The Feedback Chain

This is another exploration of how feedback works in a Humanities makerspace. These are other posts on the same subject:

There are many, many more.

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October 2, 2019

Note: Use the comment section at the end of this post to ask questions.


Progress Reports


Your first grades were posted before school on Wednesday, October 2. We will take the class period that day to unpack those scores, process your reaction to them, etc., starting with your Q1B work-in-progress grade abatement profiles:

WIP GAP Explained

Those scores will change, one way or another, between now and October 22, when your Q1B scores are finalized. The extent and direction of that change is up to you.

Here, copied directly from the front page of this instructional site, are the links you need to unpack your scores into actionable stuff1:

For All Stakeholders: A Quick Guide to Stakeholder Involvement
Google Site: Proof of Process: Testimonials, Tours, and Student Work

ESSENTIALS PACK: ASSESSMENT (2019-2020)

*Includes updated, direct links to each period’s GAP report

Start with the “Guide to Stakeholder Involvement.” You haven’t seen that yet, and it will be sent home to parents and guardians today as part of Open House.

The rest of these resources have been distributed and reviewed already. It is your responsibility to use them appropriately to help you be successful in here. Remember that success now corresponds to success next year, when the Skinner-box logic of high school is a memory. That’s why those testimonials are included.


Current Units


Once you understand what these GAP scores are telling you, move on to our two current units of study. From the front page of this site:

CURRENT UNITS OF STUDY (SEPTEMBER/OCTOBER)

① The Age of the Essay | Study of how and why we write. Includes close reading of a central text, guided analysis, and a universal writing process.
② What Is Literature For? | Study of how and why we read. Includes close reading of different texts (video, nonfiction), guided analysis, and reader-response writingIncludes summer reading work. 

These are both about the how and why of writing and reading. They frame everything else we’ll do this year. The more work you put in now, the better. Remember the lessons of this post.

The first unit just ended, and you have a writing assignment due on Thursday, October 10. The second unit starts formally on Thursday, October 3, with a closer look at the reading process. If you have kept up with all requirements so far, that’s your focus today:

The Reading Process

You will have an assignment based on the first video in that post, so pay careful attention to it.

Remember to ask questions below.


  1. “Stuff” is used here because it’s imprecise. Some of you will need a one-on-one conference; some need a written plan; others, just a nudge in the right direction. 

WIP GAP Explained

© Metro Trains Melbourne, Dumb Ways to Die


TL;DR — WIP GAP

WIP GAP stands for work-in-progress grade abatement profile. It refers to a provisional score entered into the online gradebook. Click on provisional in that sentence, and you’ll see why we’d use that adjective: This score should be changed later by the student’s further choices.

The use of a WIP GAP score, as opposed to the scheduled GAP score, is often because students have failed to meet the basic requirements of the course. For example, students may have failed to read assigned texts, to complete assigned analysis, or to use class time effectively.

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Another Brick in the Wall

Let’s jump into another failsafe, using the rolling whiteboard in our space as a springboard:

The drawing in the corner is a work-in-progress by one of the artists in the space. I appreciate the balance it gives to the much less artistic stuff happening in the upper-left corner.

All students (except for graduating seniors, of course) should make note of the required summer reading, which is posted to the high school’s website. Copies are available through our Google Classroom, as well. You should also note that the deadline for submitting any artifacts related to your Pareto Projects is Wednesday, June 12.

Course specifics:

English 10

You are in the midst of the final exam, and a complete overview of what to expect was already posted and photocopied. As a reminder, the English Department’s rubric covers everything related to the process, from start to finish; you will be assessed on your handwritten essay, your typed revision, and your Turnitin submission. It all counts. We will sit down with everything you produced through June 14 and evaluate it.

If you finish early, you should revise again. If you still finish early, you will be allowed to use the remainder of the week to finish your reader-response essay and/or your final self-assessment of the Pareto Project. See this post for details.

English 11

Finish the practice Regents Exam assignment posted to Castle Learning. You only need to do Part 1 unless told individually to practice Part 2 or Part 3. You need the repetition of the multiple-choice passages before next week. See this post for details.

If you are stuck on your college essay, talk to us in class about delaying the required reader’s response until the weekend. We can be flexible with the deadlines.

