checklists, and so on.

We’re now down to 13 days. This post is another overview of what you’re responsible for. It acts as a final failsafe.


GAP Scores: Q4B


These scores will be online soon after this post. They are the last actionable scores of the year, i.e., the last scores that give you feedback you can use to improve your performance. Q4C scores will not be posted until after the last day of classes on June 17.

Use these scores wisely. You have another chance to build evidence of collegiality, amenability, critical thinking, etc., before the year ends.

Note that you should not complete the final GAP report until June 17. Follow directions1.


Turnitin.com Submissions


Submission to Turnitin.com is required for all remaining assignments. Read the instructional post here:

You must submit your writing for it to count toward your profile. You also won’t receive feedback until then.

Note that if your similarity index is high enough, you’ll get help with citing your sources more effectively. It’s a learning tool, not a tool for punishment. The assumption will not be that you plagiarized; it will be that you wrote in good faith and need help incorporating what you’ve read.


Persuasive Essays


Remember that you must submit this writing to Turnitin.com before it can be counted.

Feedback on this persuasive essay will be tailored to the final exam, which is also an argument paper based on a position. Here is the persuasive writing packet, as a reminder:

The metacognition will be done by hand, in class, on Monday, June 3. It has been copied again for you. Here is that metacognition (alongside the prompt):

You must continue to work on this essay until it is done. Failure to finish it will prevent feedback, which will affect your preparedness for the final exam.


Final Exam


Your final exam will be scheduled across five days, from June 10 through June 14. See the course calendar for this week in context.

You will be given an essay prompt, which you will answer in class. You must then type a revision of this response and submit it through Google Classroom. The assignment is already posted.

Finally, you must submit the final exam essay to Turnitin. It cannot be scored until then.


Final Exam Prep


The exam is based on Part 2 of the ELA Regents Exam. Remember that you completed a practice Regents Exam earlier this year:

As further practice, you’ve been assigned Part 2 of the June 2018 exam. Go to Castle Learning for the assignment:

You will find the essay prompt there. Like before, you’ll receive immediate feedback from the site, in addition to what your teachers give you.

This prep will be optional for some of you. For others, it will be required. Follow the instructions given in class and online.


Pareto Projects


Your assessment of these projects will be guided reflection and metacognition. You cannot complete this until your project deadline has passed.

Here is the instructional post for those final self-assessments:

Pareto Projects: Final Self-Assessment

The forms are on Google Classroom. You also need the project schedule for Q4C:

Pareto Projects: 5/30/19–6/14/19

 


  1. Which goes for all assignments, of course, but most of all here. These are your evaluations, and you can’t self-evaluate without all the evidence. 

Pareto Projects: 5/30/19–6/14/19


Setting the Schedule


Like last time, there is a master schedule for the culmination of these projects.

All students are on this document. Find the sheet for your period, and then find your last name. That slot indicates your project deadline, whether or not you are presenting. If you are presenting, that is when you will present. Otherwise, that is when you will submit your project.

Refer to the original project guide (embedded below) and FAQ (also below) for more details. When in doubt, ask questions here or in class.

Notes on the provisional nature of the schedule:

  • TBD means that the final product hasn’t been clarified yet. Are you writing? Presenting? Creating something else? Make that clear as soon as possible.
  • ??? means that you still do not have an idea/blueprint/etc. on record for this round of projects.
  • Any other changes you’d like to make must be suggested in person or over email as soon as possible. The deadline for changes will be given on Google Classroom.
    • Note: This includes changes to your project’s focus; changes to what you plan to do (e.g., changing to or from a presentation); and changes to your due date, which will be considered on a case-by-case basis.
  • If you want to use the iTheater, the DaVinci Lab, or any other space in the iLC, make that known as soon as possible, and I’ll look into it for you.

Remember to cross-reference these deadlines with the calendar for the end of the year.


Project Showcase



Recap: Background


The Pareto Project: Complete Guide

Pareto Project: FAQ


Final Self-Assessment


Pareto Projects: Final Self-Assessment

English 10: Help Yourselves


“Acted Ere They May Be Scanned”


Before spring break, on April 11, we published the following instructional posts:

Writing Process: Reader’s Response

Reading Macbeth

You could have read both over the break to prepare for the next unit. That was not the assignment, but it’s important to note that you had both posts with more than ten days to read them.