The Regents Exam will be on June 19. Any information you need will be posted to your course stream on Google Classroom.

AP English

Make absolutely sure you’ve looked at the Regents Exam overview posted here. It is also a very, very good idea to practice the multiple-choice section before next week. Use Castle Learning.

In class, you should take three days to practice writing a reader-response essay. We’ll talk about getting the most out of that experience, which should be a low-impact, high-yield one. If you are stuck on your college essay, however, talk to me about exemptions or adjustments.

Again, be sure you’re familiar with the Regents Exam. Read the overview, look at the prompts from the provided test, and get yourself in the right mindset.

The Regents Exam will be on June 19. Any information you need will be posted to your course stream on Google Classroom.

The End-of-Year, Liminal Stuff

Like the last post, this one is about choices and consequences, but it’s more focused on that all-important 36th chamber, or what we do between the bells.

For most of the year, we focus our in-class time on a different kind of feedback: lots of circulating of ideas, grouping and regrouping students, etc., all built around ongoing, collaborative tasks. It’s a makerspace, with all the shifts that suggests.

The end of year dictates a lot more summative feedback, including more summative notes on your final projects, essays, etc. There are also exams to study for and final grades to compile.

Now consider how many deadlines, toward the end of a school year, fall on or around the last day of classes. This shifts the focus away from what you will take with you — the skills, traits, and habits that will help or hurt you next year — and toward what you did, fortunately or unfortunately, as assessed by rubrics and final grades and so on.

This changes the day-to-day shape of the period, at least for the last 13 days or so1. Most classes experience similar shifts — more review, more presentations, in-class finals that span several days. It’s not unusual.

So you might see the teachers in this space spend an entire class period with one student, because she needs that much face-to-face help on her college essay.

You might see one of us spend a period hunched over a computer screen, because we’re adding feedback to the first draft of a book a student submitted that day for his Pareto Project.

You might see us meeting with a small group in a corner of the room for 30 minutes, because we need to walk them through a practice exam posted to Castle Learning.

None of these is that different from the normal makerspace setup, but it does preclude the kind of responsive redirection you’re used to. In other words, we’re not correcting your in-class focus unless it bubbles over into disruption or disrespect. Your choices are your own. That’s why you have such an exhaustive set of resources to guide you:

CYOA: The Cave of Time, Failsafes, and Redundancies

This is also the return of the return of the fatal flying guillotine. The onus is on you, the student, to make the right choice. If you can’t self-regulate, and if the vast number of failsafes fail you, and if the intrinsic and extrinsic motivation of the profiles fails you — well, then you’ve failed yourself.

This is the end of the year; you are now what you have repeatedly done, especially in these last few months. If you recognize deficits or gaps, it will be your responsibility to correct them before next year, wherever next year finds you — in college, in a job, in your senior year, etc. It might be best to focus on starting new habits that will carry over into next year.

Make absolutely no mistake here: You can and should reach out for clarification about anything you get in terms of summative feedback, from final exam scores to final GAP scores to final Pareto Projects. You can — and will — receive the same level of feedback as always. But in the last few days, you get out of this space exactly what you put into it. That’s not unique to a makerspace, but it may feel more in focus in a makerspace. The liminal stuff is given more clarity.

So it’s down to you. Recognize what that looks like.


  1. That’s an arbitrary number, although it is exactly the focus of these organizing posts in 2019: English 10, English 11, and AP English

English 10: Help Yourselves


“Acted Ere They May Be Scanned”


Before spring break, on April 11, we published the following instructional posts:

Writing Process: Reader’s Response

Reading Macbeth

You could have read both over the break to prepare for the next unit. That was not the assignment, but it’s important to note that you had both posts with more than ten days to read them.

On April 12, we published the work you’d be doing on the day you came back from break:

40 Days: English 10 Regents

Again, this was not required over spring break. It is, however, important to note the ten days during which you could have done this reading. You also have (and have had for a long while) a preview of every day’s lesson and every assignment’s deadline:

That’s a screenshot of your course calendar, specifically the two weeks right after spring break and through the end of the first GAP panel of Q4. We repost it whenever we make changes, so you’ve also seen this calendar in your Google Classroom stream a few times as we adjust upcoming units.

What ought to stand out there in that screenshot: We gave you two days entirely for reading the summaries of Macbeth, organizing your resources for Macbeth, and preparing to watch — as you might expect — Macbeth.

We also gave you Friday, April 26, as a kind of intermission between halves of the play. Originally, that was to accommodate the field trip to Six Flags, which most of you signed up to attend. When the field trip was postponed, we kept this “intermission” to give you another day to read summaries, revisit resources, and so on.

All of this prep was built around writing a reader’s response, which is an essay only possible when you’ve invested in the reading. Macbeth is a great story, and as the instructional overview tells you, we’re interested in how it affects you and what insight you have into its story, not plot-based quizzes and tests.


“The Labor We Delight in Physics Pain”


Which brings us to the lecture.

Leaving aside the ten days of spring break, you’ve had more than a week to become familiar with Macbeth. You’ve had summaries and time to read them in class; you’ve watched a performance of the play; that performance was broken up so that you had plenty of time in class or at home to address confusion, review the summaries, etc.; and there is a post that contains every resource and tool you might need.

Your only other assignment was to write about the end of the year and the need to focus. That assignment was, therefore, set up to help you study Macbeth. It was a means of transitioning out of spring break and into the final two months of school.

While you watched Macbeth, we did two things: We responded directly to those Q4 plans, and we took notes on your attentiveness to the play. That gave us a mostly complete picture of your readiness to do the reader-response work attached to Macbeth.

To help you to see part of that picture yourself, here is a quiz, presented as all quizzes in a makerspace are:

Write down as much detail about Macbeth as you can. What happens? What are the major conflicts? How do the main characters develop? How does the story end? What are some of the obvious themes?

Again, you’ve had a week to read any of a half-dozen summaries; to watch a performance of the play; and to use various resources to translate, review, etc., any confusing elements of what you’re watching. Shakespeare is difficult, of course, but the English of his plays is still English — a different dialect, of course, but English, all the same. And, again, you were told to read those summaries first. You were given an intermission on Friday, April 26, to prepare for the second half of the play.

If you don’t know much detail about the plot of Macbeth, you haven’t done your job. Were you lost? Were you confused? Well, what did you do to fix those issues?

For example, consider Act V, Scene 1. (You can read it translated into modern English here.) This is Lady Macbeth’s “damn spot” scene, which is among the most famous moments in the play. It’s the last time we see Lady Macbeth on stage before she kills herself, and she spends the scene wracked with guilt and horror at what has happened. It’s somehow made worse by the fact that she’s sleepwalking — so consumed by anguish that she can’t escape, even in sleep.

The version of the play we watch zooms in on Lady Macbeth’s face to frame her emotional state. Then she does this:

Yet you laughed.

Here’s the thing: Out of context, that’s actually funny, in that it’s basically a meme. Look at the few comments on that particular upload:

But that’s out of context. Out of context, I’d actively encourage you to turn Lady Macbeth’s scream into a meme. There should be more Shakespeare memes, frankly. In context, as part of our look at the entire play, laughter is an inappropriate response to this scene. Laughter reveals that you aren’t paying attention to the plot, aren’t immersed in the action, and aren’t aware of the stakes.

That’s not soap-boxing, by the way. It’s reality: If you watch this scene while invested in the story, aware of what Lady Macbeth’s words mean, and focused on how the actor embodies her anguish, you won’t laugh. If, however, you aren’t paying much attention, haven’t done the prep work necessary to understand the gravity of the scene, etc., then you would laugh. The scream comes out of nowhere, in that case, because you’re not part of the audience; you’re in the next room, essentially, overhearing what someone else is watching.

So you outed yourselves. This was another test of your discipline and focus. If you don’t want to say that you failed, put it more empathetically: You still struggle to do your job as students.


“King-Becoming Graces”


That’s where we are: You need to do your job as students. That means paying attention to what we’re reading, completing the work you’re assigned, and using the feedback we give you.