On April 12, we published the work you’d be doing on the day you came back from break:

40 Days: English 10 Regents

Again, this was not required over spring break. It is, however, important to note the ten days during which you could have done this reading. You also have (and have had for a long while) a preview of every day’s lesson and every assignment’s deadline:

That’s a screenshot of your course calendar, specifically the two weeks right after spring break and through the end of the first GAP panel of Q4. We repost it whenever we make changes, so you’ve also seen this calendar in your Google Classroom stream a few times as we adjust upcoming units.

What ought to stand out there in that screenshot: We gave you two days entirely for reading the summaries of Macbeth, organizing your resources for Macbeth, and preparing to watch — as you might expect — Macbeth.

We also gave you Friday, April 26, as a kind of intermission between halves of the play. Originally, that was to accommodate the field trip to Six Flags, which most of you signed up to attend. When the field trip was postponed, we kept this “intermission” to give you another day to read summaries, revisit resources, and so on.

All of this prep was built around writing a reader’s response, which is an essay only possible when you’ve invested in the reading. Macbeth is a great story, and as the instructional overview tells you, we’re interested in how it affects you and what insight you have into its story, not plot-based quizzes and tests.


“The Labor We Delight in Physics Pain”


Which brings us to the lecture.

Leaving aside the ten days of spring break, you’ve had more than a week to become familiar with Macbeth. You’ve had summaries and time to read them in class; you’ve watched a performance of the play; that performance was broken up so that you had plenty of time in class or at home to address confusion, review the summaries, etc.; and there is a post that contains every resource and tool you might need.

Your only other assignment was to write about the end of the year and the need to focus. That assignment was, therefore, set up to help you study Macbeth. It was a means of transitioning out of spring break and into the final two months of school.

While you watched Macbeth, we did two things: We responded directly to those Q4 plans, and we took notes on your attentiveness to the play. That gave us a mostly complete picture of your readiness to do the reader-response work attached to Macbeth.

To help you to see part of that picture yourself, here is a quiz, presented as all quizzes in a makerspace are:

Write down as much detail about Macbeth as you can. What happens? What are the major conflicts? How do the main characters develop? How does the story end? What are some of the obvious themes?

Again, you’ve had a week to read any of a half-dozen summaries; to watch a performance of the play; and to use various resources to translate, review, etc., any confusing elements of what you’re watching. Shakespeare is difficult, of course, but the English of his plays is still English — a different dialect, of course, but English, all the same. And, again, you were told to read those summaries first. You were given an intermission on Friday, April 26, to prepare for the second half of the play.

If you don’t know much detail about the plot of Macbeth, you haven’t done your job. Were you lost? Were you confused? Well, what did you do to fix those issues?

For example, consider Act V, Scene 1. (You can read it translated into modern English here.) This is Lady Macbeth’s “damn spot” scene, which is among the most famous moments in the play. It’s the last time we see Lady Macbeth on stage before she kills herself, and she spends the scene wracked with guilt and horror at what has happened. It’s somehow made worse by the fact that she’s sleepwalking — so consumed by anguish that she can’t escape, even in sleep.

The version of the play we watch zooms in on Lady Macbeth’s face to frame her emotional state. Then she does this:

Yet you laughed.

Here’s the thing: Out of context, that’s actually funny, in that it’s basically a meme. Look at the few comments on that particular upload:

But that’s out of context. Out of context, I’d actively encourage you to turn Lady Macbeth’s scream into a meme. There should be more Shakespeare memes, frankly. In context, as part of our look at the entire play, laughter is an inappropriate response to this scene. Laughter reveals that you aren’t paying attention to the plot, aren’t immersed in the action, and aren’t aware of the stakes.