In here, hitting those marks will earn a good-to-great grade, because we focus so much on growth, self-awareness, amenability, and so on. That ought to be one motivation. Another is that you have to develop good habits of mind now, before bad habits become permanent. The safety net we’ve given you won’t be there next year. To be frank, it’s not going to be there in June of this year, either. You’ll have another reader-response essay to write, a final exam to take, a Pareto Project to present — assignments that will determine, for some of you, whether or not you pass on to eleventh grade.

Ask us questions about how to refocus and make the most of this work. Remember that it’s not just about catching up with Macbeth now; it’s also about making sure you patch the holes in the hull of a capsized ship.

Cuckoo’s Nest: Weekly Assignments


One Flew Over the Cuckoo’s Nest


March 18, 2019: Read on for updates to our study of the novel, One Flew Over the Cuckoo’s Nest, in English 11 ICT.

Overview of the Novel: Parts 1-4
  • Part 1 — Pages 3-145
  • Part 2 — Pages 149-201
  • Part 3 — Pages 205-258
  • Part 4 — Pages 261-325
Reading Assignments
  • Due Tuesday, March 19 — Pages 3-41
  • Due Friday, March 22 — Pages 42-75
  • Due Friday, March 29 — Pages 76-158
  • Due Friday, April 5 — Pages 159-258
  • Due Friday, April 12 — Pages 261-325
Writing Assignments
  • Due Monday, March 25 — Response to Pages 3-75
  • Due Monday, April 1 — Response to Pages 76-158
  • Due Monday, April 8 — Response to Pages 159-258
  • Due Monday, April 22 — Response to Pages 261-325

Note that the final writing assignment is due after Spring Break.

On each Friday, when a reading assignment is due, you will write an in-class response based on the assigned reading. You will then type that response over the weekend and submit both the handwritten and typed writing by the beginning of class on Monday. Work handed in after the beginning of class will be considered late, and all insufficient or incomplete work will factor heavily into your GAP scores.

Mondays will still be reserved for sustained, silent reading.


A Thorough Explanation of These Changes


Copies of One Flew Over the Cuckoo’s Nest were distributed before the February break. For the next few weeks, we balanced essay-writing assignments with essential questions related to the novel. Finally, you were given a daily calendar for the rest of the year and a streamlined process for choosing between the assigned novel and a work of equivalent literary merit.

This was a massive amount of preparation and planning. It was meant to give you choice and freedom. Consider the updated makerspace FAQ or this recently published overview of a makerspace: It takes much more work on your teacher’s end to give you choices, because we are essentially creating 32 separate lessons for 32 individuals.

Consider, too, the transparent attempt this year to focus first on skills, and then to build from shorter nonfiction and fiction to several canonical novels. This gave you time to build stamina and develop good habits, and it opened up the possibility of choosing to read over being forced to read.

We even showed you extraordinary empathy and patience by studying, through close reading and discussion, the nature of your struggle with akrasia and self-control. That was back in October, and we’ve returned to your need for self-regulation and self-discipline over and over again.

As a class, you’ve recently failed to demonstrate self-control. You’ve failed to follow directions and take advantage of the opportunities given to you. As a result:

  • Your freedom to choose what to read is revoked.
  • The choice-related assignment that was originally due on Wednesday is now null and void.
  • You now have assigned seats and group members.
  • You will not be given Fridays to work on your 20% projects.

You should work on your Pareto Projects on your own time, carving out 20% of your schedule elsewhere. You are still responsible for the project itself.

Instead of your projects, you will now spend every Friday writing an in-class response on the assigned pages from One Flew Over the Cuckoo’s Nest. You will then type that response over the weekend and submit both the handwritten and typed writing by the beginning of class on Monday. Mondays will still be reserved for sustained, silent reading.

You will still do the reading and writing assignments outlined for Tuesdays and Thursdays. The next two are a narrative response based on an essay, “Learning to Lie,” and a character analysis response based on One Flew Over the Cuckoo’s Nest. You will still do silent, individual Regents Exam prep every Wednesday. The only difference will be your assigned seats and groups.

We will update the daily calendar in the next few days to reflect these changes. We will note reading assignments there, too. You may ask questions in the comment section below.

Video Meliora: Phone Ban

Starting Monday, your phones will be banned in the classroom. You’ve been given one of the pockets in the corner of our room as a holder for that phone:

Notes on the surrounding posters and handouts are in the next section. First, a complete list of assigned pocket numbers:

Write down your number. They are assigned in alphabetical order. We may also use these numbers to do some assigned group work.

Part of what you’re doing is performative — you are showing us, at the start of class, that you’ve chosen to remove the distraction of the phone. Putting that phone in its designated pocket does that. You are basically channeling Oedipus in this scene and playing to the back of the theater.

You should turn off notifications, sound, etc., before storing the phone. Make it obvious that you are removing the distraction.


The Why


You’ll notice posters and handouts all around the storage cubby for your phones. These are reminders about how to start the class period so that you can be most effective. The bigger poster is drawn from this:

“What Do I Do Next?”

While the smaller posters are all gleaned from the following document, which will be added to the “What Do I Do Next?” post when I find an extra hour in the day.

This is all about self-control and removing distraction. Remember that we banned phones once before:

Moratorium

That was the trial run. Keep in mind, too, that we looked at self-control and distraction earlier in the year:

The Return of the Fatal Flying Guillotine

That’s where the black-and-yellow poster by the phone cubby originates, at least in this class: Video meliora proboque, deteriora sequor. It means, “I see better things, and approve, but I follow worse.” I think you’ll find your productivity increases greatly without that distraction.

Ask questions about any of this, from the protocol for putting away your phones to the philosophy behind the decision, in the comment section below.

GAP Score Triage: Overview

This post explains “triage” delivered through Google Sheets and posted alongside GAP scores during some, but not all, GAP panels. This triage is designed to help students be honest with themselves as they implement the feedback built into the GAP scoring process.

Examples of spreadsheets are at the very end, after the crucial discussion of why and how this works.


Weakness Into Strength

I will now explain why I am taking such pains to create a spreadsheet instead of using Infinite Campus, which is the online gradebook most courses use. As always, this feedback is in addition to the many kinds of feedback we use regularly.

First, a spreadsheet requires each student to do a little more work to see what is missing, what is insufficient, etc., which shakes off the fog of habit. Infinite Campus is part of a routine. Feedback outside of that routine is likely to be processed more mindfully.

Second, this shows each student the entire class. The notes are anonymous, so it’s about the collective learning environment. Every student has a role to play in what kind of classroom we have. We have to push out low-information resistance and build herd immunity.

Third, this kind of spreadsheet is somewhere in between scores on individual assignments and the assessment ideal, which is a narrative. I believe Alfie Kohn is right that “posting grades online is a significant step backward because it enhances the salience of those grades and therefore their destructive effects on learning.” Unfortunately, online gradebooks are inescapable. So we must look for a way to fight that toxic salience through some kind of sustainable feedback model.

Here is a clarification of grade abatement that elaborates on this idea:

Clarifying Grade Abatement

Look especially at this section:

The crux of grade abatement is the idea that we can gather and assess all the information we need to help students learn without resorting to grades on individual assignments. There are a number of points to address, however, before we delve into how that works:

Grades aren’t necessarily toxic. The presence of grades does not preclude effective teaching and learning. In fact, the case can be made that grades are useful, that they motivate students, that they provide valuable data, and so on. It also doesn’t do us any good to demonize grades. All we need to do is acknowledge that…
Grades do warp learning. Grades change the learning environment. Kohn covers a lot of the research worth studying — research into student engagement, self-esteem, self-efficacy, and so on — but anyone with experience in a classroom knows what grades do. As soon as numbers are introduced, the student’s relationship to the material changes. That’s why the quotation at the start of Kohn’s essay rings so true: When the student, Claire, says, “I remember the first time that a grading rubric was attached to a piece of my writing… Suddenly all the joy was taken away,” we hear our own students. And that’s because…
While grades aren’t necessarily toxic, they are vectors for toxicity. Think of them as clouds of mosquitoes in a malaria-ravaged country. Grades can — and often do — lead to gamesmanship, cheating, hyper-competitiveness, disengagement, and almost every other enemy of authentic learning. Students scrap and fight over a hundredth of a point. They define their self-worth in numbers. They’re afraid to take risks. Grades spread this negativity from assignment to assignment and quarter to quarter. Unfortunately…
Whatever we believe, grades are unavoidable. It isn’t possible to abolish grades in a public high school. You might as well try exterminating every mosquito in the world. What we can change is the extent to which grades affect learning in our classrooms. We can’t change the entire system, but we can remove grades from most steps in the learning process, chip away at a student’s extrinsic motivations, and build a self-powered kind of learning.