That’s not soap-boxing, by the way. It’s reality: If you watch this scene while invested in the story, aware of what Lady Macbeth’s words mean, and focused on how the actor embodies her anguish, you won’t laugh. If, however, you aren’t paying much attention, haven’t done the prep work necessary to understand the gravity of the scene, etc., then you would laugh. The scream comes out of nowhere, in that case, because you’re not part of the audience; you’re in the next room, essentially, overhearing what someone else is watching.

So you outed yourselves. This was another test of your discipline and focus. If you don’t want to say that you failed, put it more empathetically: You still struggle to do your job as students.


“King-Becoming Graces”


That’s where we are: You need to do your job as students. That means paying attention to what we’re reading, completing the work you’re assigned, and using the feedback we give you.

In here, hitting those marks will earn a good-to-great grade, because we focus so much on growth, self-awareness, amenability, and so on. That ought to be one motivation. Another is that you have to develop good habits of mind now, before bad habits become permanent. The safety net we’ve given you won’t be there next year. To be frank, it’s not going to be there in June of this year, either. You’ll have another reader-response essay to write, a final exam to take, a Pareto Project to present — assignments that will determine, for some of you, whether or not you pass on to eleventh grade.

Ask us questions about how to refocus and make the most of this work. Remember that it’s not just about catching up with Macbeth now; it’s also about making sure you patch the holes in the hull of a capsized ship.

40 Days: English 10 Regents

April 22 is the beginning of the fourth and last quarter of the year. 40 days remain. Let’s start with a review of the basic resources available to students and all stakeholders:

If you are a parent or guardian and haven’t already done so, bookmark the course website and sign up for Google Classroom email summaries.


Course Specifics: English 10


We’ll start with Macbeth, which we’ll read and watch in class:

Reading Macbeth

We’ll then write a reader’s response to Macbeth, using the following writing process:

Writing Process: Reader’s Response

For the last novel of the year, students will be given a choice. We’ll work our way toward another reader-response essay, in addition to the usual approach to literary analysis and discussion.

We’ll also study persuasive writing, a mode of discourse that lets us learn about research, synthesis, and citation. Students will write a persuasive essay in May.

Pareto Projects, also known as 20-Time or 20% Projects, will be presented in June. For a recap of what that entails:

The final exam will be taken in class during the week of June 10. It will be based on the essay-writing portion of the New York State Regents Examination in English Language Arts.

Ask any questions about our scheduled work below, and pay careful attention to any changes announced through Google Classroom. As always, assignments will be formally posted there; this site will be used for instruction, general feedback, and planning purposes; and individual feedback will be given interstitially through our usual methods.

Reading Macbeth


Resources: Macbeth


To study William Shakespeare’s Macbeth, you start with the language barrier. Shakespearean English will make it hard for you to experience the play, even when performed, as you would any other story; the usual narrative beats and character development are often locked behind your ability to understand what’s being said.

I suggest you start with a summary, like the one provided here: Folger Shakespeare Library: Macbeth. You might want to wade into the Wikipedia entry, but remember that Wikipedia intends to be comprehensive — there is a lot of information there.

Macbeth is a great story, and the language used to tell it is worth the effort of decoding. Macbeth’s speeches are timeless; his wife’s, maybe more so. As a play, it is meant to be performed, so we will watch one of these performances:

Each can be rented for free with an Amazon Prime membership. The first one is probably more visually interesting; the second, through its lack of sets, emphasizes the actors more.

To read along, we will use the robust version of the play available online at Open Source Shakespeare:

This allows you to use Snap and Read to translate, plus any and all other online tools that might help you understand and appreciate Macbeth. In addition, we will encourage you to use SparkNotes, especially their translation of the text into modern English:

If that seems strange to you, remember that we approach reading as a source of empathy and experience. There will be no quizzes on plot nor tests on symbolism. If you can handle the intrusive ads on SparkNotes, you should use it to help you understand the play as we read it and watch a performance of it.

In the end, and in lieu of tests and quizzes, you will write a reader-response essay to enrich your experience of Macbeth. That process is outlined here:

Writing Process: Reader’s Response

Ask questions about the unit outline below. Save questions about the play itself, the reader-response essay, and any other related assignments for the relevant post here or on Google Classroom.