Grades are vectors for toxicity. They spread the habits that hurt authentic learning. That’s the key distinction I keep forgetting: A number itself does nothing until it’s tied to a GPA, the threat of failing, the shadow of college acceptance, and so on.

As a result, these spreadsheet numbers are simplified. They convey only the most basic kind of feedback about work — again, because more meaningful feedback is given in other ways. But some students truly need to be shown that they aren’t handing in work. Telling them isn’t enough. Showing them in person isn’t enough. Even a GAP score isn’t enough. They need to see a zero next to an assignment.


What This Means

We have to recognize that institutionalized students are motivated by certain symbols. These spreadsheets weaponize that through a simple set of annotations and some conditional formatting added to Google Sheets1.

Any student work that has the potential to receive feedback gets a 0, 1, or 2. Other work (e.g., bringing in donations for a charity drive, submitting a form) gets checked in for completion only. That’s a stripped-down version of this:

Take that, which is clear enough, and strip it down further, and it’s just 0, 1, or 2. The conditional formatting added to the Google Sheet automatically converts those three choices to a color. A student doing an adequate or better job sees green, as in, “Keep going.” A student not doing work sees a zero in red — probably the two most powerful symbols of error or failure in school.

The zero is not factored into an average in any mathematical way. It indicates only that an assignment wasn’t completed. Some students need the zero in a red box to begin to process and adjust to the reality that they didn’t do the work.

The vexing part of this is that no student should be that unaware when an assignment doesn’t get handed in. The deadline comes and goes. The work is discussed. We use a dozen different techniques to differentiate and reiterate and redirect. Look at this post on the co-teaching environment:

Inclusion Co-Teaching in the Makerspace

We shouldn’t have to show students that work is missing before assigning a GAP score, but we know it is necessary.

What this kind of spreadsheet really does, therefore, is this: It pushes students to take couple of extra steps to engage with numbers that aren’t vectors for traditional toxicity, and it uses red, yellow, and green colors to trigger something basic in them.


Note: Functionally Missing

Some students hand in work that is so insufficient that it is functionally missing. It’s barely there. There’s no there there. The work isn’t missing, but that’s another reason to avoid traditional grades: That area of student quasi-compliance has to be investigated with more nuance. Yes, there was an effort to hand something in, but it doesn’t matter when that something is a non-starter for feedback.

This is explored in great detail here:

Insufficient vs. Sufficient Work

The ideas are elaborated further in a separate post specifically for students in Honors or AP courses.

The message can be made even simpler. I’ll use an assignment that asked for a response to a lengthy article on procrastination — part of a unit on that sort of thing. Students were given the article ahead of time, and then they were given 40 minutes in class to write. They had the rest of the day and night to finish, as necessary, before submitting the work.

The instructions called this response an essay. It didn’t have to be five paragraphs or feature a thesis, but it had to echo our writing process. It had to be developed. It had to say something meaningful, since it would then be part of in-class discussion, further reading, and additional writing.

Here’s a submitted response with significant composition errors (“perposley,” run-on sentence, etc.) and no development:

Humans are addicted to procrastination you can stop hesitating to work by making work the only thing to do like perpoisley be bored like the author of the hunchback of notre dame he locked away all of his clothes and wore a sackcloth so he can stay home and finish his books. Moral of the story it is more important to start work than to get it done.

That’s not an essay, no matter what definition of the word we want to use. In pre-GAP triage, that response would be coded as a 1. It can’t be given any real feedback. It’s insufficient for a makerspace, regardless of what kind of in-class discussion we’re having.

Here is a response that would be coded as a 0:

Procrastination is an impulse; it’s buying candy at the checkout.
This quote means that Procrastination never fails to beat someone

That one is functionally missing. There is no feedback to give.


Note: In-Class Focus

In-class focus is the first and most important step to successful learning. It’s repeatedly emphasized through instruction, lessons, feedback, and so on. Making good choices in class is essential, which is why this is a recurring unit:

The Return of the Fatal Flying Guillotine

That unit is revisited all year, every year, through posts like this one on the classroom space:

Objects in Space

Each day requires a goal, and each goal is checked and rechecked. In-class focus is more important to the GAP process than anything else.

So spreadsheets like this one below can be used to indicate how focused students have been. In the past, some have argued that they were only off-task for a moment, or that it only looked like they were off-task, or that they finished the work, or some other excuse. But this misses the point.

No one is not looking to catch students off-task. We are looking to help students who are focused. We are looking to help them with their work. We are giving them feedback and redirection. We are building posts and projects and lessons. That takes our focus and attention. We aren’t watching the room for mistakes.

If a student is off-task often enough or significantly enough during a GAP panel for it to affect a profile, it’s a serious lapse. These are students who are doing homework for other classes without permission, who are on social media repeatedly, who are gossiping and chatting. It’s well past the point of semantics, debate, and appeal. It’s obvious:

Dürer’s Rhinoceros

It’s also critical for students not to elide how often they’re told to get back on task. This isn’t a gotcha environment. Any teacher in this space is constantly and kindly pointing out the serious repercussions of not doing work. We’re here to help you to focus, which is why, to link to it again, there are entire units built as triage for exactly that purpose.

Therefore, a student with a 0 or a 1 for in-class focus on a spreadsheet has obviously, seriously, and repeatedly broken that contract. They have not to meet the most basic expectations of the space, despite constant feedback.

The 0 or 1 for in-class focus, like the 0 or 1 everywhere else, is designed to deliver a sort of limbic shock: Yes, you need to work harder.


Examples

For Q1A of 2018, students were given a set of exhaustive notes on their progress. Here are the spreadsheets:

For Q1B, they were again given notes on collective and individual progress in English 10, English 11, or AP English. This time, the spreadsheets were posted to Google Classroom.

On November 5, at the end of the first quarter, they were given another post of exhaustive, annotated data. This time, the spreadsheets were moved back to the instructional post:

Another good example is is the following spreadsheet, from February of 2019, which includes every class and links back to this post:

It includes data on daily goal-setting, an example of how test prep is incorporated into the makerspace, and an in-class focus score. It also removes the provisional GAP scores, which forces students to grapple with the granular feedback, not just a final profile.


  1. In this post from a previous year, the feedback is much lengthier, but it teaches a tremendous amount by being so lengthy. Over time, these old posts become connective threads: links that can be used for truly motivated and invested stakeholders to deepen their understanding. The practical work, like the implementation of a spreadsheet, can be more straightforward, as a result. 

Galvanizing Feedback: How to Sisyphean High

“Sisyphean High” is an example of anthimeria in the title of this post, because we’re talking about a different sort of action. As always, the most important thing we learn is always something about how we learn, and the makerspace exists to build a better version of each student.

To Sisyphean High, so to speak, is to study how we learn the way we’d study computing in order to build our own PC. It’s highly modular learning — that is, learning with a focus on understanding and then experimenting with each component1.

It is also best done collaboratively, hence:

In It Together: 2/14/19 Discussion

That activity and the subsequent discussion need to be codified somehow, or we’ll lose the insight students gleaned from this year’s feedback after analyzing it in class2. For instance, that instructional post, “In It Together,” asks us to sort the responses into positive and negative piles, but students had a better idea almost immediately:

  1. A pile of responses that could be used to help others
  2. A pile of responses from students who seem to need help

That’s a great example of the best kind of feedback. And after we’ve done that — sorted the responses according to a different sort of efficacy and need — we can start getting down some of your insights.

Students: Use the comment section of this post to share ideas. Focus on how to galvanize peers and improve the learning environment. Reflect on the patterns you saw and the specific details that resonated. Above all else, be empathetic.

We’ll talk in class about how to use our universalized writing process to respond to this activity, too, according to your interest and investment. An open letter, a narrative, a how-to guide — these are all possible writing responses that could be published and publicized in order to help others.


  1. If PC building isn’t your thing, I really do think this essay that uses cooking as the analogy is a helpful one. 

  2. It’s important to link back to last year’s feedback, too, as part of this exercise. The insights are the same, although the data pool is shallower.